{"title":"Magazines","description":"","products":[{"product_id":"macguffin-8-the-desk","title":"MacGuffin #8, The Desk","description":"\u003ch6\u003e\u003cstrong\u003e210 x 275mm, 210 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAmsterdam, Netherlands (English language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAnnual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditors:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eKirsten Algera \u0026amp; Ernst van der Hoeven\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eSandra Kassenaar\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003e‘The Life of Things’ \u003c\/p\u003e\n\u003cp\u003eIt’s MacGuffin's 8th issue, from 2020.\u003c\/p\u003e\n\u003cp\u003eThis one's all about The Desk: open its pages for messy desks, radical desks, makeshift desks and talkshow desks. And how about that for a cover!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn the Journal:\u003cbr\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e‘The magazine isn’t interested in things that are iconic, but rather in the mysterious, unexpected things that set a story in motion’.\u003c\/span\u003e\u003cbr\u003e\u003ca href=\"https:\/\/magculture.com\/blogs\/journal\/macguffin-10\" data-mce-href=\"https:\/\/magculture.com\/blogs\/journal\/macguffin-10\"\u003eREAD MORE\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.macguffinmagazine.com\/\" data-mce-href=\"https:\/\/www.macguffinmagazine.com\/\" target=\"_blank\"\u003emacguffinmagazine.com\u003c\/a\u003e\u003c\/div\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":31952697098349,"sku":"","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/products\/macguffin_08.jpg?v=1581699495"},{"product_id":"macguffin-10-the-bottle","title":"MacGuffin #10, The Bottle","description":"\u003ch6\u003e\u003cstrong\u003e210 x 275mm, 234 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAmsterdam, Netherlands (English language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAnnual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditors:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eKirsten Algera \u0026amp; Ernst van der Hoeven\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign:\u003c\/strong\u003e Sandra Kassenaar\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003e‘The Life of Things’ \u003c\/p\u003e\n\u003cp\u003eIt’s \u003cem\u003eMacGuffin\u003c\/em\u003e's 10th issue, from 2021.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFeaturing bottles galore, notable stories include ‘a parade of down-market perfumes, messages squeezed into bottles, recipes for the perfect Molotov cocktail, the curated contents of celebrity fridges, the curious colours of centuries-old domestic bottles, the racism rife in the wine business, the salvation sought at AA sessions.’\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn the Journal:\u003cbr\u003e\u003c\/strong\u003e‘The magazine isn’t interested in things that are iconic, but rather in the mysterious, unexpected things that set a story in motion’. \u003cbr\u003eRead a brief sample text from this issue—Liv Siddall on the meanings of the Aesop bottle.\u003cbr\u003e \u003ca href=\"https:\/\/magculture.com\/blogs\/journal\/macguffin-10\" target=\"_blank\"\u003eREAD MORE\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.macguffinmagazine.com\/\" target=\"_blank\"\u003emacguffinmagazine.com\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":39608214945901,"sku":"","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/products\/MacGuffin_10.png?v=1632495560"},{"product_id":"record-culture-11","title":"Record Culture #11","description":"\u003ch6\u003e\u003cstrong\u003e160 x 230 mm, 210 pages, plus two supplements\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eNew York, Berlin, Melbourne\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eOccasional\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published in 2016\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor-in-chief: \u003c\/strong\u003eKarl Henkell\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt director: \u003c\/strong\u003eHolly Canham\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eRecord Culture\u003c\/em\u003e returns after four years out! The team reconvene for another collection of stories from the intersection of music makers and their intersection with art, fashion, and culture. It’s great to have this magazine back on the shelves!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWith reports and interviews from across the globe featuring Paul Takahashi, Nicolas Godin, Kiki Kudo, Jean Touitou, Frankie Teardrop, Jamie Tiller, Sound Metaphors, OKO DJ, Ariel Zetina, Fraser Cooke. Plus ‘Plant Bar,’ a short story by Luke Jenner, and a series of artworks, ‘Eddie Ruscha: Sound\/Waves’. Expect speakers, decks, mixing desks, cables and plenty of vinyl among the portraits and interviews.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePlus two additional supplements: ‘The Invitations of Life… Child,’ a sample of Nicky Siano’s archive of 1970s NYC club flyers; and ‘You Can Hear Your Won Heartbeat,’ a photo report from the Tokyo HQ of Audio-Technica.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrom the Journal (2020):\u003cbr\u003e\u003c\/strong\u003e‘Rather than reviews, long-form interviews make up the bulk of each issue of \u003cem\u003eRecord Culture.\u003c\/em\u003e These serve as a framework through which to understand contemporary musicians and their process, letting the artists speak for themselves on everything from ‘dirty clubs’ to meditation...’ \u003cbr\u003e\u003csmall\u003e\u003ca href=\"https:\/\/magculture.com\/record-culture-7\/\" target=\"_blank\"\u003eREAD MORE\u003c\/a\u003e\u003c\/small\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/record-magazine.com\/\" target=\"_blank\"\u003erecord-magazine.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":39843108192365,"sku":"","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/RecordCulture11.png?v=1779888777"},{"product_id":"lstw-6","title":"LSTW #6","description":"\u003ch6\u003e\u003cstrong\u003e165 x 240 mm, 272 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eMontréal, Canada (English and French-language) \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAnnual \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published 2016\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003ePublisher, editor-in-chief and creative director: \u003c\/strong\u003eFlorence Gagnon\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eCo-editor and art director:\u003c\/strong\u003e Carolyne De Bellefeuille\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eContributing editors:\u003c\/strong\u003e Lisa Cecchini, Marjorie Roux\u003c\/h6\u003e\n\u003cp\u003eAn initialism for Lez Spread the Word, \u003cem\u003eLSTW\u003c\/em\u003e is the magazine of Canadian lesbian culture. It's presented in both English and French-language, with both languages sitting alongside each other throughout.\u003c\/p\u003e\n\u003cp\u003eIssue six is their anniversary edition, celebrating 10 years and, as they write in their editor's note ‘a decade of culture, promising projects, improvised encounters, dreams, inspiring horizons, sleepless nights and \u003cem\u003eso many\u003c\/em\u003e cardboard boxes.’\u003c\/p\u003e\n\u003cp\u003eIn that same editor's letter, they also appear to hint that this \u003cem\u003ecould \u003c\/em\u003ebe the end(!) but ‘whether or not this is au revoir’ right now the team are filled with pride; and so they should be. (As we are, c\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eatch\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e shop manager Danielle's piece on page 166).\u003c\/span\u003e Now only one question remains, which cover will you choose?\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn the journal\u003cbr\u003e\u003c\/strong\u003eAt work with Florence Gagnon: ‘We start the new week just outside Montreal, where Florence Gagnon publishes her magazine\u003cem\u003eLSTW\u003c\/em\u003e. She’s founder and creative director of the 230-page queer publication, which is is produced in both French and English...’\u003cem\u003e \u003c\/em\u003e\u003ca href=\"https:\/\/magculture.com\/blogs\/journal\/florence-gagnon-lstw\" target=\"_blank\"\u003eREAD MORE\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/lezspreadtheword.com\/\" target=\"_blank\"\u003elezspreadtheword.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Anniversary","offer_id":40047670198381,"sku":"","price":17.0,"currency_code":"GBP","in_stock":false},{"title":"Charlotte Day Wilson","offer_id":40047670231149,"sku":"","price":17.0,"currency_code":"GBP","in_stock":true},{"title":"Nightlift","offer_id":40047670263917,"sku":"","price":17.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/products\/LSTW-10.gif?v=1651313229"},{"product_id":"tortoise-quarterly-8","title":"Tortoise Quarterly #8","description":"\u003ch6\u003e\u003cstrong\u003e120 x 165 mm, 166 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eQuarterly\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published in 2020\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor: \u003c\/strong\u003eKeith Blackmore\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eCreative director: \u003c\/strong\u003eJon Hill\u003c\/h6\u003e\n\u003cp\u003eThe eighth volume of slow news publication \u003cem\u003eTortoise Quarterly\u003c\/em\u003e is themed, Festival (aptly given the season).\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eContributors include Simon Barnes, David Barnett, Paul Hayward, Edith Pritchett, Martin Samuel, Mary Ann Sieghart, David Taylor and Lynne Truss.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.tortoisemedia.com\/\" target=\"_blank\"\u003etortoisemedia.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":40195894444141,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/products\/Screenshot2022-07-06at17.21.38.png?v=1657124668"},{"product_id":"pulp-23","title":"Pulp #23","description":"\u003ch6\u003e\u003cstrong\u003e160x240m, multiple papers, in card wrapper\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eMilan, Italy (English \u0026amp; Italian language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eThree times a year\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor: \u003c\/strong\u003eJohn L. 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As well as a great paper and print sample, it’s a source of design inspiration and is produced by the team behind\u003cem\u003e Eye\u003c\/em\u003e magazine.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIssue 23 is the\u003cem data-mce-fragment=\"1\"\u003e \u003c\/em\u003eFabriano special issue, throwing a spotlight on their Fabriano paper, named after the Italian town in which paper mills were founded in 1264, and whose papers have been loved and used by artists ever since.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFabriano has been part of Fedrigoni for two decades and continues to innovate while making the finest papers for creative expression.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003ePulp\u003c\/em\u003e 23’s subject matter includes great artists, the art of the swatch book and Pentagram’s elegant rebrand of Carlo Cattaneo’s original Fabriano logotype. The  photography is by Philip Sayer and the cover shows a detail of Giulia Orecchia’s illustrations for the forthcoming Fabriano Festival del Disegno 2022.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/pulp.fedrigoni.com\/\" target=\"_blank\"\u003epulp.fedrigoni.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":40210250891373,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/products\/PULP23_cover.jpg?v=1657896675"},{"product_id":"pulp-22","title":"Pulp #22","description":"\u003ch6\u003e\u003cstrong\u003e160x240mm, multiple papers, in card wrapper\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eMilan, Italy (English \u0026amp; Italian language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eThree times a year\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor: \u003c\/strong\u003eJohn L. 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And we interview Fedrigoni’s new head of sustainability for her perspective on this most urgent issue.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/pulp.fedrigoni.com\/\" target=\"_blank\"\u003epulp.fedrigoni.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":40210253643885,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/products\/PULP22_cover.jpg?v=1657896903"},{"product_id":"pulp-21","title":"Pulp #21","description":"\u003ch6\u003e\u003cstrong\u003e160 x 240m, multiple papers, in card wrapper\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eMilan, Italy (English \u0026amp; Italian language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eThree times a year\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor: \u003c\/strong\u003eJohn L. 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As well as a great paper and print sample, it’s a source of design inspiration and is produced by the team behind\u003cem\u003e Eye\u003c\/em\u003e magazine.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis issue turns its attention to Fedrigoni’s comprehensive new identity design, now seen on swatch books, business cards, bags, pencils and one of Fedrigoni’s delivery trucks, photographed on the streets of Verona.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe cover shows Pentagram partner Harry Pearce, whose team designed the rebrand during the pandemic. The issue also looks at the background to Forma, Fedrigoni’s new corporate typeface; beer labels designed to reduce waste; logos from New Zealand; and highlights from Fedrigoni Top Award 2021.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/pulp.fedrigoni.com\/\" target=\"_blank\"\u003epulp.fedrigoni.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":40210257510509,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/products\/PULP21cover.jpg?v=1657897225"},{"product_id":"full-english-1","title":"Sausage Press #1: Full English Breakfast Guide","description":"\u003ch6\u003e\u003cstrong\u003e105 x 150 mm (foldout pamphlet)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cspan class=\"im\"\u003e\u003cstrong\u003eFirst published in 2022\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cspan class=\"im\"\u003e\u003cstrong\u003e\u003cspan\u003eCreated by: \u003c\/span\u003e\u003c\/strong\u003eBen Smith and Jules Pearson\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003eThe first of a set of newly launched guidebooks from the team at \u003ci\u003eLondon On The Inside\u003c\/i\u003e, this pocket-sized powerhouse gives you the full rundown on London’s finest breakfast spots.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEach establishment in this impressively comprehensive guide is measured across a series of handy metrics—the ‘Sausage Key’—denoting notable factors such as whether an establishment is ‘oat friendly’, has ‘no bog’ or is known for its ‘sausage girth’. And of course, keep a look out for any ‘fake Heinz’. Obviously. \u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/sausagepress.uk\/products\/full-english-breakfast-guide\" target=\"_blank\"\u003esausagepress.uk\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":40263844888685,"sku":"","price":7.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/products\/SausagePress_1.png?v=1660407962"},{"product_id":"macguffin-11-the-chain","title":"MacGuffin #11, The Chain","description":"\u003ch6\u003e\u003cstrong\u003e210 x 275mm, 196 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAmsterdam, Netherlands (English language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAnnual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditors:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eKirsten Algera \u0026amp; Ernst van der Hoeven\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign:\u003c\/strong\u003e Sandra Kassenaar\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003e‘The Life of Things’ \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMacGuffin\u003c\/em\u003e's 11th issue is centered around the chain, exploring the surprisingly wide-ranging cultural implications\u003cspan data-mce-fragment=\"1\"\u003e of \u003c\/span\u003echains of all sizes – celebrating the decorative and functional as well as assessing our (often complex) relationship with the darker stuff: cage-fighting, horror films and multi-car pileups. 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Everything from fossil trees, matchsticks, wood-carving, fast-furniture, illegal logging and more.\u003c\/p\u003e\n\u003cp\u003ePlus, features on the poetry to be found inside the cells of trees, the careful balance between insects, trees and humans, and, most wonderfully of all, 'An Ode to the Log Lady' of \u003cem\u003eTwin Peaks\u003c\/em\u003e. Another fantastic example of what a magazine can be at its best.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn the Journal:\u003cbr\u003e\u003c\/strong\u003e‘The magazine isn’t interested in things that are iconic, but rather in the mysterious, unexpected things that set a story in motion’. \u003ca href=\"https:\/\/magculture.com\/blogs\/journal\/macguffin-10\" target=\"_blank\"\u003eREAD MORE\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.macguffinmagazine.com\/\" target=\"_blank\"\u003emacguffinmagazine.com\u003c\/a\u003e\u003c\/div\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":40671063146605,"sku":"","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/MacGuffin_12.jpg?v=1688131697"},{"product_id":"sleek-78","title":"Sleek #77","description":"\u003ch6\u003e\u003cstrong\u003e225 x 296 mm, 130 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBerlin, Germany (English and German-language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003e\u003cspan\u003ePublisher\/CEO: \u003c\/span\u003e\u003c\/strong\u003eChristian Bracht\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003e\u003cspan\u003eHead of editorial: \u003c\/span\u003e\u003c\/strong\u003eAnja Prinz\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003e\u003cspan\u003eArt direction and design: \u003c\/span\u003e\u003c\/strong\u003eLorenzo L Pradelli\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign:\u003c\/strong\u003e Christophe Synak\u003c\/h6\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eA glossy Berlin-born quarterly of art, fashion and culture. This is The Trust\/Vertrauen Issue, exploring why trust, as a foundation of every interpersonal relationship, is so important for creativity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eCover: Svenja Jung photographed by Ferry Mohr.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.sleek-mag.com\/\" target=\"_blank\"\u003e\u003cspan\u003esleek-mag.com\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":40671700418669,"sku":"","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Sleek_77.png?v=1688225278"},{"product_id":"anyway-2","title":"Anyway #2","description":"\u003ch6\u003e\u003cstrong\u003e215 x 280 mm, 82 pages \u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eNew York and Connecticut, US\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eFirst published 2022\/23\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditors-in-chief:\u003c\/strong\u003e Keeley McNamara and Jen Swetzoff\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eCreative director:\u003c\/strong\u003e Elizabeth Goodspeed \u003c\/h6\u003e\n\u003cp\u003e'The new voice of growing up' \u003c\/p\u003e\n\u003cp\u003eA new magazine for tweens and teens! \u003cem\u003eAnyway \u003c\/em\u003eis a lovingly-created publication for those traversing the bridge between childhood and adulthood. 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This is the BLISS issue, which aims to take its readers on a journey to explore sources of bliss in creativity:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e'The connection between bliss and creativity is deeper than one might think at first glance. It permeates our lifestyles, our interactions, and our personal development.'\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eCover: Lia Lia by Osman Özel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.sleek-mag.com\/\" target=\"_blank\"\u003e\u003cspan\u003esleek-mag.com\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":40736892125293,"sku":null,"price":19.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Sleek_78.jpg?v=1695915604"},{"product_id":"pulp-26","title":"Pulp #26","description":"\u003ch6\u003e\u003cstrong\u003e160x240m, 72 pages, multiple papers, in card wrapper\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eMilan, Italy (English \u0026amp; Italian language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eThree times a year\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor: \u003c\/strong\u003eJohn L. Walters\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt director: \u003c\/strong\u003eSimon Esterson\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt editor: \u003c\/strong\u003eHolly Catford\u003c\/h6\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cem\u003ePulp\u003c\/em\u003e is published by paper manufacturer Fedrigoni, and celebrates the creative use of their papers. As well as a great paper and print sample, it’s a source of design inspiration and is produced by the team behind\u003cem\u003e Eye\u003c\/em\u003e magazine.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003ePulp\u003c\/em\u003e 26 is the plastic to paper (P2P) issue, heralding the shift away from single-use plastic. Editor John L Walters opens with a manifesto statement, before a series of case studies show how this is being done. Fedrigoni CEO also discusses the theme.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/pulp.fedrigoni.com\/\" data-mce-href=\"https:\/\/pulp.fedrigoni.com\/\" target=\"_blank\"\u003epulp.fedrigoni.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":40829649617005,"sku":null,"price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Pulp_26.png?v=1699101476"},{"product_id":"motor-dance-journal-2","title":"Motor Dance Journal #2","description":"\u003ch6\u003e\u003cstrong\u003e165 mm x 245 mm, 162 pages \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published 2022 \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAnnual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditors:\u003c\/strong\u003e Isabelle Bucklow and Hannah Woods\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign:\u003c\/strong\u003e Audrey Solomon\u003c\/h6\u003e\n\u003cp\u003e'Critical and creative engagements with dance'\u003c\/p\u003e\n\u003cp\u003eLaunched in 2022 as a finite trilogy, this is \u003cem\u003eMotor Dance Journal. \u003c\/em\u003eBookish in size, this neatly put together journal explores dance both critically and creatively, meaning (really) that there's something in here for everyone — whether your hips lie or not. \u003c\/p\u003e\n\u003cp\u003eThis dusty-red sophomore edition is themed 'Duets and Dialogues', which carries on nicely from their first edition, which explored the notion of 'the solo' (and asked, 'Is a soloist ever really dancing alone?') 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Themed ‘The Letter’, the much-antipated issue covers the magical symbols of our alphabets (of course) and also language, code, gestures and media. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBeautiful to look at—check that vivid yellow cover—the issue covers internet memes, graphic designer Karel Martens, feminist print shops, the Interrobang glyph, modern hand gestures, graffiti and more.\u003c\/p\u003e\n\u003cstrong\u003eOn the Journal\u003cbr\u003e\u003c\/strong\u003eOur Magazine of the Month review: ‘\u003cem data-mce-fragment=\"1\"\u003eMacGuffin\u003c\/em\u003e remains an essential magazine, an ideal riposte to anyone doubting the power of print. As well as being editorially brilliant, it is also, itself, a beautiful \u003cem data-mce-fragment=\"1\"\u003eThing\u003c\/em\u003e. Its size, format and combination of papers making it a lovely object to hold and to flick through’.\u003cbr\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/magculture.com\/blogs\/journal\/macguffin-13\" target=\"_blank\"\u003eREAD MORE\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.macguffinmagazine.com\/\" target=\"_blank\"\u003emacguffinmagazine.com\u003c\/a\u003e\u003c\/div\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":40938795303021,"sku":null,"price":23.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/MacGuffin13TheLetter.png?v=1702646238"},{"product_id":"the-angels-share-4","title":"The Angel's Share #4","description":"\u003ch6\u003e\u003cstrong\u003e200 x 245 mm, 116 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eBiannual\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published 2022\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor:\u003c\/strong\u003e David Burton\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt director:\u003c\/strong\u003e Paul Yelland\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003eAs well as being the name of a 2012 film by Ken Loach, the phrase 'the angel's share' refers (poetically) to the amount of whisky lost to evaporation during the barrel-ageing process. Isn't that a sweet little factoid?\u003c\/p\u003e\n\u003cp\u003eLuckily for us, it's also the name of this ‘Journal about whisky\u003cmeta charset=\"utf-8\"\u003e’. Largely comprising interviews with people working across the whisky industry, \u003cem\u003eThe Angel's Share \u003c\/em\u003ealso explores the history and culture surrounding the internationally-loved tipple. 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Plus, two detachable postcards, bound to the spine. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdition of 100.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/gignouxphotos.com\/\"\u003e\u003cspan data-mce-fragment=\"1\"\u003egignouxphotos.com\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":41079437262957,"sku":null,"price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/VancouverPride.jpg?v=1708969682"},{"product_id":"macguffin-6-the-ball","title":"MacGuffin #6, The Ball","description":"\u003ch6\u003e\u003cstrong\u003e210 x 275mm, 234 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAmsterdam, Netherlands (English language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAnnual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditors:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eKirsten Algera \u0026amp; Ernst van der Hoeven\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign:\u003c\/strong\u003e Sandra Kassenaar\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003e‘The Life of Things’ \u003c\/p\u003e\n\u003cp\u003eIt’s \u003cem\u003eMacGuffin\u003c\/em\u003e's 6th issue, from 2018.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis issue is all about an object that rolls, shines and possibly even bubbles—The Ball! 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Dreamed up by two lifelong best friends, editors Keeley McNamara and Jen Swetzoff, \u003cem\u003eAnyway \u003c\/em\u003eis thoughtful, open-minded, encouraging, fun, and colourful — just like a good friend.\u003c\/p\u003e\n\u003cp\u003eThe fourth issue is all about chasing dreams. Cover star actress Cailey Fleming shares her journey from daydreaming about acting to reality, landing roles in \u003cem\u003eStar Wars: The Force Awakens\u003c\/em\u003e and \u003cem\u003eIF\u003c\/em\u003e. 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