A rare look at a contemporary Iranian magazine, Hengam (thanks Andrew).
Offlife comic is launching an ambitious project, Yellow, commissioning 52 artists to record the news over the next year; names such as Jean Julien, Paul Davis, Simon Spilsbury and Takayo Akiyama will each take a week’s news.
It’s Nice That meets Becky Smith, founder of Twin.
NY Times to invest millions in their weekly magazine under new editor Jake Silverstein and CD Gail Bichler.
Issue ten of The Ride Journal is available on pre-order now.
Dave Trott makes an eloquent argument for the importance of presentation of content, ‘the best books are the ones you actually read.’
David Moretti’s move from Wired Italia to US Wired is confirmed.
‘The Print Handbook’ looks like a very useful source book for anyone taking projects to print (thanks Adrian).
There’s a great new book about editorial design out this week, by designer/educator Cath Caldwell. Cath developed her passion for editorial design working in New York, where she worked for Condé Nast. She has also art directed the British edition of Elle and is a founding member of the Editorial Design Organisation. Today she is senior lecturer on the Graphic Communication Design courses at London’s Central Saint Martins, encouraging students to follow editorial design. We look ahead at her week as the book ‘Editorial Design: Print and Digital’ is published.
Talking of which, make space on your shelf for ‘The Iconic Covers That Transformed an Undeserving World.’ – the best Onion front cover spoofs.
What Danny, Paul and Rob did next… Weapons of Reason is at print, landing next week.
The problem with intrusive digital advertising, ‘We’re enabling a riotous media circus that treats all content as equal.’
Don’t forget the first Stack evening, next Monday, 10 November, featuring Hello Mr, Gym Class Magazine and Root + Bone.
In New York? If you’re really quick you can catch Ruth Ansell this evening (6 November) at BGC Gallery. And don’t miss Chris Dixon and Christian Schwartz discussing the redesign of Vanity Fair, 11 November.
Amelia Gregory is a photographer who launched her own magazine, Amelia’s Magazine, in 2004 and produced ten issues until the final print edition in 2009. Since then she’s continued to publish writing, photography and illustration on the Amelia’s website alongside the occasional book. We look ahead at her week as she launches her first Kickstarter campaign, aimed at raising funds for a book based on an open brief to artists and writers (details below). The book will mark the tenth anniversary of Amelia’s and if the campaign goes well it may be followed by a new print edition of the magazine.
October 7, 2014
Little White Lies creative director Timba Smits discusses the magazine with three illustrators next week at Foyles bookshop, to mark the new collection of film reviews from the magazine, ‘What I Love About Movies’. London, 14 October (next Tuesday).
SPD Blog highlights the beautiful editorial typography of Otto Storch.
Monocle’s david Plaisant bemoans the closure of the magazine’s local newsagent, ‘The passing of Green’s has resulted in something of a campaign…’ That campaign continues on the last two editions of The Stack (nos 109 & 110) with lengthy discussion of magazine retail. Recommended.
New biannual travel magazine Diaries Of is raising money via Ulele.
Condé Nast UK profits fall as they spend on ecommerce and technology.
Eye reviews The Modern Magazine 2014, ‘an enthusiastic celebration of the power of editorial design.’
October 3, 2014
Next week in New York: Penny Martin, Charlotte Cotton and photographers Inez & Vinoodh discuss the influence of the eighties style mags on todays independents. 8 October, New Museum.
Varoom! editor acts the flaneur to track down Flaneur magazine.
How New Yorker cover illustrations have developed a post-9/11 edge.
Creative Review takes a look at the upcoming Little White Lies book.
‘What exactly is going on here?’ asks US Vogue as it discovers young people making indie mags. Who knew!
Behind the scenes at the New York Times, an excerpt from a young reporters memoir.
Unmapped have their new issue, themed Water, online now.
Cellardoor is a woman’s online magazine currently Kickstarting to launch a print edition.
At Work With returns on Monday
September 25, 2014
It’s Nice That go behind the scenes of the redesign of Elephant magazine.
Selectism takes a quick look at our magmagmag collaboration with Vitsoe.
Amelia’s Magazine returns for an anniversary one-off.
A big welcome to Lagom magazine.
The new creative team at the New York Times Magazine begin to make their mark, dropping ‘The One-Page Magazine’.
Grafik reviews the Index A-Z book.
Gasconder has a nicely linked round-up of recent magazine news.
Wired repurposes an excerpt from our recent Visual Editions project ‘Kitten Clone’.
The Good Housekeeping Institute becomes an actual place.
The Gentlewoman art director (and speaker at this year’s Modern Magazine conference) Veronica Ditting shares a few words with Computer Arts, ‘as a designer it’s about the dialogue you have with your collaborators.’ And read my associated piece about type and editorial.
iPhone mag The Magazine switches to off-the-shelf platform TypeEngine.
UK GQ editor Dylan Jones muses on the state of the magazine industry, ‘there are lots of people running around like headless chickens complaining that the world is over. But there will be winners and losers.’
UK Esquire art director David McCendrick signs off to launch new venture with Wallpaper*’s Lee Belcher, sharing thoughts with It’s Nice That, ‘the only rule is that if you ever meet someone famous, get a thumbs-up pic for your mum.’
Inside Four & Sons, the magazine that looks at, ‘what happens when we look at all aspects of the life we live… from a ‘dog-centric’ point of view.’
…and Puss Puss offers a cat-centric alternative.
Thanks Lucas for including The Modern Magazine in this round-up of design books.
The latest issue of the AOI’s magazine Varoom! has a lengthy look at The Face and it’s use of illustration by illustrator/educator Lawrence Zeegan. Besides the familiar nostalgic warm bath of early covers and spreads, the piece offers a surprising alternative history of the magazine and its use of illustration, something I hjad forgotten until now.
As editor-in-chief, publisher and art art director of 200%, Thierry Somers seeks out artists who are prepared to go to any lengths for their art – hence the name – and interviews them in-depth. The collaborative nature of the relationship between publisher and subject means stories can take years to come to fruition; to date four issues of 200% have been published as a book-ish magazine, and we join Thierry as issue five arrives in shops as a hardback book.