{"title":"Invent: Technology","description":"\u003cbr\u003e","products":[{"product_id":"macguffin-13-the-wall","title":"MacGuffin #14, The Wall","description":"\u003ch6\u003e\u003cstrong\u003e210 x 275mm, 218 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAmsterdam, Netherlands (English language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBiannual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditors:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eKirsten Algera \u0026amp; Ernst van der Hoeven\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign:\u003c\/strong\u003e Sandra Kassenaar\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003e‘The Life of Things’ \u003c\/p\u003e\n\u003cp\u003eThe gift that keeps on giving...  unabashedly firm magCulture favourite (plus one of our top sellers) \u003cem\u003eMacGuffin \u003c\/em\u003edelivers another standout issue, its 14th, a bit by bit unpacking of ‘The Wall’ in its many forms—that's green walls, paywalls, uterine walls, curtainwalls, apartheid walls and fourth walls. As the team note, it's an object\/infrastructure with typically negative connotations, so it's particularly interesting to explore the wall's contradictory nature across geopolitics, architecture and society at large.  \u003c\/p\u003e\n\u003cp\u003eA brick-hued cover makes this issue temptingly stackable, covering the consumerist infatuation with brutalism, death by wallpaper, a tour of Paris in seven walls, the renaissance of the underground bunker, French free-climber Alain Roberts, and Trump's border walls as land art. With contributions from Liv Siddal, Seb Emina, Rem Koolhaas and more. (And yes, there \u003cem\u003eis\u003c\/em\u003e a Pink Floyd reference in there too.)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn the Journal\u003cbr\u003e\u003c\/strong\u003eOur Magazine of the Month review: ‘\u003cem data-mce-fragment=\"1\"\u003eMacGuffin\u003c\/em\u003e remains an essential magazine, an ideal riposte to anyone doubting the power of print. As well as being editorially brilliant, it is also, itself, a beautiful \u003cem data-mce-fragment=\"1\"\u003eThing\u003c\/em\u003e. Its size, format and combination of papers making it a lovely object to hold and to flick through’.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/magculture.com\/blogs\/journal\/macguffin-13\" data-mce-href=\"https:\/\/magculture.com\/blogs\/journal\/macguffin-13\" target=\"_blank\"\u003eREAD MORE\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.macguffinmagazine.com\/\" data-mce-href=\"https:\/\/www.macguffinmagazine.com\/\" target=\"_blank\"\u003emacguffinmagazine.com\u003c\/a\u003e\u003c\/div\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":41827222028397,"sku":null,"price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/MacGuffin_14_TheWall.jpg?v=1726240985"},{"product_id":"direction-of-travel-6","title":"Direction of Travel #6","description":"\u003ch6\u003e\u003cstrong\u003e240 mm x 340 mm, 52 pages\u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBiannual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published 2021\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor\/a\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003ert Director: \u003c\/strong\u003eChristian Nolle\u003c\/span\u003e\n\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eDirection of Travel\u003c\/em\u003e is devoted to airline maps and the culture of flying, and is published by digital infographics designer Christian Nolle. Each issue tells the illustrated story of the route maps that are often the only lasting physical manifestation of airline networks at a specific moment in time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePreviously unbound with a broadsheet-like quality, this issue marks a new look for the magazine, now slightly more compact, printed on a heavier glossy stock and staple-bound (giving it more of an \u003cem\u003einflight\u003c\/em\u003e vibe, perhaps?) Its certainly feels more substantial in the hands and the theme is a goodie too—aviation in Africa—which, in addition to some particularly gorgeous maps, covers the continent's connections to Europe, two inflight magazines from the 50s, a history of aircraft stowaways, and an essay on the remnants of airline ticket shops. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/directionoftravel.com\/\" data-mce-href=\"https:\/\/directionoftravel.com\/\" target=\"_blank\"\u003e\u003cspan\u003edirectionoftravel.com\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":41830849642605,"sku":null,"price":19.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/DirectionofTravel_6.jpg?v=1726499728"},{"product_id":"just-make-your-magazine","title":"Just Make Your Magazine","description":"\u003ch6\u003e\u003cstrong\u003e148 x 210mm, 124 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003ePublished in 2025\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor:\u003c\/strong\u003e Josh Jones\u003cbr\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign:\u003c\/strong\u003e James-Lee Duffy\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003e‘A field guide to publishing an indie magazine’\u003c\/p\u003e\n\u003cp\u003eMagazine editor Josh Jones (\u003cem\u003eHuck\u003c\/em\u003e, \u003cem\u003eSandwich\u003c\/em\u003e, \u003cem\u003eRalph\u003c\/em\u003e, \u003cem\u003ePavement Licker\u003c\/em\u003e and more) applies his experience, knowledge and contacts book to this handy new guide to producing your own magazine. Straightforward and jargon-free, Josh addresses the key points in no-nonsense, first person language, with a range of magazine specialists called in to add their opinions.\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eA vital reference book for anybody planning a magazine. Highly recommended.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eContributors: Thomas Roueche (Editor, \u003cem\u003eTank\u003c\/em\u003e), Hanna Hanra (Founder\/Editor, \u003cem\u003eBeat\u003c\/em\u003e), Tertia Nash (Art Director, \u003cem\u003eHuck \u003c\/em\u003e\u0026amp;\u003cem\u003e Sandwich\u003c\/em\u003e), Anja Charbonneau (Publisher, \u003cem\u003eBroccoli, Catnip \u003c\/em\u003e\u0026amp;\u003cem\u003e Mushroom People\u003c\/em\u003e), Richard Turley (Art director, \u003cem\u003eInterview, Nuts \u003c\/em\u003e\u0026amp;\u003cem\u003e Offal\u003c\/em\u003e), Ione Gamble (Founding Editor-in-Chief, \u003cem\u003ePolyester Zine\u003c\/em\u003e), Jeremy Leslie (Founder, magCulture), Joseph ‘JP’ Patterson ((Founding Editor-in-Chief, \u003cem\u003eTrench\u003c\/em\u003e) and super writer for hire Emma Garland.\u003ca rel=\"noopener\" href=\"https:\/\/sold-out.net\/\" target=\"_blank\"\u003e\u003cspan style=\"letter-spacing: -0.22px;\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":42033091248237,"sku":null,"price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/JustMakeYourMagazine.jpg?v=1738252373"},{"product_id":"the-light-observer-8","title":"The Light Observer #8","description":"\u003ch6\u003e\u003cstrong\u003e165 x 240 mm, 88 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eMilan, Italy\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBiannual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published in 2020\u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor-in-chief:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eHugo Berger\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eCreative direction:\u003c\/strong\u003e EHHE Studio\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cem\u003eThe Light Observer\u003c\/em\u003e is a biannual magazine that explores light in all its forms through in-depth articles and interviews; mixing upcoming and well-known artists, photographers, architects, scientists and designers.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis eighth issue, themed ‘Landscape(s),’ is \u003ci\u003elighter\u003c\/i\u003e than ever, making it an ideal companion for your summer adventures. The cover, which features a hazy grayscale mountainscape by the Anglo-Swiss photographer Joan Ayrton, blurs the line between observation and memory. Meanwhile, the multi-disciplinary works gathered within ‘traverse geographies both external and internal, questioning how we inhabit the visible world and how it, in turn, inhabits us.’\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eOn the Journal: \u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e‘Milanese magazine \u003cem\u003eThe Light Observer\u003c\/em\u003e does precisely what it says on the tin: it ‘investigates our relationship with light’. The biannual publication began its relatively recent life in print by freely exploring the ethereal subject—both scientifically and poetically (largely the latter). Now sitting comfortably at their third issue, editor Hugo Berger and his team have \u003cem\u003egently\u003c\/em\u003e shifted their trajectory to observe light ‘through a specific lens’, as Berger writes in the opening pages of issue three…’ \u003cbr\u003e\u003ca href=\"https:\/\/magculture.com\/blogs\/journal\/the-light-observer-3\" title=\"Link to the Journal\" target=\"_blank\"\u003eREAD MORE\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.thelightobserver.com\/\"\u003ethelightobserver.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":42641477271661,"sku":null,"price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/The_Light_Observer_8.png?v=1751540474"},{"product_id":"macguffin-15-the-stitch","title":"MacGuffin #15, The Stitch","description":"\u003ch6\u003e\u003cstrong\u003e210 x 275 mm, 176 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAmsterdam, Netherlands (English language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBiannual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditors:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eKirsten Algera \u0026amp; Ernst van der Hoeven\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign:\u003c\/strong\u003e Sandra Kassenaar\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003e‘The Life of Things’ \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA long standing magCulture favourite and one of our most reliable bestsellers, MacGuffin returns with its special 15th issue, coinciding with ten years in print. This time, the team turn their attention to ‘The Stitch’—the tiny loop that mends, binds and sometimes, if not taken care of, falls apart. Building on issue 14, which centred around the divisive ‘Wall’, this edition’s ‘thing’ of choice has decidedly more positive connotations. On the cover, a cable-tie cross-stitch holds together a slash in a car door, testament to the binding strength of the stitch. As the team note, ‘we wanted to explore something that does the opposite of divide—something that brings things and people together, while also slowing things down’.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAs ever, the theme is unraveled from myriad angles, featuring everything from a sublimely laid out stitch guide, accompanied by text recording the typical applications of each, to a history of ‘Tatreez’, an Arabic word for the traditional hand embroidery used in Palestinian clothing.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAlso covered inside: defiant seamstresses, football player and needlepoint hobbyist Rosey Grier, Japanese kite models, Romanian blouses, bookbinding, Bronze-Age bog patterns, email threads, Margiela’s (in)visible tacked logo, visible seams, Kader Attia’s anti-colonial collages, and the influential Hungarian abstract artist Ilona Keserü on incorporating textiles into her practice, cultural inheritance and tactile memory. With contributions from Tanveer Ahmed, Simona Bortis-Schultz, Rachel Dedman, Olivia Douglas, Nina van de Ven, Rosa Menkman, Masaki Komoto, amongst others.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn the Journal\u003cbr\u003e\u003c\/strong\u003eOur Magazine of the Month review: ‘\u003cem\u003eMacGuffin\u003c\/em\u003e remains an essential magazine, an ideal riposte to anyone doubting the power of print. As well as being editorially brilliant, it is also, itself, a beautiful \u003cem\u003eThing\u003c\/em\u003e. Its size, format and combination of papers making it a lovely object to hold and to flick through’.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/magculture.com\/blogs\/journal\/macguffin-13\" target=\"_blank\"\u003eREAD MORE\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.macguffinmagazine.com\/\" target=\"_blank\"\u003emacguffinmagazine.com\u003c\/a\u003e\u003c\/div\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":43293803380845,"sku":null,"price":24.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/MacGuffin15.png?v=1757692572"},{"product_id":"not-a-playbook","title":"Not A Playbook","description":"\u003ch6\u003e\u003cstrong\u003e125 x 200 mm, 152 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAmsterdam, The Netherlands (English-language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003ePublished in 2025\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cspan style=\"background: var(--white);\"\u003e\u003cstrong\u003eEditors:\u003c\/strong\u003e\u003c\/span\u003e Damian Bradfield, Andreas Tzortzis\u003cbr\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign:\u003c\/strong\u003e Kris Pyda, Studio Pyda \u003c\/h6\u003e\n\u003cdiv\u003e\n\u003cp class=\"p1\"\u003e‘The art of building a brand’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA pocket-sized and digestible manual from WeTransfer co-founder Damien Bradfield and writer and strategist Andreas Tzortzis, covering authentic brand growth through the case study of WeTransfer. Split across six core pillars—longevity, intention, trust, faith, instinct, and serendipity—this useful guide tells a different story to the one we have come to expect of tech start-ups, ‘prioritising creativity, trust and long-term thinking over marketing trends and algorithms’.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.notaplaybook.com\/\"\u003enotaplaybook.com\u003c\/a\u003e\u003c\/div\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":43536397828205,"sku":null,"price":14.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Not_a_Playbook.png?v=1760373482"},{"product_id":"the-stash-annual-2025","title":"Stash Annual 2025","description":"\u003ch6\u003e\u003cstrong\u003e210 x 295 mm, 144 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eOntario, Canada\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published in 2025\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor and creative director: \u003c\/strong\u003eStephen Price\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003eThis inaugural issue of \u003ci\u003eStash Annual \u003c\/i\u003emarks the launch of a new print edition from the minds behind Stash Media, the online platform known for spotlighting standout work in the design, animation, and VFX industry. As the only print publication dedicated exclusively to motion design and animation talent,\u003cem\u003e Stash Annual \u003c\/em\u003efills the gap for this otherwise unrepresented category.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn a fast-paced digital landscape where work moves on almost instantly, this first issue speaks to the desire for something tangible and enduring. 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Its ‘not-so-subtle subtext?’; according to editor Tom Parr: ‘If the cargo bike can make a difference in extraordinary situations, what could it do in your life, for your organisation, or in your neighbourhood.’\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/cargobikefestival.com\/carrier\/\"\u003ecargobikefestival.com\/carrier\u003c\/a\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":43936962347117,"sku":null,"price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Carrier2.jpg?v=1769792237"},{"product_id":"code-3-copy","title":"CODE #4","description":"\u003ch6\u003e\u003cstrong\u003e200 x 270 mm, 284 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eIstanbul, Turkey (English-language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAnnual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor-in-chief \u0026amp; creative director:\u003c\/strong\u003e Marie Berger\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt director: \u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003eMarie Faass\u003c\/h6\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA loosely bound and eclectic mix of fashion, technology, art, and science, this fourth issue of the highly visual \u003c\/span\u003e\u003cem\u003eCODE\u003c\/em\u003e\u003cspan\u003e—held together with a white elastic band—explores ‘The Quanti–verse’, and is the product of a year-long investigation by the editorial team into the quantum universe.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePrinted on a variety of paper stocks, with pops of cyanotype blue and metallic silver throughout, readers can expect striking photography and contributions from visual artists, philosophers of science, and astrophysicists, reflecting on consciousness and the seemingly ineffable nature of quantum physics—its parallels and eerie overlaps. \u003cmeta charset=\"UTF-8\"\u003eThis edition of \u003cem data-end=\"99\" data-start=\"93\"\u003eCODE\u003c\/em\u003e tackles its ambitious subject matter through content ranging from fashion editorials featuring Mowalola to explorations of gameplay in chess, as well as interviews with the likes of poet Ariana Reines and artist Meriem Bennani.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.code-magazine.net\/\"\u003ecode-magazine.net\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Mowalowa","offer_id":44323116515437,"sku":null,"price":46.0,"currency_code":"GBP","in_stock":true},{"title":"Arcin Sagdic","offer_id":44323116548205,"sku":null,"price":46.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/CODE_Mag_gif.gif?v=1772539791"},{"product_id":"advanture-15","title":"Advanture #15","description":"\u003ch6\u003e\u003cstrong\u003e195 x 255 mm, 116 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBrittany, France (English-language)\u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eQuarterly\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor:\u003c\/strong\u003e Alex Brown\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eCo-editor: \u003c\/strong\u003eMascha Blome\u003c\/h6\u003e\n\u003cp\u003eAs the punny name suggests, \u003cem\u003eAdvanture\u003c\/em\u003e is all about ‘vanlife’—the travels, the lifestyle, and the challenges that come with this alternative way of living. In fact, the team behind the magazine hit the road between issues.\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis fifteenth edition marks editor Alex Brown’s maiden voyage into a life on the road rather than a brief stint—and a chance to truly embody the spirit of \u003c\/span\u003e\u003cem\u003eAdvanture\u003c\/em\u003e\u003cspan\u003e itself. Inside, the magazine sheds light on the story behind Crozier Campers in an interview with the company’s founder, Ingo Merz documents observations from eleven months spent on the road in his photo essay ‘The Space Between’, and various other features are interwoven between anecdotes from Brown recounting his newfound van life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/advanturemagazine.com\/\" target=\"_blank\"\u003eadvanturemagazine.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":44323662823533,"sku":null,"price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Advanture15.jpg?v=1772560348"},{"product_id":"creative-review-spring-2026","title":"Creative Review, Spring 2026","description":"\u003ch6\u003e\u003cstrong\u003e247 x 247 mm, 124 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBimonthly\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eEliza Williams\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt director:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eJulian Bovis\u003c\/h6\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e‘Bringing the creative community together since 1980’\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThis is ‘The Future Issue’ for Spring 2026, taking a bold look ahead from an increasingly uncertain present. Unsurprisingly, debates around AI feature heavily in the opinions section: Sean Monahan shares his view that AI will usher in a return of human intuition in trend forecasting, Wayne Deakin argues that, in the ‘age of AI’, brand guidelines must cater to both humans and machines, and three experts debate the importance of human input in AI output.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOn the cover, atmospheric artwork from photographer Josh Greet accompanies a discussion of his career-altering personal project \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e‘\u003c\/span\u003ePhenomena\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e’\u003c\/span\u003e, inspired by folkloric tales from Dartmoor, featured inside this edition. Elsewhere, Mark Sinclair takes a peek behind the scenes at the new Quentin Blake Centre for Illustration in London ahead of its opening in May, Rebecca Fulleylove explores ‘Why brands still struggle to talk to women’, and many more features and interviews attempt to imagine what the future holds.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eInstagram Live\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEditor Eliza Williams talked to Jeremy Leslie in 2020 about the \u003cem\u003eCreative Review\u003c\/em\u003e’s changing presence over the past 40 years.\u003cspan\u003e \u003cbr\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/vimeo.com\/432824480\" target=\"_blank\"\u003eWATCH NOW\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.creativereview.co.uk\/\" target=\"_blank\"\u003ecreativereview.co.uk\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":44869490966637,"sku":null,"price":20.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Creative_Review_Spring_2026.png?v=1773944719"},{"product_id":"broadcast-2-copy","title":"Broadcast #3","description":"\u003ch6\u003e\u003cstrong\u003e200 x 272 mm, 108 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBrooklyn, US\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditors-in-chief:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eJanna Levin and Joshua Jelly-Schapiro\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eDaniel Kent and Callum Abbott\u003c\/h6\u003e\n\u003cp\u003e‘Art\/Science\/Music\/Lit’\u003c\/p\u003e\n\u003cp\u003ePublished by Pioneer Works, the Brooklyn-based non-profit cultural centre that counts David Byrne among its advisors, \u003cem\u003eBroadcast \u003c\/em\u003ereflects the organisation’s interdisciplinary and open spirit. Spanning art, science, music and literature, a magazine of this scope could easily feel scattered, yet \u003cem\u003eBroadcast\u003c\/em\u003e is held together by its clear graphic language—a tight grid structure and a limited colour palette that gives editors room for free reign.\u003c\/p\u003e\n\u003cp\u003ePeeling back the gold-foiled cover of this third issue reveals a visual feast of cobalt blue and flat gold, visually tying together its many threads while circling a central question: are we, as humans, geniuses—or merely earth-destroying brutes? \u003c\/p\u003e\n\u003cp\u003eInside, discover how Queen Elizabeths bees got wind of her passing; the possibility of mammalian reproduction in space; Elif Batuman in conversation with Miranda July about her perimenopausal novel ‘All Fours’; a glimpse into musician Daniel Johnston’s notebooks filled with his distinctively quirky drawings; a portrait on geologist and oceanic cartographer Marie Tharp, the first to map the Atlantic Ocean floor; and the unexpected bromance between Andy Warhol and Arnold Schwarzenegger; and much more.\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/pioneerworks.org\/broadcast\" target=\"_blank\"\u003epioneerworks.org\/broadcast\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":44887501733997,"sku":null,"price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Broadcast_3.jpg?v=1774276773"},{"product_id":"quiet-media-1","title":"Quiet Media #1","description":"\u003ch6\u003e\u003cstrong\u003e140 x 196 mm, 80 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eFounder and editor:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eCharlotte Rubesa\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eJake Buckley and Meara Withe\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eIllustrator: \u003c\/strong\u003eTobi Meuwissen\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003eFounded by magCulture Flatplan alumni Charlotte Rubesa, \u003c\/span\u003e\u003cem\u003eQuiet Media\u003c\/em\u003e\u003cspan\u003e is a new print-first publication devoted to slowing down and reclaiming our attention in the face of pervasive advertorial and sensational content—positioning itself as an antidote to ‘slop’.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis inaugural edition arrives tucked inside a cobalt embossed sleeve, and features a minimalist front cover showcasing its title in a complementary blue cursive font. Issue one asks: ‘What if we stopped vying so desperately for attention and did our part to protect it instead?’\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eInside, a foreword from Andrew McLuhan delves into the tipping point of our tolerance towards the attention economy. \u003cmeta charset=\"utf-8\"\u003eThen, a series of features muse on our contemporary relationship with—and the mechanics of—attention: Michael Goldstein explores the devious craft of ‘clipping’, used to maximise views; Caitlin Mayance considers how brands can mean more by saying less; and an interview with Joe Hollier—founder of the surprisingly smart dumbphone, the ‘Light Phone’—examines the growing momentum behind digital minimalism and tech downgrades.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003ca href=\"https:\/\/quietmedia.metalabel.com\/inauguraledition?variantId=3\"\u003e\u003cspan\u003equietmedia.metalabel.com\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":45033324118125,"sku":null,"price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Screenshot2026-04-08at11.08.36.png?v=1775642932"},{"product_id":"magazine-45","title":"Magazine #45","description":"\u003ch6\u003e\u003cstrong\u003e\u003cstrong\u003e220 x 290 mm, 212 pages\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003e\u003cstrong\u003eParis, France (French \u0026amp; English-language)\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003e\u003cstrong\u003eCreative director and editor-in-chief: \u003c\/strong\u003e\u003c\/strong\u003eAngelo Cirimele \u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eGuest photographer:\u003c\/strong\u003e Suffo Moncloa\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt direction and design:\u003c\/strong\u003e Eschenlauer Sinic\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003eSomewhat confusingly, \u003ci\u003eMagazine\u003c\/i\u003e is a magazine about magazines... ‘Style, media and creative industry \u003ci\u003eest notre baseline.\u003c\/i\u003e’\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis Spring\/Summer 2026 edition features two editorials from guest photographer Suffo Moncloa on the cover—paying homage to the late Robert Mapplethorpe in a pared-back shoot starring Henry Seine, and crafting a beguiling woodland world starring Vakare Steputyte—accompanied by a selection of other editorials that unfold inside.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAlongside the usual magazine profiles, readers can expect a fashion oriented analysis of Parisian brothels from the 1890s to 1930s, a deep dive into fashion archives and their role within the contemporary fashion landscape, and an investigation into the online persona\u003c\/span\u003e\u003cspan\u003e of social media sensation Anna Malygon.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/magazinemagazine.fr\/\" target=\"_blank\"\u003e\u003cspan\u003emagazinemagazine.fr\u003c\/span\u003e\u003c\/a\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Henry Seine","offer_id":45037666304109,"sku":null,"price":16.0,"currency_code":"GBP","in_stock":true},{"title":"Vakare Steputyte","offer_id":45037666336877,"sku":null,"price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/ezgif.com-animated-gif-maker_13.gif?v=1775725275"}],"url":"https:\/\/magculture.com\/collections\/develop-technology.oembed?constraint=lgbtqi","provider":"magCulture","version":"1.0","type":"link"}