I’ve taken to describing what we do here at magCulture – on the blog/writing side of things – as propaganda. It’s partly tongue-in-cheek, yet it’s true that so much is written elsewhere about failure in magazine publishing that the good news (that people still make beautiful, striking and innovative publications) can easily be drowned out. For us here at magCulture good news arrives every day, the postman dropping several new magazines worth investigation. One such title is the dramatically named Print Isn’t Dead.
August 12, 2014
New Kickstarter-backed launch HrdCvr hires Claudia de Almeida, late of US Wired, as creative director.
iPad magazine pioneer Joe Zeff closes studio to work in-house at Scrollmotion, ‘The publishing business has been an elevator that continues to move down. This is the chance to get on an elevator moving up.’
‘Bookazines’ aren’t just a horrible made-up name, they’re also threatening the magazine newsstand.
As parent companies rush to hive off their print businesses, The New York Times reports on the death of the newspaper; ‘If this is the future… what is underway may be a kind of mercy killing.’
…while Michael Wolff is in more positive mood, ‘the powers that be aren’t so much taking our livelihood from us as they are giving it back.’
Bob Newman recalls the early front covers of Wire.
‘Fuck the begrudgers,’ says publisher as British Vogue hits a record 462 pages for this years September issue (including a record 293 ad pages).
Confessions of a magazine editor, ‘it’s all in such dramatic flux that it’s very easy to make errors.’
While still based in Dubai, Conor Purcell published several issues of his travel magazine We Are Here; two about Dubai and one about Kathmandu. The issues were put together using an iPhone for photography and laid out on a laptop – he really was there. They were a fascinating paradox of high-quality content and lo-fi presentation.
Conor has now moved to Dublin, where he has just launched the first of a new quarterly, We Are Dublin. It follows the same template as We Are Here but, aside from the blue-sky cover, presents a very different world. The new magazine is less about travel and more about living in a place, but it sets itself clear boundaries from the start, promising PR-generated stories. History, sociology, memoir, theatre and retail all figure. It’ll be interesting to see how it develops as Conor gets to know his new home.
The Good Housekeeping Institute becomes an actual place.
The Gentlewoman art director (and speaker at this year’s Modern Magazine conference) Veronica Ditting shares a few words with Computer Arts, ‘as a designer it’s about the dialogue you have with your collaborators.’ And read my associated piece about type and editorial.
iPhone mag The Magazine switches to off-the-shelf platform TypeEngine.
UK GQ editor Dylan Jones muses on the state of the magazine industry, ‘there are lots of people running around like headless chickens complaining that the world is over. But there will be winners and losers.’
UK Esquire art director David McCendrick signs off to launch new venture with Wallpaper*’s Lee Belcher, sharing thoughts with It’s Nice That, ‘the only rule is that if you ever meet someone famous, get a thumbs-up pic for your mum.’
Inside Four & Sons, the magazine that looks at, ‘what happens when we look at all aspects of the life we live… from a ‘dog-centric’ point of view.’
…and Puss Puss offers a cat-centric alternative.
Thanks Lucas for including The Modern Magazine in this round-up of design books.
Bonnier, who funded the development of the mag+ iPad app creation software, drops it in favour of Adobe DPS.
Bauer launches Retro, a celeb-weekly style look at the past in France.
An intern describes how to succeed working at a magazine, ‘I don’t have to be the expert; I interview the experts.’
I’m looking forward to seeing the first issue of new mag Lagom, from Elliot Jay Stocks, one of the people behind 8Faces and Digest…
…and whose contribution to the Magazine Diaries is now up, ‘it’s the creators of digital products such as myself who have helped reinvigorate the medium (print).’
A look at the strengths and weaknesses behind of Kickstarter-funded magazines, including Intern and CherryBombe.
Must-read: Brilliant piece about the growing importance of The New Yorker website as it relaunches this week, ‘Every post… should apply the magazine’s superlative sensibilities at Internet publishing speeds.’
Mid Century Magazine editor Tabitha Teuma interviewed, ‘the content is for keeps – something to refer back to – and this still works best in print.’
V Magazine founders and all-round NY fashion gurus Cecilia Dean and Stephen Gan end their business relationship.
At last, a zip-up denim magazine cover, courtesy of US Marie Claire.
A big thank you to everyone who pledged money to the Fiera magazine Kickstarter campaign. We just hit the £14k target with 24 hours to go, so the project is now live. Thanks too to the many people who helped with the campaign.
If you want to guarantee your copy (it’s due out November) pledge now before the campaign closes (14.59 UK time tomorrow, Wednesday). Every little extra means we can do more with the magazine.
If, like me, you enjoy coffee and magazines, Espresso Tales from Australia was made for you.
The first 50 front covers of The Face; the first few are by Steve Bush, the majority by Neville Brody. Anyone know at which point the changeover took place?
US mags look forward to their most successful September ad-sales ever.
The 2014 PPA Awards winners were announced last week; congratulations to everyone but especially designers Mark Neil (NME) and Simon Campbell (Strategies for Growth)
New magazine Table Talk sounds intriguing; read a brief interview with editor Benjamin Moe: ‘One of the most exciting parts of developing this magazine is realizing it’s a living, maturing thing that grows and changes with each issue…’
From The Magazine Diaries… ‘Quit moaning and get busy.’
Finally… at the time of writing our Kickstarter campaign for Fiera magazine is £750 off target with 46 hours to go. Thanks everyone who’s supported the new mag so far – how about joining them?
New Zealand’s Pie Paper sounds interesting; interview by Athenaeum.
Bob Bateman, launch art director of Creative Review, remembered.
Little White Lies founder Danny Miller announces new magazine: ‘Al Gore’s style (Knowledge + Experience + Rich Global Context = Connection) really resonated with me.’
Steven Heller reviews new book about legenadary art director Alex Liberman. As editorial director of Condé Nast until 1993, he ‘tore up many of those tenets to which he once swore allegiance, challenging the dominance of fine typography and balanced layout.’ Condé Nast are only now digging themselves out of that particular hole.
The newly independent Time Inc want to ‘build the next LinkedIn or Facebook.’