November 14, 2013
The redesigned Independent astutely analysed by Andy Cowles, ‘…they just haven’t gone far enough.’
US Cosmopolitan editor Joanna Coles talks digital, ‘It’s all changing, all the time, and it’s incredibly exciting.’
Photographer Nick Knight discusses the rise of the iPhone and Instagram.
Preston is My Paris have a sleek new website featuring all their publications.
Magazines come is many guises. Graphic design journal Neue Grafik (originally 1958–1965) is republished in full by Lars Muller…
…while Fortean Times celebrate their 40th year with this front cover archive for The Guardian.
No joke – The Onion gives up their print edition.
Issue nine of Process Journal has been rethought and redesigned, the theme ‘Less is More’ reflects the new approach.
Boktor magazine is after submissions for their new issue, ‘No Regerts’, about regretted tattoos.
US publishers on the trials of trying to combine print and digital operations,
Mike Meiré redesigns GQ Italia (thanks Richard).
Kickstarter campaign for new erotic magaizne closes later this week. Help Talc meet their target.
The New York Times presents another online editorial experiment, A Game of Shark and Minnow.
Digital agency raves about the future of print via Acne Paper.
The Kiosk is touring a selection of independent magazine around Europe.
Mark Neil first came to notice with a series of bold front covers for the Big Issue, first for the Scottish edition and later the UK one. Earlier this year he took up the role of art director at Britain’s oldest music weekly, NME, and last month unveiled a complete redesign of the magazine. Here we look ahead at his week as Lou Reed’s death disrupts the final stages of production.
October 1, 2013
‘It’s either mad or genius to start a print publication in 2013,’ says editor in WSJ piece.
Creative Review takes a look at Matt Willey’s redesign of RIBA Journal.
New magazine: Manual, from Rhode Island School of Design, ‘about art and its making.’
The Editorial Design Organisation is rising from a short-term hibernation. News soon…
New Yorker creative director Wyatt Mitchell has been reworking parts of the magazine, as announced in the recently posted video. That video led with changes to the Goings On About Town listings section, but last week’s edition had a few other changes.
The annoying autoplay function means I’ve had to take down this video – link to it here.
Yikes! It’s the magazine they said couldn’t be redesigned, but the rumours were true. Here’s New Yorker creative director Wyatt Mitchell talking readers through the first parts of his 13-strong (!?!) team’s revamp of the title, to be revealed in this week’s edition.
From the video, it looks like they’ve gone about the project with the utmost respect for the history of the magazine. First up is a redesign of the listings section, with a redrawn version of their famous Irvin typeface (as featured throughout the vid) and additional illustration and photography.
So far, so good, but apparently these changes are just the beginning. Watch this space.
Wallpaper* reveals a new look this week with their September issue. Led by creative director Sarah Douglas and art director Lee Belcher, the typography has been completely overhauled. The previously Swiss/brutalist headline face Graphik has been replaced by a more decorative set developed by long-time collaborators Paul Barnes and Christian Schwartz of Commercial Type, softening the overall look of the pages.
Since its 2005 launch Little White Lies has been a flagbearer for independent publishing. Universally respected (and awarded) for its use of illustration, its equally strong editorial vision has sometimes been overlooked, yet both aspects mark the magazine out as special. Following the departure of its design team, the latest issue is guest art directed by Rob Lowe, who under the name Supermundane is a respected artist, illustrator and editorial designer. Other magazines bearing his name read like a history of independent publishing, and include Sleaze, Good for Nothing, Anorak and Fire & Knives. Here he looks ahead at his week and reflects on designing Little White Lies.
The difference design can make! When I reviewed Mid Century last year the gist of the post was great content, shame about the design (sadly that review is one of the victims of the hack earlier this year). Now issue five is here sporting a brand new look from Esterson Associates, and the layout and art direction have been properly resolved. Read the rest of this entry