Prompted by the realisation that colleagues and friends weren’t reading magazine apps, Bob Newman asked a group of editorial designers, including me, what we felt about apps, the production process, and what the future holds.
A very useful round-up, revealing general skepticism. Read the full piece on Bob’s Newmanology blog.
Following on from the previous post about kids mags, here’s a magazine for grown-up kids. And the two posts back-to-back explain one of the many great things about magazines: they are so varied. Toilet Paper is published from Italy by art provocateur Maurizio Cattelan and photographer Pierpaulo Ferrari, and consists of a series of heavily edited full-bleed images that subvert the history of consumer culture via contemporary ad retouching techniques. Sex, money, food and advertising, all gone weird in garish colour. Wonderful but disturbing!
To mark its new status as a hotbed of independent publishing, Printout is venturing beyond London EC2 to visit Bristol BS1 next Month. Join me and Steve Watson as we introduce Rosa from Cereal, Daniel from Off Life, Rachel from Another Escape and Mike from Boneshaker, find out about their magazines and ask – why Bristol?
Thursday 8 May, tickets here.
Eye magazine will be familiar to most magCulture readers, but this new issue is a great reminder of the team’s commitment to magazines. Not only is it a great example of high-quality print itself, with different papers and beautiful reproduction, it also features this overview of the ever-growing selection of indie food magazines including magCulture faves Put A Egg On It, The Gourmand and the late Fire & Knives.
Earlier this week a series of tweets criticised the latest front cover of The Economist (above). Erik Spiekermann, who redesigned the magazine in 2001, joined the exchange with links to his cover proposals from that time. Here, Andrew Losowsky takes a closer look at the covers.
Men’s mag Port goes pop this week with this colourful new cover featuring Sam Rockwell shot by Andreas Lazlo Konrath, styled by Bruce Pask and art directed and designed by Matt Willey. The headline, hand-painted by Bread Collective, is a complete departure from previous covers, as is the gradient colour (click image for larger version).
After the success of the recent fashion special, the next Printout evening takes a turn in a different direction with a look at magazines seeking to change our view of the world. Featuring London’s slow journalism pioneers Delayed Gratification, Beirut’s The Outpost (video) and Belgium’s agitprop pamphleteers Postr (live). 6.30, March 24 at The Book Club, 100-106 Leonard St, London EC2A 4RH