{"title":"Magazine-y","description":"\u003cbr\u003e","products":[{"product_id":"pulp-23","title":"Pulp #23","description":"\u003ch6\u003e\u003cstrong\u003e160x240m, multiple papers, in card wrapper\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eMilan, Italy (English \u0026amp; Italian language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eThree times a year\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor: \u003c\/strong\u003eJohn L. Walters\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt director: \u003c\/strong\u003eSimon Esterson\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt editor: \u003c\/strong\u003eHolly Catford\u003c\/h6\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cem\u003ePulp\u003c\/em\u003e is published by paper manufacturer Fedrigoni, and celebrates the creative use of their papers. As well as a great paper and print sample, it’s a source of design inspiration and is produced by the team behind\u003cem\u003e Eye\u003c\/em\u003e magazine.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIssue 23 is the\u003cem data-mce-fragment=\"1\"\u003e \u003c\/em\u003eFabriano special issue, throwing a spotlight on their Fabriano paper, named after the Italian town in which paper mills were founded in 1264, and whose papers have been loved and used by artists ever since.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFabriano has been part of Fedrigoni for two decades and continues to innovate while making the finest papers for creative expression.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003ePulp\u003c\/em\u003e 23’s subject matter includes great artists, the art of the swatch book and Pentagram’s elegant rebrand of Carlo Cattaneo’s original Fabriano logotype. The  photography is by Philip Sayer and the cover shows a detail of Giulia Orecchia’s illustrations for the forthcoming Fabriano Festival del Disegno 2022.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/pulp.fedrigoni.com\/\" target=\"_blank\"\u003epulp.fedrigoni.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":40210250891373,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/products\/PULP23_cover.jpg?v=1657896675"},{"product_id":"pulp-22","title":"Pulp #22","description":"\u003ch6\u003e\u003cstrong\u003e160x240mm, multiple papers, in card wrapper\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eMilan, Italy (English \u0026amp; Italian language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eThree times a year\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor: \u003c\/strong\u003eJohn L. Walters\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt director: \u003c\/strong\u003eSimon Esterson\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt editor: \u003c\/strong\u003eHolly Catford\u003c\/h6\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cem\u003ePulp\u003c\/em\u003e is published by paper manufacturer Fedrigoni, and celebrates the creative use of their papers. As well as a great paper and print sample, it’s a source of design inspiration and is produced by the team behind\u003cem\u003e Eye\u003c\/em\u003e magazine.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe climate crisis is changing the conversation about design, print and paper. For this special edition of \u003cem\u003ePulp\u003c\/em\u003e, we talk to eco printers and look at case studies with environmental concerns at their core. And we interview Fedrigoni’s new head of sustainability for her perspective on this most urgent issue.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/pulp.fedrigoni.com\/\" target=\"_blank\"\u003epulp.fedrigoni.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":40210253643885,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/products\/PULP22_cover.jpg?v=1657896903"},{"product_id":"pulp-21","title":"Pulp #21","description":"\u003ch6\u003e\u003cstrong\u003e160 x 240m, multiple papers, in card wrapper\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eMilan, Italy (English \u0026amp; Italian language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eThree times a year\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor: \u003c\/strong\u003eJohn L. Walters\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt director: \u003c\/strong\u003eSimon Esterson\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt editor: \u003c\/strong\u003eHolly Catford\u003c\/h6\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cem\u003ePulp\u003c\/em\u003e is published by paper manufacturer Fedrigoni, and celebrates the creative use of their papers. As well as a great paper and print sample, it’s a source of design inspiration and is produced by the team behind\u003cem\u003e Eye\u003c\/em\u003e magazine.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis issue turns its attention to Fedrigoni’s comprehensive new identity design, now seen on swatch books, business cards, bags, pencils and one of Fedrigoni’s delivery trucks, photographed on the streets of Verona.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe cover shows Pentagram partner Harry Pearce, whose team designed the rebrand during the pandemic. The issue also looks at the background to Forma, Fedrigoni’s new corporate typeface; beer labels designed to reduce waste; logos from New Zealand; and highlights from Fedrigoni Top Award 2021.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/pulp.fedrigoni.com\/\" target=\"_blank\"\u003epulp.fedrigoni.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":40210257510509,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/products\/PULP21cover.jpg?v=1657897225"},{"product_id":"full-english-1","title":"Sausage Press #1: Full English Breakfast Guide","description":"\u003ch6\u003e\u003cstrong\u003e105 x 150 mm (foldout pamphlet)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cspan class=\"im\"\u003e\u003cstrong\u003eFirst published in 2022\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cspan class=\"im\"\u003e\u003cstrong\u003e\u003cspan\u003eCreated by: \u003c\/span\u003e\u003c\/strong\u003eBen Smith and Jules Pearson\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003eThe first of a set of newly launched guidebooks from the team at \u003ci\u003eLondon On The Inside\u003c\/i\u003e, this pocket-sized powerhouse gives you the full rundown on London’s finest breakfast spots.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEach establishment in this impressively comprehensive guide is measured across a series of handy metrics—the ‘Sausage Key’—denoting notable factors such as whether an establishment is ‘oat friendly’, has ‘no bog’ or is known for its ‘sausage girth’. And of course, keep a look out for any ‘fake Heinz’. Obviously. \u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/sausagepress.uk\/products\/full-english-breakfast-guide\" target=\"_blank\"\u003esausagepress.uk\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":40263844888685,"sku":"","price":7.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/products\/SausagePress_1.png?v=1660407962"},{"product_id":"cartografia-para-a-portuguesia-1","title":"Cartografia Para a Portuguesia","description":"\u003ch6\u003e\u003cstrong\u003e125 x 235 mm in plastic sleeve (450 x 660 mm unfolded)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK (Portugese and English languages)\u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign:\u003c\/strong\u003e Maria da Gandra\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003ePrinting funded by \u003c\/strong\u003eLondon College of Communication\u003c\/h6\u003e\n\u003cp\u003eRoughly translated as ‘Cartography for a Portuguese mindset’ this neat little series of fold-out maps, histories and peculiarities visualises lesser known aspects of Portugese history. 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An excellent resource for the budding wine aficionado.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/sausagepress.uk\/products\/full-english-breakfast-guide\" target=\"_blank\"\u003esausagepress.uk\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":40509721084013,"sku":"","price":7.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/products\/SausagePress_2_NaturalWine.png?v=1673454446"},{"product_id":"pulp-24","title":"Pulp #24","description":"\u003ch6\u003e\u003cstrong\u003e160x240m, multiple papers, in card wrapper\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eMilan, Italy (English \u0026amp; Italian language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eThree times a year\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor: \u003c\/strong\u003eJohn L. 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As well as a great paper and print sample, it’s a source of design inspiration and is produced by the team behind\u003cem\u003e Eye\u003c\/em\u003e magazine.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003ePulp\u003c\/em\u003e 24 includes a look at beauty branding, the work of Swiss screenprinter Lorenz Boegli, an argument against plastic laminates on paper, and highlights how indie mags are thriving in the past-Covid era.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/pulp.fedrigoni.com\/\" target=\"_blank\"\u003epulp.fedrigoni.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":40590078214253,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/products\/PULP24_cover.jpg?v=1679920088"},{"product_id":"posterzine-89-ruin","title":"Posterzine","description":"\u003ch6\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong data-mce-fragment=\"1\"\u003e210 x 297 mm folded, 594 x 840 mm unfolded\u003c\/strong\u003e\n\u003c\/h6\u003e\n\u003ch6 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBrighton, UK \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6 data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eDirector and founder: \u003c\/strong\u003eMarcroy Smith\u003c\/h6\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA poster that also acts as a magazine! 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Walters\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt director: \u003c\/strong\u003eSimon Esterson\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt editor: \u003c\/strong\u003eHolly Catford\u003c\/h6\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cem\u003ePulp\u003c\/em\u003e is published by paper manufacturer Fedrigoni, and celebrates the creative use of their papers. As well as a great paper and print sample, it’s a source of design inspiration and is produced by the team behind\u003cem\u003e Eye\u003c\/em\u003e magazine.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003ePulp\u003c\/em\u003e 25 includes an interview with cover star Jiaying Han (with plenty of visual inspo alongside), the merits of Life Cycle Analysis in manufacturing, a round table on the designer-client relationship, and an introduction to Fedrigoni's new 'lab' for customisation and bespoke design. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/pulp.fedrigoni.com\/\" data-mce-href=\"https:\/\/pulp.fedrigoni.com\/\" target=\"_blank\"\u003epulp.fedrigoni.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":40653140656237,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/PULP25_cover.jpg?v=1685709745"},{"product_id":"plastikcomb-9","title":"Plastikcomb #9","description":"\u003ch6\u003e\u003cstrong\u003e220 x 297 mm\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eGermany \u0026amp; US (English language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eBiannual\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003ePublished since 2020\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eFounder and designer: \u003c\/strong\u003eAaron Beebe\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eCo-founder:\u003c\/strong\u003e Thomas Schostok\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003eA German-American analog art publication (and feast for the eyes) describing itself as a love letter to ‘forgotten media, low-grade textures, and the art of making something out of nothing.’ It’s also a paeon to nineties graphics—think people like David Carson, Vaughan Oliver and Chris Biggs, and Chris Ashworth among others.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs such,\u003cem\u003e Plastikcomb \u003c\/em\u003eexists to experiment with the typographic make-up of the magazine page, challenging the grids and formats most designers rely on, turning instead to collage and layering as an organising (is that the correct word?) technique. That ideal is further advanced by the fact the two principles work seperately in different countries.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis ninth issue features interviews Nicola Kloosterman, Adam Brierley, Merritt Spangler and Agata Rek among others.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn the Journal\u003c\/strong\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003eAt work with Aaron Beebe: ‘\u003cem\u003ePlastikcomb\u003c\/em\u003e is actually a metaphor for collage. In the States, when it was picture day, you were handed a plastic comb, in which your current hairdo was styled to make you look “presentable,” and more than often you ended up looking like a completely different person. Like collage, you take an image, and make it something else, or perhaps give it a new purpose or meaning...’ – Aaron Beebe\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003ca href=\"https:\/\/magculture.com\/aaron-beebe-plastikcomb\/\" target=\"_blank\"\u003eREAD MORE\u003c\/a\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.plastikcombmag.com\/\" target=\"_blank\"\u003eplastikcombmag.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":40693403910253,"sku":"","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Plastikcomb9.png?v=1755706678"},{"product_id":"wepresent-6-direct","title":"WePresent #6, direct","description":"\u003ch6\u003e\u003cstrong\u003e170 x 240 mm, 98 pages\u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon,  UK \u0026amp;  Amsterdam, Netherlands \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor-in-chief:\u003c\/strong\u003e Holly Fraser\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eSenior editor:\u003c\/strong\u003e Liv Siddall\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eCreative producer:\u003c\/strong\u003e Alex Mattinson\u003c\/h6\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe latest issue of the magazine from WeTransfer that comes with three different designs every time. This time the theme is ‘Endurance,’ looking at what it takes to be an artist, with versions designed by US studios FISK and Polymode, and Argentinian designer Gustavo Eandi.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInside, Severin Matusek looks at the real cost of being an artist in 2023; \u003cem data-mce-fragment=\"1\"\u003eGal Dem\u003c\/em\u003e founder Liv Little writes a short story, Annie Atkins offers her deisgn manifesto, and an interview with actor Russell Tovey. \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTake your pick, or buy the set to compare the various layouts.   \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eAll proceeds from this magazine go to \u003ca href=\"https:\/\/thesupportingact.org\/\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/thesupportingact.org\/\" target=\"_blank\"\u003eThe Supporting Act.\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/wepresent.wetransfer.com\/\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/wepresent.wetransfer.com\/\" target=\"_blank\"\u003ewepresent.wetransfer.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Gustavo Eandi","offer_id":40730866745453,"sku":null,"price":10.0,"currency_code":"GBP","in_stock":true},{"title":"FISK","offer_id":40730866778221,"sku":null,"price":10.0,"currency_code":"GBP","in_stock":true},{"title":"Polymode","offer_id":40730866810989,"sku":null,"price":10.0,"currency_code":"GBP","in_stock":true},{"title":"Set of three","offer_id":40730866843757,"sku":"","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/WePresent-6.gif?v=1695044025"},{"product_id":"wepresent-6","title":"WePresent #6","description":"\u003ch6\u003e\u003cstrong\u003e170 x 240 mm, 98 pages \u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon,  UK \u0026amp;  Amsterdam, Netherlands \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor-in-chief:\u003c\/strong\u003e Holly Fraser\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eSenior editor:\u003c\/strong\u003e Liv Siddall\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eCreative producer:\u003c\/strong\u003e Alex Mattinson\u003c\/h6\u003e\n\u003cp\u003eThe latest issue of the magazine from WeTransfer that comes with three different designs every time. 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Editor John L Walters opens with a manifesto statement, before a series of case studies show how this is being done. 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Plus, an exclusive 60 minute OFFALMIX by DJ Brad Muscle.\u003c\/p\u003e\n\u003cp\u003eLimited edition of 50 copies.\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/offaloffaloffal.com\/\" target=\"_blank\" data-mce-href=\"https:\/\/offaloffaloffal.com\/\"\u003eoffaloffaloffal.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":41745865736301,"sku":null,"price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/OffalTripleTapePack.png?v=1722008974"},{"product_id":"daughter-of-the-universe","title":"Daughter of the Universe","description":"\u003ch6\u003e\u003cstrong\u003e148 x 210 mm, 36 pages \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor:\u003c\/strong\u003e\u003cspan\u003e Minyue Hu\u003cbr\u003e\u003c\/span\u003e\n\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003eA reprint of the endearing and super graphic zine created by illustrator Minyue Hu. \u003ci\u003eDaughter of the Universe \u003c\/i\u003ecatches you by surprise; behind its pastel-hued, nineties internet aesthetic (some stories are laid out in Microsoft Paint windows) are a series of eleven vignettes recounting various moments from Minyue’s childhood in China, often quite bittersweet.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThere are reflections on China\u003cmeta charset=\"utf-8\"\u003e’s one child policy, hardships her great-great-great grandmother faced, the shame surrounding birthdays, being bullied in school and losing a treasured pet rabbit, each story accompanied by a vivid illustration or collage.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA deeply personal project that ultimately reflects a journey of growth and self-care. \u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/www.instagram.com\/doublemoonart\" target=\"_blank\"\u003einstagram.com\/doublemoonart\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":41838394343533,"sku":null,"price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/DaughteroftheUniverse.jpg?v=1727107811"},{"product_id":"litt-2","title":"Litt #2","description":"\u003ch6\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e215 x 275 mm, 82 pages (plus 1 matchstick)\u003c\/strong\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eCallicoon, New York\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAnnual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published 2023\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003e\u003cspan\u003eExecutive Director \u0026amp; Founder: \u003c\/span\u003e\u003c\/strong\u003eRachel Littma\u003cstrong\u003e\u003cspan\u003en\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003e\u003cspan\u003eEditor: \u003c\/span\u003e\u003c\/strong\u003eAnaïs La Rocca\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign \u0026amp; Art direction: \u003c\/strong\u003ePablo Delcan\u003c\/h6\u003e\n\u003cp\u003e\u003cem\u003eLitt \u003c\/em\u003eis an annual literary magazine ‘informed by the direct experience of living life on the outposts.’ The magazine was born in a tiny bookshop in a small town on the banks of the Delaware River and captures the voices of those who do not live in major cosmopolitan metropolises—but don’t make the mistake of thinking small town life is any less vibrant or complex. \u003cem\u003eLitt \u003c\/em\u003eproves otherwise. \u003c\/p\u003e\n\u003cp\u003eWhere there first issue was themed ‘heat,’ they're back with a second issue ‘to set things ablaze’. This applies both figuratively (with words) and literally as, once again, the cover of the magazine has a strikable honeycomb spine and comes with a long match to fuel your own literary fires.\u003c\/p\u003e\n\u003cp\u003eThe actual theme of this purple, second instalment however, is ‘In Between’ and speaks of all of the different times in life that we find ourselves in between things—an inhale and an exhale, the moment before a kiss, or on a plane flying over the wide expanse of the ocean. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn the Journal:\u003c\/strong\u003e\u003cbr\u003eAt Work With Anais La Rocca: ‘\u003cspan style=\"font-weight: 400;\"\u003e\u003cem\u003eLitt\u003c\/em\u003e was inspired by the rich art and ideas we found in the unexpected corners of upstate New York—a place some might call ‘the middle of nowhere’. Here, somewhere, in the hamlet of Callicoon, \u003cem\u003eLitt\u003c\/em\u003e was created: a literary magazine that lifts a glass to stories from the outposts we often overlook.\u003c\/span\u003e’\u003cbr\u003e\u003ca rel=\"noopener\" href=\"https:\/\/magculture.com\/blogs\/journal\/anais-la-rocca-litt\" target=\"_blank\"\u003eread more\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.delcan.co\/littmag\"\u003elittmag.xyz\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":41932890701933,"sku":null,"price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/LITT_COVER.jpg?v=1732728488"},{"product_id":"scary-boots-1","title":"Scary Boots #1","description":"\u003ch6\u003e\u003cstrong\u003e140 × 198 mm, 42 pages (thread-sewn)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cspan\u003e\u003cstrong\u003eLondon, UK\u003cbr\u003e\u003cbr\u003eQuarterly\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cspan\u003e\u003cstrong\u003ePublished in 2024\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cspan\u003e\u003cstrong\u003eEditor and art director: \u003c\/strong\u003eScary Boots Collective\u003c\/span\u003e\u003c\/h6\u003e\n\u003cp\u003eA new, Risograph-printed quarterly of art and writing, \u003cem\u003eScary Boots \u003c\/em\u003eis a self-described ‘zine with its feet in the slime’, each issue focussing on an aspect of human experience. \u003c\/p\u003e\n\u003cp\u003ePrimarily duotone with flashes of red inside, this debut issue is themed ‘Intoxication’, covering the virtues of enthusiasm, a hairy account of the 2009 mephedrone epidemic, collaged poetry on illicit red berries, dealer business card graphics and a three-part series ‘Notes on Dope’. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLimited edition of 100 copies, with a little postcard inside. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.scaryboots.com\/\"\u003escaryboots.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":41979873460333,"sku":null,"price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/ScaryBoots01.jpg?v=1735826859"},{"product_id":"international-edition-1","title":"International Edition #1","description":"\u003ch6\u003e\u003cstrong\u003e\u003cspan lang=\"en\" class=\"NA6bn BxUVEf ILfuVd\"\u003e\u003cspan class=\"hgKElc\"\u003e\u003cb\u003e594 x 841\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003emm (A1), folded to 210 x 297mm (A4), in envelope\u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eOslo, Norway\u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditors: \u003c\/strong\u003eElise by Olsen \u0026amp; Morten Langeland\u003cbr\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign:\u003c\/strong\u003e Smuss Studio\u003c\/h6\u003e\n\u003cp\u003e‘The Infamous First issue’\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAfter several issues of \u003cem\u003eFørste Utgave\u003c\/em\u003e—‘First Edition’ in Norwegian—this is the first English language edition of the playful, A1-sized publication led by Oslo magazine maven Elise by Olsen. \u003c\/p\u003e\n\u003cp\u003eA series of contributors were invited to write a brief piece on anything they wish, and each is published here across both sides of a salmon-pink newsprint publication: The Smell of Norway, a Horoscope, Top Three Favourites Albums, poetry, personal reflection… it’s a curious mix of random pieces, long, short, funny, and serious.\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":42015294914669,"sku":null,"price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/InternationalEdition01.png?v=1737381532"},{"product_id":"bl8d-3","title":"BL8D #3","description":"\u003ch6\u003e\u003cstrong\u003e219 x 280 mm, 134 pages (hardback)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eTallinn, Estonia (English)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAnnual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eMagazine first published in 2022\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor-in-chief and creative director:\u003c\/strong\u003e Maria Azovtseva\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt director:\u003c\/strong\u003e Konstantin Lobanov\u003c\/h6\u003e\n\u003cp\u003eProduced by a small team from the heart of the post-Soviet empire, annual chunk \u003cem\u003eBL8D\u003c\/em\u003e ‘\u003cspan\u003eanalyzes various culturological cliches and produces new semantic constructions based on them’, primarily concerning itself with the search for identity. 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Inside, seven heavily collaged, frenzied chapters of illustration and text explore ‘the only surviving fact of human unity’—death. \u003c\/p\u003e\n\u003cp\u003eAgainst a backdrop of death at a mass-scale, this issue opts to focus on a series of ‘little tragedies’, because as editor-in-chief Maria \u003cmeta charset=\"utf-8\"\u003eAzovtseva writes, ‘in a world where \"little death\" is respected, there is no place for the \"great war\"’.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.bl8dbook.com\/\" target=\"_blank\"\u003ebl8dbook.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":42091502207085,"sku":null,"price":32.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/BL8D_3.png?v=1741017882"},{"product_id":"aji-3","title":"Ají #1","description":"\u003ch6\u003e\u003cstrong\u003e130 x 190 mm, 80 pages (ringbound)\u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published in 2024\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cspan style=\"background: var(--white);\"\u003e\u003cstrong\u003eEditors:\u003c\/strong\u003e\u003c\/span\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cb\u003eSantiago Valencia Parra \u0026amp; Juliana Monsalve Carrillo\u003c\/b\u003e\u003cbr\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cb\u003eArt direction \u0026amp; design\u003c\/b\u003e:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cb\u003eJuliana Monsalve Carrillo\u003c\/b\u003e\n\u003c\/h6\u003e\n\u003cp\u003eA lovely, Risograph printed title that platforms a small selection of artists, designers, curators and creatives whose work reflects ‘the cultural multiplicities that proliferate in the Global South’. 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Nicely put together, with the ring binding allowing for tiny inserts to accompany some stories. \u003c\/p\u003e\n\u003cp\u003eIn this issue: Angélica Rojas, Annie-Marie Akussah, Belén Santamarina, Daniel Greenfiled-Campoverdem Folashade Omotoke Joseph, Jimena Blanco Jalil, Julieta Rosell, Kshitij Gotiwale, Lucia Vera, Mithra Kamalam, Rada Musikarat, Rebeca Romero, Shivani Chugh and Teagan Herzog. \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.instagram.com\/aji.press\/\"\u003e@aji.press\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":42107700609133,"sku":null,"price":21.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Aji01.jpg?v=1741707253"},{"product_id":"archivist-addendum-1","title":"Archivist Addendum #1","description":"\u003ch6\u003e\n\u003cstrong\u003e220 x 315 x 35 mm, 100+ pages (a box containing 10+ photocopy paper printed texts; 10 postcards; a 32-page satin paper publication; five collage prints; 16 gloss coated prints in glassine envelope; an A1 uncoated paper poster, etc.)\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, United Kingdom\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published 2021\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor-in-chief: \u003c\/strong\u003eDal Chodha\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt director: \u003c\/strong\u003eJane Howard\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eGraphic design: \u003c\/strong\u003eUrjuan Toosy\u003c\/h6\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #cc0000;\"\u003e\u003cstrong\u003eImportant!\u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"color: #cc0000;\"\u003e\u003cbr\u003e— Due to the high price and rarity of this item we strongly recommend you select our DHL shipping service at checkout, for a fully tracked and secure delivery. 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Without government support to construct sea walls, the island’s 436 residents may be the first refugees of climate change in the continental U.S.A.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eEdition of 100.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/gignouxphotos.com\/\"\u003e\u003cspan\u003egignouxphotos.com\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":42593467826285,"sku":null,"price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/TangierIsland.jpg?v=1749745696"},{"product_id":"offal-2","title":"Offal #2","description":"\u003ch6\u003e\n\u003cstrong\u003e148 x 210 mm, 164 pages (plus fold-out poster)\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK\u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditors\u003c\/strong\u003e: Mark Blacklock and Roderick Stanley\u003cbr\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesigners:\u003c\/strong\u003e Richard Turley and Julia Schaffer\u003c\/h6\u003e\n\u003cp\u003e‘Lubricate reality with dreams’\u003c\/p\u003e\n\u003cp\u003eThe second issue of the brilliant, independent journal of literary and artistic offcuts, collected from the leftovers and scraps of other projects and jobs. \u003c\/p\u003e\n\u003cp\u003ePut together by Rod Stanley, late of\u003cem\u003e Good Trouble\u003c\/em\u003e, and novelist Mark Blacklock, and designed by Richard Turley (\u003cem\u003eNuts, Civilization\u003c\/em\u003e) and Julia Schaffer (\u003cem\u003eNuts\u003c\/em\u003e). 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Yet new launch \u003cem\u003eOffal \u003c\/em\u003edemonstrates just how useful such limitations can be.’\u003cbr\u003e\u003ca href=\"https:\/\/magculture.com\/blogs\/journal\/offal-1\" rel=\"noopener\" target=\"_blank\"\u003eread more\u003c\/a\u003e\u003ca rel=\"noopener\" href=\"https:\/\/magculture.com\/blogs\/journal\/jeremy-portal-offal-industries\" target=\"_blank\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/offaloffaloffal.com\/\" rel=\"noopener\" target=\"_blank\"\u003eoffaloffaloffal.com\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":42730565533805,"sku":null,"price":19.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Offal_2_7aa5145b-d512-424b-a89d-e15e9874e9b5.jpg?v=1753891771"},{"product_id":"inque-3","title":"Inque #3","description":"\u003ch6\u003e\u003cstrong\u003e245 x 340 mm, 226 pages \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon \u0026amp; New York\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAnnual, for ten years only\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published 2021\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor: \u003c\/strong\u003eDan Crowe\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign and art direction: \u003c\/strong\u003eMatt Willey\u003c\/h6\u003e\n\u003cp\u003eThe third instalment of the annual magazine set for a limited ten-year run, \u003cem\u003eInque\u003c\/em\u003e is Dan Crowe and Matt Willey’s dream project, a heavyweight literary\/arts mag without advertising or other commercial compromise. The two have collaborated on multiple magazines over the years—\u003cem\u003eZembla, Port\u003c\/em\u003e and others—all of which have been building up to \u003cem\u003eInque\u003c\/em\u003e.\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAs always,\u003cem\u003e Inque \u003c\/em\u003earrives in a satisfyingly heavyweight format: large but not too large, and impressively timeless in design and production, including a series of bespoke section dividers by Matt Willey. They split the pages into four sections: Non-fiction, Fiction, Interviews and Art.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFiction contributors this issue include Alexander Chee, Maya Binham, Rita Bullwinkel and Shuang Xuetao, as well as the third part of Janathan Lethen’s novel that will complete with issue ten of the magazine. Non fiction writers include Edmund de Waal, Sophie Haigney, Will Self, and Philip Hoare.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePlus art from Matt Dorfman and Pablo Declan, and photography by Jelka von Langen, Poppy Jones, Agnes Lloyd and Chiseka Fortune Smith.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn the Journal:\u003c\/strong\u003e\u003cbr\u003eHear Matt Willey discuss the issue with Jeremy Leslie, recorded in NY ealrier this year.\u003cbr\u003e\u003ca href=\"https:\/\/vimeo.com\/showcase\/11776576?video=1080816667\" rel=\"noopener\" target=\"_blank\"\u003ewatch here\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/inquemag.com\/\" target=\"_blank\"\u003einquemag.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":43238937886829,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Inque3.png?v=1756386571"},{"product_id":"scary-boots-3","title":"Scary Boots #3","description":"\u003ch6\u003e\u003cstrong\u003e140 × 198 mm, 40 pages (thread-sewn)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cspan\u003e\u003cstrong\u003eLondon, UK\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cspan\u003e\u003cstrong\u003eQuarterly\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cspan\u003e\u003cstrong\u003eFirst published 2024\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cspan\u003e\u003cstrong\u003eEditor and art director: \u003c\/strong\u003eScary Boots Collective\u003c\/span\u003e\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003eA new, Risograph-printed quarterly of art and writing, \u003ci\u003eScary Boots \u003c\/i\u003eis a self-described ‘zine with its feet in the slime’, each issue focussing on an aspect of human experience. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePrimarily duotone with flashes of colour throughout, this third issue is themed ‘Nostalgia’, featuring a typical curation of evocative short stories and poems, accompanied by charming illustrations and prints. 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And here it is: although a more typical, bound edition than issue seven, its square pages come in a plastic sleeve designed to mimic an LP sleeve.\u003c\/p\u003e\n\u003cp\u003eInside, a series of essays examine the interaction between fashion and sound: runway music; a look at eighties New York clubbing zine \u003cem\u003eProject X\u003c\/em\u003e; Valentina Triet’s video\/audio installation critiquing the fashion show experience; a look at how ‘real’ musicians aren’t supposed to care about fashion; a look back at Leigh Bowery’s interlacing of sound and fashion; and much, much more. 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All elements are open to novel interactions and experiments around contemporary art, curation and research—this means the magazine itself is ever open to experiments in design and\u003cspan\u003e formats.\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp class=\"p1\"\u003eFeaturing interviews, artworks, visual editorials, and more, this latest issue is themed ‘Blackout’—‘a moment of rupture, riot and rebellion’, mirrored through the lens of contemporary art. Inside, you’ll discover a powerful archive of contemporary artists, who want to confront the issues of our time, urging us to question whether we are ‘now, living in the blackout of history?’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn the spotlight this issue: cover star and Russian activist Nadya Tolokonnikova’s anti-authoritarian post-punk protest art, Josephine Pryde on R.I.P Germain’s resistance to reductive categorisation, Banks Violette in conversation with Charlie Fox, and the simulated politics of Danielle Brathwaite-Shirley’s virtual worlds.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/curamagazine.com\/\" target=\"_blank\"\u003ecuramagazine.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":43747198009453,"sku":null,"price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Cura.45.jpg?v=1765214310"},{"product_id":"to-have-to-hold-6-tourism","title":"To Have \u0026 To Hold #6: Tourism","description":"\u003ch6\u003e\u003cstrong\u003e150 x 210 mm, 80 pages, with wrap-around cover\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eCheshire, UK\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eQuarterly\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published in 2022\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eConcept and design:\u003c\/strong\u003e Tim Sumner\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eTo Have \u0026amp; To Hold\u003c\/i\u003e is a beautiful zine series documenting bygone ephemera in the form of paper bags. 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Number three was somewhat queasy with airline sick bags, four covered department store bags and number five showcased food and drink bags—from bakers and butchers to fast food restaurants.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAnd now, tourism—an eclectic mix of castles, heritage sites and amusement parks.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn creator Tim Sumner’s words, ‘Get on the coach and come on a trip across the UK and see the sights!’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEdition of 500 (hand stickered).\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.paperbagarchive.com\/books\"\u003epaperbagarchive.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":43801792413805,"sku":null,"price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/To_Have_To_Hold_6.png?v=1766060593"},{"product_id":"der-greif-18","title":"Der Greif #18","description":"\u003ch6\u003e\u003cstrong\u003e148 x 210 mm, 100 pages + book jacket\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eGermany (English-language) \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eFounder and art director:  \u003c\/strong\u003eSimon Lovermann\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003e\u003cspan\u003eGuest editor: \u003c\/span\u003e\u003c\/strong\u003eHank Willis Thomas\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt director:\u003c\/strong\u003e Leon Kirchlechner\u003c\/h6\u003e\n\u003cp\u003eA small-format contemporary photography magazine which (since issue #11) invites guest editors to oversee each issue. Featuring work by photographers ‘from around the world in one holistic art piece\u003cmeta charset=\"utf-8\"\u003e’, \u003cem\u003eDer Greif \u003c\/em\u003eworks to juxtapoze, re-contextualise and \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e‘\u003c\/span\u003eremix culture\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e’\u003c\/span\u003e visually.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGuest edited by Hank Willis \u003c\/span\u003e\u003cspan\u003eThomas, this issue is themed\u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e \u003cmeta charset=\"utf-8\"\u003e‘Tomorrow is Today’—in reference to a 1965 speech by Dr. Martin Luther King Jr.—and aims to amplify the fierce urgency of now in pursuit of creating the future we hope for today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/dergreif.org\/\"\u003edergrief.org\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":43801990889581,"sku":null,"price":17.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/DerGreif_18.jpg?v=1766072430"},{"product_id":"solomiya-5","title":"Solomiya #5","description":"\u003ch6\u003e\u003cstrong\u003e210 x 260 mm, 146 pages (elastic bound)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cspan\u003e\u003cstrong\u003eBerlin, Germany and Kyiv, Ukraine (English-language)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cspan\u003e\u003cstrong\u003eEditorial board: \u003c\/strong\u003eIvanna Kozachenko, Vsevolod Kazarin, Andrii Ushytskyi, Sebastian Wells, Dmytro Chepurnyi, Oleksandra Pogrebynak, Jonathon Turnbull and Karolina Uskakovych \u003cbr\u003e\u003c\/span\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cspan\u003e \u003cstrong\u003eArt direction and design:\u003c\/strong\u003e Anne-Lene Prodd, Petre Bünnagel, Kollektiv Scrollan (Berlin)\u003c\/span\u003e\u003c\/h6\u003e\n\u003cp\u003eFounded in April 2022 by Kyiv-based photographer Vsevolod Kazarin and Berlin photographer Sebastian Wells, \u003cem\u003eSoлomiya\u003c\/em\u003e is a visceral printed response to Russia’s war against Ukraine. Taking form as a folio, it documents the everyday life through the literal and figurative lenses of young independent Ukrainians battling with the existentialism of the continued war by their eastern neighbour.  \u003c\/p\u003e\n\u003cp\u003eThe fifth issue changes to a slightly larger unbound page size, held together by the now customary elastic band, and focuses on the theme: ‘After now.’ Pulling together stories from Yemen, Georgia, Germany and Ukraine, it examines the reality of imagining a time after war, from within ongoing war, reflecting on ‘hope and freedom not as a triumph, but as a complex, often compromised condition, entangled in inequality, shaped by trauma, and co-opted by power.’\u003c\/p\u003e\n\u003cp\u003eOriginally launched as a one-off exercise in recording the continuation of everyday life in the face of the Russian invasion, \u003cem\u003eSoлomiya\u003c\/em\u003e has developed into a unique editorial project. 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We tend to prioritize working writers over academics or practicing designers, but we’re interested in working with anyone who can write creatively and critically about the city.’\u003cbr\u003e\u003ca rel=\"noopener\" href=\"https:\/\/magculture.com\/blogs\/journal\/samuel-medina-new-york-review-of-architecture\" target=\"_blank\"\u003eread more\u003c\/a\u003e\u003c\/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/nyra.nyc\/\"\u003enyra.nyc\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":44004517806189,"sku":null,"price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/LosAnglesReviewofArchitecture_2.png?v=1770732098"},{"product_id":"new-york-review-of-architecture-49","title":"New York Review of Architecture #49","description":"\u003ch6\u003e\u003cstrong\u003e270 x 405 mm, 54 pages (staple bound)\u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eNew York, US\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBimonthly\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published in 2019\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003e\u003cspan\u003eEditor: \u003c\/span\u003e\u003c\/strong\u003eSamuel Medina\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt director:\u003c\/strong\u003e Laura Coombs\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eCover:\u003c\/strong\u003e\u003cspan\u003e Sean Suchara\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003eTall and slim (much like a skyscraper...), \u003cem\u003eNYRA\u003c\/em\u003e naturally ‘\u003cspan\u003ereviews architecture in New York,’\u003c\/span\u003e featuring opiniated columns, essays, criticism and more, beginning with an always enjoyable Letters to the Editors section (yes, this is a magazine that gets a repsonse from its readers!)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSmartly redesigned in 2022—its newsprint pages and slab serif typography \u003cem\u003eInterview\u003c\/em\u003e-esque—you’ll find plenty of visual character to go alongside the sharp writing (not least the illustrated rodent mascot, seen here in a prescient image of NY snow.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eInside this issue, our obsession with the 1990’s is examined, ‘The Fountainhead’—the movie adaptation, not the book—is praised, and the role of the geography of Paris questionned.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"Apple-converted-space\"\u003e\u003cstrong\u003eOn the Journal\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"Apple-converted-space\"\u003eAt Work With Samuel Medina: ‘It’s important to us that \u003cem\u003eNYRA\u003c\/em\u003e feels rooted in New York City, by which I don’t just mean Manhattan or North Brooklyn but also Queens, the Bronx, the rest of Kings County, even Staten Island (within limits). We tend to prioritize working writers over academics or practicing designers, but we’re interested in working with anyone who can write creatively and critically about the city.’\u003cbr\u003e\u003ca href=\"https:\/\/magculture.com\/blogs\/journal\/samuel-medina-new-york-review-of-architecture\" rel=\"noopener\" target=\"_blank\"\u003eread more\u003c\/a\u003e\u003c\/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/nyra.nyc\/\"\u003enyra.nyc\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":44004636786797,"sku":null,"price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/NYRA49.png?v=1770733939"},{"product_id":"the-ministry-of-lost-imagination","title":"The Ministry of Lost Imagination","description":"\u003ch6\u003e\n\u003cstrong\u003e220 x 275 mm, 28 pages (plus raspberry-vanilla flavoured candy, stickers and sandwich bag)\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAmsterdam, Netherlands\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003ePublished since 2024\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor: \u003c\/strong\u003ePeter Kormanyos\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign: \u003c\/strong\u003ePaloma Pardo\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003e‘Unidentified experimental fuckaroundery’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eThe Ministry of Lost Imagination\u003c\/i\u003e is the latest edition from \u003ci\u003ePurgatory Sandwich\u003c\/i\u003e founder and TBWA strategist Peter Kormanyos. 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Initially aiming to publish an ambitious issue per month, it has since developed into a more considered quarterly. Unassuming in its form and provocative in content, it features a trifold wraparound that functions as both graphic masthead (front panel) and editor’s note (front \u0026amp; back panel). Each issue is accompanied by a complementary live reading, animating the host of eccentric characters who inhabit its unembellished pages.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCombining fiction and poetry, issue five contains seven new pieces of prose and poetry, each a testament to the malleability of linguistics and the written word’s capacity to evoke vibrant worlds beyond the monochrome confines of the page.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eOn the Journal\u003c\/strong\u003e\u003cbr\u003eAt work with Colton Karpman: ‘I dislike the idea of influencing or casting a shadow over a reader’s engagement with the contents of each issue. 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The significantly smaller \u003ci\u003ePurple Prose\u003c\/i\u003e gained some serious heft and took the fashion bull by the horns in the ensuing decades, dropping the ‘prose’ and growing not just in terms of scale and pages, but in its significance among the heavyweight bi-annuals. Now, 30 years on, the magazine has established itself as a modern classic, with the cover sporting a new typeface inspired by experimental 60s photography magazine \u003ci\u003eProvoke.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis Spring\/Summer 2026 issue, themed ‘New Glamour’, explores the ever-evolving illusion of glamour—a powerful tool of influence since the dawn of civilisation—tracing its trajectory across popular culture from the late twentieth century to the present day in an attempt to decode its contemporary form. Rather than fuelling a modern obsession with nostalgia, editor Olivier Zham positions the issue as an attempt to tap into glamour’s ‘transformative power… to seduce and disturb, to awaken desire against normalisation and digital hallucination, and to dream again of a cosmic future guided by new stars - or anti-stars.’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWoven throughout the issue, you’ll find a collection of \u003cmeta charset=\"utf-8\"\u003e‘Notes on Glamour’ from the likes of Junya Watanabe, Vaquera, Raul Lopez, Duran Lantink, Dilara Findikoglu and more—a reinterpretation of Susan Sontag’s groundbreaking ‘Notes on Camp’ (an excerpt of which is also printed inside); Jean Baudrillard’s 1979 text ‘Seduction’, which unveils the necessary artifice of the pursuit of desire; and short-form features exploring radical works by Andy Warhol, Marcel Duchamp, Claude Cahun, Barbara Hepworth, Linda Sterling and Richard Prince. Elsewhere, Patti Smith takes lessons from \u003cem\u003eVogue\u003c\/em\u003e, Anthony Vaccarello reminisces on ten years at the helm of Saint Laurent, and Olivier interviews legendary Spanish designer Miguel Androver, New York drag artist Christeene Vale, Italian avant-garde filmmaker Francesco Vezzoli and American jewellery designer Betony Vernon.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/purple.fr\/\" target=\"_blank\"\u003e\u003cspan\u003epurple.fr\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Linder Sterling","offer_id":44253059317869,"sku":null,"price":50.0,"currency_code":"GBP","in_stock":false},{"title":"Loewe by Joshua Woods","offer_id":44253059350637,"sku":null,"price":50.0,"currency_code":"GBP","in_stock":false},{"title":"Tom Ford by Venetia Scott","offer_id":44253059383405,"sku":null,"price":50.0,"currency_code":"GBP","in_stock":true},{"title":"Burberry with Lou Doillon","offer_id":44253059416173,"sku":null,"price":50.0,"currency_code":"GBP","in_stock":true},{"title":"Anthony Vaccarello","offer_id":44253059448941,"sku":null,"price":50.0,"currency_code":"GBP","in_stock":false},{"title":"Gucci with Petit by Gaspar Noe","offer_id":44253059481709,"sku":null,"price":50.0,"currency_code":"GBP","in_stock":true},{"title":"Saint Laurent by Anthony Vaccarello","offer_id":44253059514477,"sku":null,"price":50.0,"currency_code":"GBP","in_stock":false},{"title":"Clash de Cartier by Olivier Zahm","offer_id":44253059547245,"sku":null,"price":50.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Purple_45_gif.gif?v=1771866190"},{"product_id":"isolarii-16","title":"Isolarii #16","description":"\u003ch6\u003e\u003cstrong\u003e72 x 106 mm (tiny!), 180 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBi-monthly\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published in 2020\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003e Editors: \u003c\/strong\u003eSebastian Clark and Luca Mantero\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eCover by:\u003c\/strong\u003e Alaska Alaska\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003e‘Ah!Merica’\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003eA series by Common Era, the sixteenth edition of the diminutive isolarii (meaning ‘island texts’) arrives draped in three versions of William Blake’s visual interpretations of Dante’s Divine Comedy, adorned with the press’s signature font in metallic silver.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe title, derived from Blake’s visual poem ‘Ah!Sun-flower’, features in-depth excerpts from Allen Ginsberg’s Napora Institute lectures on the poet and visual artist. Having strongly influenced Ginsberg’s work, these lectures draw from Blake’s\u003cspan\u003e philosophy on \u003c\/span\u003e\u003cspan\u003enoticing\u003c\/span\u003e\u003cspan\u003e beauty in \u003c\/span\u003ethe minuscule and using poetry as a form of spiritual resistance against political and internalised oppressive structures. A detail to pay attention to—each chapter heading is set in Ginsberg’s handwriting.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eOn the Journal: \u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eIt’s this one thing (on \u003cem\u003eIsolarii\u003c\/em\u003e #5): ‘Each edition of the tiniest publication on magCulture’s shelves,\u003cem\u003e isolarii\u003c\/em\u003e, is by its very nature a (miniaturised, printed) cousin of the ‘It’s this one thing’ column. Published once every two months, the series is ‘a world of many worlds’ where, with each new addition, a different niche subject is rather beautifully and deftly explored...’\u003cbr\u003e\u003ca href=\"https:\/\/magculture.com\/blogs\/journal\/isolarri-5?_pos=1\u0026amp;_sid=7cd3e06d3\u0026amp;_ss=r\" target=\"_blank\"\u003eREAD MORE\u003c\/a\u003e\u003c\/span\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.isolarii.com\/\" target=\"_blank\"\u003e\u003cspan\u003e isolarii.com\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"magCulture","offers":[{"title":"Three Beasts","offer_id":44804803002477,"sku":null,"price":15.0,"currency_code":"GBP","in_stock":true},{"title":"Torso","offer_id":44804803035245,"sku":null,"price":15.0,"currency_code":"GBP","in_stock":false},{"title":"Fire","offer_id":44804803068013,"sku":null,"price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/isolarii_16.gif?v=1773338589"},{"product_id":"pilot-6","title":"Pilot #6","description":"\u003ch6\u003e\u003cstrong\u003e353 x 370 mm, 192 pages \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published in 2020\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cspan style=\"background: var(--white);\"\u003e\u003cstrong\u003eEditor-in-chief and creative director: \u003c\/strong\u003eDagny Tepper\u003c\/span\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt director:\u003c\/strong\u003e Jordyn Carlin\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesigners: \u003c\/strong\u003eChaChaanTeng!, Wei Prior and Charlotte Wells\u003c\/h6\u003e\n\u003cp\u003e‘A digest dedicated to all things creative, experimental, and authentic’\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOne of the many excellent things about Dagny Tepper’s \u003cem\u003ePilot \u003c\/em\u003eis the fact that no two issues have ever looked alike—the format is ever-changing and this latest\u003c\/span\u003e\u003cspan\u003e puzzle-esque edition of the cultural compendium does\u003c\/span\u003e\u003cspan\u003e not disappoint. Complete with instructions and perforated guides, the large format pages are designed to be torn, folded and transformed—making for an all-around wonderfully-tactile experience.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThemed ‘You Are Here’ this edition questions: ‘Is it always necessary to be present?\u003cmeta charset=\"utf-8\"\u003e’ and \u003cmeta charset=\"utf-8\"\u003e‘When can escapism offer clarity?’ Inside, a personal account from Valerie Estrina recalls how, through radical acceptance, she unshackled herself from a lingering degree of ‘terminal despair’, a witness account of excessive iPhone photography is documented on camcorder by Wally Waliszewiski, and Egyptian-American comedian Kareem Rahma—of ‘SubwayTakes’ fame—sits down to discuss his work, waiters in New York City, and bemoans being o\u003cspan class=\"Yjhzub\"\u003ever-intellectualised\u003c\/span\u003e.\u003c\/p\u003e\n\u003cp\u003ePlus, a playlist curated for this edition, top book and film picks from the editorial team, poetry from Kellen Rear, and an homage to community radio.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.pilotmagazine.uk\" target=\"_blank\"\u003epilotmagazine.uk\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":44950894608493,"sku":null,"price":42.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Pilot_6.png?v=1775057355"},{"product_id":"scary-boots-4","title":"Scary Boots #4","description":"\u003ch6\u003e\u003cstrong\u003e140 × 198 mm, 56 pages (thread-sewn)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cspan\u003e\u003cstrong\u003eLondon, UK\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cspan\u003e\u003cstrong\u003eQuarterly\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cspan\u003e\u003cstrong\u003eFirst published 2024\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cspan\u003e\u003cstrong\u003eEditor and art director: \u003c\/strong\u003eScary Boots Collective\u003c\/span\u003e\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003eA partially Risograph-printed quarterly of art and writing, \u003ci\u003eScary Boots \u003c\/i\u003eis a self-described ‘little magazine’ with ‘its feet in the slime’, each issue focussing on an aspect of human experience. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis time presenting itself in a red fade cover with flashes of colour throughout, the issue themed is ‘Ritual’, examining the silent and loud repetitions that shape our identities. Carefully curated short stories and poetry are accompanied by charming illustrations and visuals throughout. It opens with thoughts of ritualistic intimacy in the editors letter, and moves on to reader’s rituals—such as a cat with OCD—and stories of the rituals of drugtaking, restaurant dinners, jewellery and the Christmas edition of the \u003cem\u003eRadio Times \u003c\/em\u003emagazine. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eElsewhere, US novelist Katherine Faw shares a preview of her next novel, featuring precise screen directions in a cherry red on mint (something Elias discussed in detail at our recent launch of the issue); a watery New Moon ritual by Clare Elliot; and regular contributor Sienna Murdoch responds to the theme with her ever-surprising geline sculptures.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLimited edition of 200 copies\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003emagCulture Meets Scary Boots\u003c\/strong\u003e\u003cbr\u003eOur recent shop event featured editor Elias Myer discussing the origins and inspirations for his zine.\u003cbr\u003e\u003ca href=\"https:\/\/vimeo.com\/manage\/videos\/1183682140\" target=\"_blank\" rel=\"noopener\"\u003eWATCH NOW\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.scaryboots.com\/\"\u003escaryboots.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":45064711766125,"sku":null,"price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/ScaryBoots4.jpg?v=1776429033"},{"product_id":"pencil-magazine-3","title":"Pencil Magazine #3","description":"\u003ch6\u003e\u003cstrong\u003e152 x 228 mm, 156 pages \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eMaine, US\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBiannual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor and publisher: \u003c\/strong\u003eSasha Wizansky\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eCover art:\u003c\/strong\u003e Phoebe Kinder\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003e‘A most humble and universal tool’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGentle on the eyes and in the hands, \u003ci\u003ePencil\u003c\/i\u003e is a new title produced entirely in, well, pencil! Everything from the cover art to images, texts and even page numbers inside were originally handwritten or drawn using graphite, reproduced on pages that feel appropriately notebook-esque. It’s an ode to reconnecting with analog tools away from digital distractions because, as editor Sasha Wizansky writes, ‘entire worlds can emerge from a single pencil.’ \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eThis ‘Letter Writing’ edition is devoted to ‘correspondence, missives, parcel and post.’ Playing host to handwritten features that range from satirical to serious. Enhanced by the personality of each author’s penmanship, and accompanied throughout by a variety of lively illustrations. 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We tend to prioritize working writers over academics or practicing designers, but we’re interested in working with anyone who can write creatively and critically about the city.’\u003cbr\u003e\u003ca rel=\"noopener\" href=\"https:\/\/magculture.com\/blogs\/journal\/samuel-medina-new-york-review-of-architecture\" target=\"_blank\"\u003eread more\u003c\/a\u003e\u003c\/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/nyra.nyc\/\"\u003enyra.nyc\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":45191562592365,"sku":null,"price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/NewYorkReviewofArchitecture50.jpg?v=1778509369"},{"product_id":"cantik-manis","title":"Cantik Manis","description":"\u003ch6\u003e\u003cstrong\u003e122 x 120 mm, 172 pages \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK and Jakarta, Indonesia (English-language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published in 2026\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eCreator:\u003c\/strong\u003e Rahel Stephanie (Spoons)\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor:\u003c\/strong\u003e Sabrina Citra\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign and art direction:\u003c\/strong\u003e Nadine Hanisya, Ratta Bill (Tiny Studio) \u0026amp; Nano Zantara\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003eFrom the team behind \u003ci\u003ePedas \u003c\/i\u003ecomes the delightfully packaged \u003ci\u003eCantik Manis,\u003c\/i\u003e a one-off special edition published by Spoons and Tiny Studio spotlighting traditional Indonesian market sweets. \u003ci\u003eCantik Manis\u003c\/i\u003e—a direct translation of ‘pretty and sweet’, and the name of a pastel Indonesian dessert made from mung bean flour, coconut milk and tapioca pearls—is a collaboration across countries and disciplines that aims to get at the heart of Indonesian culture, femininity, and the exoticised gaze through which the two are often viewed.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn Rahel’s own words: ‘More than just a favourite Jajan Pasar (loosely translated as Market Sweets) choice, \u003ci\u003eCantik Manis\u003c\/i\u003e is a reflection of my femininity: an embrace of sweetness, delicacy and playfulness… this zine unpacks diasporic nostalgia, exoticisation in the western culinary industry, and modern romance.’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eInside, find eight saccharinely illustrated sweet recipes\u003cspan class=\"Apple-converted-space\"\u003e from Bolu Kojo to Kue Lapis, complete with accompanying personal reflections, interwoven between features on the role of sweet snacks in Jakarta, desserts as love language, and the importance of conscientious consumption. A delight to behold!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.instagram.com\/eatwithsp00ns\/\"\u003einstagram.com\/eatwithsp00ns\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":45198152499309,"sku":null,"price":23.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/CantikManis.png?v=1778690914"},{"product_id":"cactus-21","title":"Cactus #21","description":"\u003ch6\u003e\u003cstrong\u003e\u003cspan\u003e210 x 260 mm\u003c\/span\u003e (unbound in double card sleeve)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eMilan, Italy (English-language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBiannual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published 2015\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eFounder and creative director: \u003c\/strong\u003eLuca Smorgon\u003cbr\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eGraphic designer\u003c\/strong\u003e: Valeria Peschechera\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003eSpring\/Summer 2026\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA visual tour-de-force of quirky, fashion-orientated photography and art, \u003ci\u003eCactus\u003c\/i\u003e is known for its distinctive ‘poster-like structure’, resulting in a stack of glossy unbound pages of single and foldout images, both CGI and photographed.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIssue 21 arrives wrapped in a card cut-out sleeve, featuring still life photography by Thomas Pico—magnified to the point of abstraction—on the cover. Inside, discover a loose-leaf showcase of 14 projects at the intersection of contemporary art, fashion, and CGI.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cactusdigitale.com\/\" target=\"_blank\" rel=\"noopener\"\u003ecactusdigitale.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":45202506023021,"sku":null,"price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Cactus21.png?v=1778767390"},{"product_id":"cabana-25","title":"Cabana #25","description":"\u003ch6\u003e\u003cstrong\u003e230 x 305 mm, 392 pages (plus 16 page insert)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eMilano, Italy\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBiannual (or \u003cmeta charset=\"utf-8\"\u003e‘Semestrial\u003cmeta charset=\"utf-8\"\u003e’ as they say) \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published 2014\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor-in-chief: \u003c\/strong\u003eMartina Mondadori\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eCreative director:\u003c\/strong\u003e Christoph Radl\u003c\/h6\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eCabana \u003c\/em\u003eis a heavyweight publication exploring the way people relate to interiors, from the grandest rooms to the smallest details. Every issue features a range of specially designed textiles on the front cover. In their words: \u003c\/p\u003e\n\u003cp\u003e‘The German word gemütlich summons the \u003cem\u003eCabana\u003c\/em\u003e vision, conveying an inviting feeling of warmth and sense of space. Whether it be a palazzo, a flat, a folly or a hut, the \u003cem\u003eCabana\u003c\/em\u003e mood is an appreciation of the sensory and experiential characteristics of interiors.’\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp class=\"p1\"\u003eThis 25th issue for Spring\/Summer 2026 draws inspiration from the softer palette of this time of year, celebrating the idea of ‘restraint without renunciation’, and how this translates to interiors that ‘whisper rather than declare’. Inside, discover interiors from across the globe, all united by an invitation to pause, reflect, and listen. Leaf through the pages and visit Stephen Sills’ understated drawing room in his house in Bedford, New York; step inside Emiliano Salci’s Milanese home, where rooms and cupboards reveal as much through what they withhold as what they display; and travel to Djerba, Tunisia, through a portfolio that encourages readers to ‘slow down and truly look’. Elsewhere, meet gardeners in the Loire Valley, whose approach to horticulture mirrors the same quiet sensitivity found throughout these interiors. Tucked in the back is a small accompanying publication exhibiting 14 floral arrangements by James Stopforth, created using flowers gathered from celebrities’ treasured gardens—including those of Jasper Conran, Sam McKnight and Isabel and Julian Bannerman.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eChoose from four collectible covers, all created in collaboration with Bvlagri and featuring fabrics by the historic Venetian textile house, Rubelli.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cabanamagazine.com\/\" target=\"_blank\"\u003ecabanamagazine.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"01","offer_id":45216370753645,"sku":null,"price":40.0,"currency_code":"GBP","in_stock":false},{"title":"02","offer_id":45216370786413,"sku":null,"price":40.0,"currency_code":"GBP","in_stock":true},{"title":"03","offer_id":45216370819181,"sku":null,"price":40.0,"currency_code":"GBP","in_stock":false},{"title":"04","offer_id":45216370851949,"sku":null,"price":40.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Cabana_25_-_gif_2.gif?v=1779274759"},{"product_id":"paperboy-9","title":"Paperboy #9","description":"\u003ch6\u003e\u003cstrong\u003e 210 × 275 mm, 200 pages \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published 2021\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBiannual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor\/Paperboy: \u003c\/strong\u003eDavid McKendrick\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign \u0026amp; art direction: \u003c\/strong\u003eDavid McKendrick, Ben McLaughlin \u0026amp; Jack Howden\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003eA certified magCulture favourite, this is the ninth issue of David McKendrick’s ‘Good News’ magazine, \u003ci\u003ePaperboy\u003c\/i\u003e.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe theme, ‘Upside Down’, isn’t the only thing turned on its head this edition, which also features a cover star for the first time since its launch in 2021—issues one through seven came wrapped in a monochromatic dust jacket, whilst the latest featured a classic tartan pattern. ‘And what a smasher she is’, David proudly declares in his opening remarks, never mind the fact that she’s a two-toed sloth, and not—as her name, Marilyn—may have you believe, a star of the silver screen. Find out more about this blonde bombshell inside: photographed in her natural habitat (London Zoo) by Jack Davison, and profiled by Alex Bilmes with arguably greater sincerity than is often afforded to her namesake.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eElsewhere: a glossy 26-page spread dedicated to designer bum bags—emphasis on the bum—mischievous mutts, yoga poses, touching noses (‘you and your nose are perfect just the way you are’), and ‘a few of Manolo Blahnik’s favourite things’. Plus, as ever, great reading from Liv Siddall, who lists 27 objects that inexplicably turn her on.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eOn the Journal\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt work with David McKendrick: ‘I don’t want it to sound too basic, but I drew up a wish list of all the great accomplished people I have worked with over the years, and I dreamt a little, and in an old fashioned manner got on the phone, told them about \u003cem\u003ePaperboy\u003c\/em\u003e, and the idea and begged the question “will you be part of this?” and much to my surprise, everyone seemed up for it.’\u003cbr\u003e\u003ca href=\"https:\/\/magculture.com\/blogs\/journal\/david-mckendrick-paperboy\" target=\"_blank\"\u003eread more\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003ca href=\"https:\/\/www.paperboymagazine.com\/\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.paperboymagazine.com\u0026amp;source=gmail\u0026amp;ust=1616868159107000\u0026amp;usg=AFQjCNGViDLayipKNJFxd1aKsVvqqoxVzA\" target=\"_blank\"\u003epaperboymagazine.com\u003c\/a\u003e\n\u003c\/div\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":45220699865197,"sku":null,"price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Paperboy9.png?v=1779463163"},{"product_id":"new-papers-6","title":"New Papers #6","description":"\u003ch6\u003e\n\u003cstrong\u003e132 x 220 mm, 40\u003c\/strong\u003e\u003cstrong\u003e pages\u003c\/strong\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eQuarterly\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published 2025\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eFounding editor:\u003c\/strong\u003e Colton Karpman\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditors: \u003c\/strong\u003eKaty Trame, Em Bauer, Isaac Zamet and William McGuire \u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt director: \u003c\/strong\u003eDilara Koz\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003eNew Papers \u003c\/em\u003eis a London-based literary title, which initially aimed to publish monthly, but has since developed into a more considered quarterly. Unassuming in its form and provocative in content, it features a trifold wraparound that functions as both graphic masthead (front panel) and editor’s note (front \u0026amp; back panel). Each issue is accompanied by a complementary live reading, animating the host of eccentric characters who inhabit its unembellished pages.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCombining fiction and poetry, this sixth edition brings together six new works that traverse a remarkable range of subjects, from Olympic champion figure skater Alysia Liu to the rhythms of everyday life on safari in Somalia. Together, these pieces demonstrate the written word’s ability to conjure vivid worlds, transporting readers far beyond the monochrome confines of the page.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eOn the Journal\u003c\/strong\u003e\u003cbr\u003eAt work with Colton Karpman: ‘I dislike the idea of influencing or casting a shadow over a reader’s engagement with the contents of each issue. As always, \u003cem\u003eNew Papers\u003c\/em\u003e remains a paragon of objectivity and impartiality. The Editor’s Note achieves its goal insofar as it as unobtrusively as possible introduces the issue to the reader.’\u003cbr\u003e\u003ca href=\"https:\/\/magculture.com\/blogs\/journal\/colton-karpman-new-papers\" rel=\"noopener\" target=\"_blank\"\u003eread more\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/new-papers.org\/\"\u003enew-papers.org\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":45275576107117,"sku":null,"price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/NewPapers_6.jpg?v=1780490686"}],"url":"https:\/\/magculture.com\/collections\/magazine-y\/digital.oembed","provider":"magCulture","version":"1.0","type":"link"}