This year’s Hollywood edition of Vanity Fair is here, replete with traditional gatefold star-laden cover. As well as the Annie Leibovitz cover set the issue includes the magazine’s annual Hollywood Portfolio, shot this year by artist Chuck Close.
More after the jump / click on images for larger versions.
One very distinct genre of new magazine is the website/blog print spin-off. Various smaller blogs – including this one – have experimented with print, while others have made significant inroads into regular publishing (It’s Nice That, Freund von Freunden, Slanted etc). This new example is particularly interesting, as the apparent death of the music magazine has been, in part, blamed on the rise of online music coverage. And when people talk about online music writing they generally mean Pitchfork, a site that’s been reviewing music online for 17 years now.
The eighth issue of The Ride Journal is available for pre-order now, with more beautiful cover art from Shan Jiang (see full cover after the jump) and a new design using only Eric Gill’s Golden Cockerel typeface. ‘One font publications are the way forward!’ says art director Andrew Diprose.
It’s been a while since issue seven, but the wait has been worth it, the illustration and photography are stunning throughout. Click images for larger versions.
A Rabona, as we all know, is that tricksy move in football where you kick the ball by wrapping one leg behind the other. It’s also the name of a new magazine about football, out this week, featuring a lengthy interview with Arsenal and England full back Kieran Gibbs as well as under 21 England star Eric Dier, Everton woman’s star Toni Duggan, Millwall FC Chairman John Berylson and photo reports from several matches.
Buy Rabona here.
This is an extraordinary magazine, some people might invoke the ‘bookazine’ word it’s so bookish. As usual, I shall resist that temptation The Alpine Review is magazine through and through, just a very busy, full one. Despite the name it’s based in Montreal – the name refers to reaching the heights, something it does constantly as it jumps from a profile of the School of Life to an interview with new Fabrica CEO Dan Hill and on to a discussion of organisational transformation.
It’s in-depth, intelligent and fascinating in its scope. A highlight is this collage/poetry combination by editor Louis-Jacques Darveau that encompasses native indians, Shackleton and Don Draper (below), but like almost everything present nothing is typical of the content. A very special magazine to end this magRush.
Another Escape launched earlier this year and number two has just been published. Like last time, it’s divided into four distinct sections – Inspiration, Exploration, Process and Response – and uses these to deal with different aspects of the extraordinary in the ordinary. Octopuses, rehabilitating old machines, beekeeping and the revival of the tango all make appearances as editors Rachel and Jody spread their net wide. A personal highlight is this story about coffee preparation (below). Another Escape is a very gentle, quiet magazine that deserves your attention.
There seem to be countless portfolio magazines out there, beautifully printed collections of photography with little curatorial sense to their existence. British magazine So It Goes might easily be mistaken for yet another one, except that as well as fine production values it does have the editorial bangs to pull together some great stories from different areas of photography.
This is the team’s second issue, and again divides into different creative specialities (The Actors, The Directors, The Places…), each opening with a reproduction end-paper (below). A highlight for me was Richard Mosse’s extraordinary infra-red shots from the Congo. One other thought… is the name taken from Slaughterhouse Five?
Magazine publishing has been as driven by the sex industry as much as any medium – the magazine kiosks of New York are disappearing because the porn industry has migrated online (and where would the web be without the sex industry?) But magazines like Baron are reclaiming printed erotica, and after their miniature first issue this latest one is brash and bold. Bound in shiny pink fabric, the hardback volume, photographed by Tyrone Lebon and guest edited by Max Pearmain, looks at how voyeurism has adapted to today’s image-sharing world. Plenty of NSFW imagery, of which this is one of the tamer examples.
Der Wedding is published once a year from a modernist citadel in the area of Wedding in what was once east Berlin. Like Boat magazine, it has suffered from a name that is easily confused with an entire genre of publishing; you will not find advice for the bride-to-be here. Instead, this is one of a new breed of titles using the local to examine global concerns. Each issue takes a theme and examines it through the people and streets of the relatively poor Wedding. This fifth issue looks at money, so we see typical modern extremes; on one hand there is a visit to a millionaires fair, with its canapés, tuxedos and first class travel demos, and on the other the regular look inside the houses of local people – many of whom are poor immigrants. Sadly the text is German so I miss much of the detail, but it’s a great example of using a small resource to tell big stories. A personal highlight is a comical set of solutions to everyday problems, of which this is an example:
I picked up the third issue of Teller at Do You Read Me? in Berlin a week ago. Although published locally, this ‘magazine of stories’ is written in English and has developed rather nicely. It’s been a while since issue two, but it’s got bigger and better in the meantime; extra pages, an increased confidence and broader variety of content make it far more visually engaging without weakening the premise of storytelling. As well as long form texts there are photo stories and comic strips. I particularly liked this visual story by Seba Kurtis, recalling Argentina’s dirty war on its people, combining parts of declassified junta documents with family portraits of the missing people (below).