This week The Guardian’s G2 daily mag has been taken over by trainee journalists, promising insight into Generation Y.
NYTimes execs discuss their newspaper’s digital innovation over breakfast.
The word ‘publishing’, revived: ‘Basically, publishing now means print and digital.’
Michael Wolff on the career of super-editor (Vanity Fair, The New Yorker, Talk, Newsweek…) Tina Brown.
SPD shortlists announced, with plenty of worthy but familiar names. Feels like our attempts at stirring things up a couple of years back have been sidelined. But congratulations to all, particularly Cat People and Wired Italia.
Mr Magazine notes how digital publishers are turning to print (Samir has a new free newsletter, sign up via the homepage).
‘The era of Facebook is an anomaly. The idea of everybody going to one site is just weird,’ danah boyd at SXSW.
Exact Editions are testing free access to mag apps at tomorrow’s Changing Media Summit. Interesting idea.
David Hepworth notes the changing first names of the publishing business.
The Financial Times grows via digital subscriptions.
‘Brands who advertise in magazines have the advantage.’ Who’d have thought?
Monocle is seven. Time for a movie!
‘There is nothing in the digital domain that can compare to the real thing.’ Cue new print mag from travel website Sidetracked.com.
Intriguing online, collective content creation for That New Design Smell (via QVED).
Also discovered at QVED: illustration magazine Spring.
Kickstarter news: support oral history magazine In The Air, to be designed by the people behind the fine-looking Shelf Journal.
Simon Esterson has had a huge influence on editorial design, not only through his ground-breaking work on projects such as Blueprint, Domus and The Guardian but also via the many young designers who have started their careers in his studio and gone on to establish their own reputations. Since 2008 he has co-owned and designed Eye magazine, and here we look ahead at his week as issue 87 completes production.
Mirko Borsche is one of Germany’s most exciting editorial designers. This week he’s speaking in Luxembourg as a guest of Design Friends then heads home to Munich and take part in QVED2014. Sven Ehmann, creative director at Gestalten books, recently prepared this interview for the Design Friends event.
We start this week with Tom Taylor, co-founder of and technical brains behind The Newspaper Club. Already known for their small-run newsprint service, they have just announced a print-on-demand service, the Newsagent. Tom looks ahead at his week as they launch their own one-off publication, Things Our Friends Have Saved on the Internet, to promote and test the Newsagent.
February 11, 2014
This year’s Design Museum ‘Designs of the Year’ longlist includes several magazines – congratulations The Gourmand, A Magazine and Works That Work. Plus a special mention to Chris Ware’s ‘Building Stories’ DIY book.
Adam Curtis interviewed; ‘We don’t read newspapers because the journalism’s boring.’
Seen the branded delivery vans driving round town? Net-a-Porter have just made ‘the biggest launch of a British fashion magazine for years’.
Kate Moss’s first photography shoot (behind the camera) for British Vogue.
The New York Times now has 760,000 paying digital customers, the resulting income offsetting print drop.
Nascapas presents a selection of recent inflight magazine covers – TAP Portugal’s Up is always worth a look.
Super Salon is a Polish online magazine shop.
February 4, 2014
Congratulations to The Gentlewoman, Works That Work and Bloomberg Businessweek, winners of this year’s MagPile Awards. Together, an excellent introduction to modern magazines.
A list of ten food magazines, some newer than others.
Michael Wolff dismisses journalist’s attempts to reinvent news, ‘We don’t need journalists solving the problem of news. We need people with far more cunning and inventive commercial minds.’
The Newspaper Club are exhibiting some of the publications they’ve printed, at their Glasgow office until end of February.
Liked Christoph Niemann’s recent US Wired cover art? Buy the poster here.
Happy birthday to smart architecture magazine Mas Context as they celebrate their fifth anniversary.
Tim Holmes addresses teaching students about launching a magazine, ‘trying to get 6,000 copies of a title in front of committed enthusiasts is a different job to contracting Frontline to get 60,000 into W H Smith and the supermarkets.’
Bob Newman has started writing a regular column for Folio; the first one, about Arizona Highways Magazine, is online now.
The perfect Valentine’s Day celebration if in NY: Wyatt Mitchell, creative director of The New Yorker, talks for SPD about the magazine’s design changes.
The Guardian appears to have secured its future after selling parts of its media group.
Blue as a gender-neutral colour? Hearst US launch Dr Oz Good Life, aiming at men and women.
Facebook reveal their new Flipboard-style iPhone app Paper.
Winners of the MagPile Awards will be announced Monday; meanwhile the (pretty strong IMO) shortlists have attracted criticism via twitter over selection procedures and category descriptions, reminding me why I’ve always resisted running an awards competition. Read Dan from MagPile’s response and consider, is love enough?
Athenaeum blog interviews Danielle Pender, founder of Riposte, ‘We want the focus to be on what the women have to say, what they’ve achieved and who they are, rather than what they look like.’
032c no25 has a surprise inside – a DIY piece by Cyprien Gaillard using images from National Geographic to celebrate that magazine’s 125th anniversary.
The Independent and sister title i are for sale.
Creative Bloq rounds up some fine zines.
A brief look behind the scenes at Tate Etc as it turns ten.
‘Most profitable magazine in the UK’ Radio Times focuses print profits on digital.
Time for one last ‘best of 2013’ list: Bob Newman selects his favo(u)rite covers with a typically broad selection.