{"title":"Make: Design","description":"","products":[{"product_id":"the-modern-magazine","title":"The Modern Magazine","description":"\u003ch6\u003e\u003cstrong\u003eby Jeremy Leslie, 2013\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003e216 x 280mm, 240 pages\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eAvailable only as a PDF download (no longer available in print)\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eThe Modern Magazine\u003c\/em\u003e presents an overview of current editorial design trends, drawing on publications from the past ten years to show how printed magazines have responded to the new digital channels. The book was the catalyst for the annual magCulture Live events, which began in 2013 as a launchpad for the book.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWith 750 captioned illustrations from the mainstream and independent sectors, six essays by magCulture founder Jeremy Leslie and ten interviews with key editorial figures, the book is a snapshot of the mid 2010s, a period of great innovation as the mainstream grappled with new digital opportunites and the new generation of indies took a hold of the print format.\u003c\/p\u003e\n\u003cp\u003eIt describes how the disruption of the digital era opened up new possibilities, forcing editors and designers to rethink their roles and their publications. It presents the case that the magazine format remains as potent and innovative as ever, and argues we are witnessing a new golden age of magazines—a case which stands today.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEssays\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.2;\"\u003eWhat is a Magazine?\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.2;\"\u003e\u003c\/span\u003eRethinking the Magazine\u003c\/li\u003e\n\u003cli\u003eReinventing Genres\u003c\/li\u003e\n\u003cli\u003eDesign x Content\u003c\/li\u003e\n\u003cli\u003ePrint x Digital\u003c\/li\u003e\n\u003cli\u003eEndurance Publishing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"line-height: 1.5;\"\u003eInterviewees\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eJop van Bennekom (\u003cem\u003eFantastic Man\u003c\/em\u003e)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eMarissa Bourke (\u003cem\u003eElle, Elle Collections\u003c\/em\u003e)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eScott Dadich (Condé Nast)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eFrancesco Franchi (design director,\u003cem\u003e IL\u003c\/em\u003e magazine)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eJoerg Koch (\u003cem\u003e032c\u003c\/em\u003e)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eRalph McGinnis and Sarah Forbes Keough (\u003cem\u003ePut a Egg On It\u003c\/em\u003e)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eTim Moore (\u003cem\u003eLetter to Jane\u003c\/em\u003e)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eAdam Moss (editor, \u003cem\u003eNew York magazine\u003c\/em\u003e)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eJosh Tyrangiel and Richard Turley (editor and creative director, \u003cem\u003eBloomberg Businessweek\u003c\/em\u003e)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eMarco Velardi (\u003cem\u003eApartamento\u003c\/em\u003e)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jeremy Leslie","offers":[{"title":"Default Title","offer_id":701153135,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/products\/The-Modern-Magazine-9781780672984.jpg?v=1601990156"},{"product_id":"independence","title":"Independence – Interviews with 12 indie mag makers","description":"\u003ch6\u003e\u003cstrong\u003e196 pages, PDF\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBook published in 2015\u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eWritten by \u003c\/strong\u003eJeremy Leslie\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesigned by \u003c\/strong\u003emagCulture Studio\u003c\/h6\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cem\u003e\u003cstrong\u003eAvailable only as a PDF download\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAt 2015’s Pick Me Up festival in London, Jeremy Leslie interviewed 12 independent magazine makers. Initially conceived as a one-off series of live events, the resulting recordings have been edited together for this limited-run book published by magCulture.\u003c\/p\u003e\n\u003cp\u003eHear from key figures in British independent magazine publishing:\u003c\/p\u003e\n\u003cp\u003eRob Alderson, \u003cem\u003ePrinted Pages\u003cbr\u003e\u003c\/em\u003eAlec Dudson, \u003cem\u003eIntern\u003c\/em\u003e\u003cbr\u003ePolly Glass, \u003cem\u003eWrap\u003c\/em\u003e\u003cbr\u003eDavid Lane, \u003cem\u003eThe Gourmand\u003cbr\u003e\u003c\/em\u003eDanny Miller, \u003cem\u003eWeapons of Reason\u003c\/em\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003eRob Orchard, \u003cem\u003eDelayed Gratification \u003c\/em\u003e \u003cem\u003e\u003cbr\u003e\u003c\/em\u003eCathy Olmedillas, \u003cem\u003eAnorak\u003cbr\u003e\u003c\/em\u003eRosa Park\u003cem\u003e, \u003cem\u003eCereal\u003c\/em\u003e\u003c\/em\u003e\u003cbr\u003eDanielle Pender, \u003cem\u003eRiposte  \u003c\/em\u003e  \u003cbr\u003eMarcroy Smith, \u003cem\u003ePrint Isn’t Dead\u003cbr\u003e\u003c\/em\u003eJohn L Walters, \u003cem\u003eEye\u003cbr\u003e\u003c\/em\u003eSteve Watson, \u003cem\u003eStack Magazines\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eMuch is rightly made of the creativity and invention that go into the magazines, but these conversations focus on the tougher everyday reality of making your own magazine. 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The print edition is now sold out.\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":8635521027,"sku":"","price":7.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/products\/Screen_Shot_2018-02-09_at_21.42.35.png?v=1518212689"},{"product_id":"magculture-greetings-card","title":"magCulture Greetings Cards","description":"\u003cp\u003e\u003cstrong style=\"background-color: #ffffff;\"\u003eCommissioned on the theme ‘We love magazines’, choose from four original designs or get the set. 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The team reconvene for another collection of stories from the intersection of music makers and their intersection with art, fashion, and culture. It’s great to have this magazine back on the shelves!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWith reports and interviews from across the globe featuring Paul Takahashi, Nicolas Godin, Kiki Kudo, Jean Touitou, Frankie Teardrop, Jamie Tiller, Sound Metaphors, OKO DJ, Ariel Zetina, Fraser Cooke. Plus ‘Plant Bar,’ a short story by Luke Jenner, and a series of artworks, ‘Eddie Ruscha: Sound\/Waves’. Expect speakers, decks, mixing desks, cables and plenty of vinyl among the portraits and interviews.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePlus two additional supplements: ‘The Invitations of Life… Child,’ a sample of Nicky Siano’s archive of 1970s NYC club flyers; and ‘You Can Hear Your Won Heartbeat,’ a photo report from the Tokyo HQ of Audio-Technica.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrom the Journal (2020):\u003cbr\u003e\u003c\/strong\u003e‘Rather than reviews, long-form interviews make up the bulk of each issue of \u003cem\u003eRecord Culture.\u003c\/em\u003e These serve as a framework through which to understand contemporary musicians and their process, letting the artists speak for themselves on everything from ‘dirty clubs’ to meditation...’ \u003cbr\u003e\u003csmall\u003e\u003ca href=\"https:\/\/magculture.com\/record-culture-7\/\" target=\"_blank\"\u003eREAD MORE\u003c\/a\u003e\u003c\/small\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/record-magazine.com\/\" target=\"_blank\"\u003erecord-magazine.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":39843108192365,"sku":"","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/RecordCulture11.png?v=1779888777"},{"product_id":"pulp-23","title":"Pulp #23","description":"\u003ch6\u003e\u003cstrong\u003e160x240m, multiple papers, in card wrapper\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eMilan, Italy (English \u0026amp; Italian language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eThree times a year\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor: \u003c\/strong\u003eJohn L. 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As well as a great paper and print sample, it’s a source of design inspiration and is produced by the team behind\u003cem\u003e Eye\u003c\/em\u003e magazine.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIssue 23 is the\u003cem data-mce-fragment=\"1\"\u003e \u003c\/em\u003eFabriano special issue, throwing a spotlight on their Fabriano paper, named after the Italian town in which paper mills were founded in 1264, and whose papers have been loved and used by artists ever since.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFabriano has been part of Fedrigoni for two decades and continues to innovate while making the finest papers for creative expression.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003ePulp\u003c\/em\u003e 23’s subject matter includes great artists, the art of the swatch book and Pentagram’s elegant rebrand of Carlo Cattaneo’s original Fabriano logotype. 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Walters\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt director: \u003c\/strong\u003eSimon Esterson\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt editor: \u003c\/strong\u003eHolly Catford\u003c\/h6\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cem\u003ePulp\u003c\/em\u003e is published by paper manufacturer Fedrigoni, and celebrates the creative use of their papers. As well as a great paper and print sample, it’s a source of design inspiration and is produced by the team behind\u003cem\u003e Eye\u003c\/em\u003e magazine.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe climate crisis is changing the conversation about design, print and paper. For this special edition of \u003cem\u003ePulp\u003c\/em\u003e, we talk to eco printers and look at case studies with environmental concerns at their core. 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As well as a great paper and print sample, it’s a source of design inspiration and is produced by the team behind\u003cem\u003e Eye\u003c\/em\u003e magazine.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003ePulp\u003c\/em\u003e 25 includes an interview with cover star Jiaying Han (with plenty of visual inspo alongside), the merits of Life Cycle Analysis in manufacturing, a round table on the designer-client relationship, and an introduction to Fedrigoni's new 'lab' for customisation and bespoke design. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/pulp.fedrigoni.com\/\" data-mce-href=\"https:\/\/pulp.fedrigoni.com\/\" target=\"_blank\"\u003epulp.fedrigoni.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":40653140656237,"sku":"","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/PULP25_cover.jpg?v=1685709745"},{"product_id":"macguffin-12-the-log","title":"MacGuffin #12, The Log","description":"\u003ch6\u003e\u003cstrong\u003e210 x 275mm, 226 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAmsterdam, Netherlands (English language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBiannual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditors:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eKirsten Algera \u0026amp; Ernst van der Hoeven\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign:\u003c\/strong\u003e Sandra Kassenaar\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003e‘The Life of Things’ \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMacGuffin\u003c\/em\u003e's 12th issue is all about The Log. Inside, we take 'a walk in the woods to explore the design and politics of timber.' As ever, this edition is beautifully-crafted, much like the timber-based designs it features inside. Everything from fossil trees, matchsticks, wood-carving, fast-furniture, illegal logging and more.\u003c\/p\u003e\n\u003cp\u003ePlus, features on the poetry to be found inside the cells of trees, the careful balance between insects, trees and humans, and, most wonderfully of all, 'An Ode to the Log Lady' of \u003cem\u003eTwin Peaks\u003c\/em\u003e. Another fantastic example of what a magazine can be at its best.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn the Journal:\u003cbr\u003e\u003c\/strong\u003e‘The magazine isn’t interested in things that are iconic, but rather in the mysterious, unexpected things that set a story in motion’. \u003ca href=\"https:\/\/magculture.com\/blogs\/journal\/macguffin-10\" target=\"_blank\"\u003eREAD MORE\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.macguffinmagazine.com\/\" target=\"_blank\"\u003emacguffinmagazine.com\u003c\/a\u003e\u003c\/div\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":40671063146605,"sku":"","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/MacGuffin_12.jpg?v=1688131697"},{"product_id":"plastikcomb-9","title":"Plastikcomb #9","description":"\u003ch6\u003e\u003cstrong\u003e220 x 297 mm\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eGermany \u0026amp; US (English language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eBiannual\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003ePublished since 2020\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eFounder and designer: \u003c\/strong\u003eAaron Beebe\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eCo-founder:\u003c\/strong\u003e Thomas Schostok\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003eA German-American analog art publication (and feast for the eyes) describing itself as a love letter to ‘forgotten media, low-grade textures, and the art of making something out of nothing.’ It’s also a paeon to nineties graphics—think people like David Carson, Vaughan Oliver and Chris Biggs, and Chris Ashworth among others.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs such,\u003cem\u003e Plastikcomb \u003c\/em\u003eexists to experiment with the typographic make-up of the magazine page, challenging the grids and formats most designers rely on, turning instead to collage and layering as an organising (is that the correct word?) technique. That ideal is further advanced by the fact the two principles work seperately in different countries.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis ninth issue features interviews Nicola Kloosterman, Adam Brierley, Merritt Spangler and Agata Rek among others.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn the Journal\u003c\/strong\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003eAt work with Aaron Beebe: ‘\u003cem\u003ePlastikcomb\u003c\/em\u003e is actually a metaphor for collage. In the States, when it was picture day, you were handed a plastic comb, in which your current hairdo was styled to make you look “presentable,” and more than often you ended up looking like a completely different person. Like collage, you take an image, and make it something else, or perhaps give it a new purpose or meaning...’ – Aaron Beebe\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003ca href=\"https:\/\/magculture.com\/aaron-beebe-plastikcomb\/\" target=\"_blank\"\u003eREAD MORE\u003c\/a\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.plastikcombmag.com\/\" target=\"_blank\"\u003eplastikcombmag.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":40693403910253,"sku":"","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Plastikcomb9.png?v=1755706678"},{"product_id":"wepresent-6-direct","title":"WePresent #6, direct","description":"\u003ch6\u003e\u003cstrong\u003e170 x 240 mm, 98 pages\u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon,  UK \u0026amp;  Amsterdam, Netherlands \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor-in-chief:\u003c\/strong\u003e Holly Fraser\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eSenior editor:\u003c\/strong\u003e Liv Siddall\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eCreative producer:\u003c\/strong\u003e Alex Mattinson\u003c\/h6\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe latest issue of the magazine from WeTransfer that comes with three different designs every time. This time the theme is ‘Endurance,’ looking at what it takes to be an artist, with versions designed by US studios FISK and Polymode, and Argentinian designer Gustavo Eandi.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInside, Severin Matusek looks at the real cost of being an artist in 2023; \u003cem data-mce-fragment=\"1\"\u003eGal Dem\u003c\/em\u003e founder Liv Little writes a short story, Annie Atkins offers her deisgn manifesto, and an interview with actor Russell Tovey. \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTake your pick, or buy the set to compare the various layouts.   \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eAll proceeds from this magazine go to \u003ca href=\"https:\/\/thesupportingact.org\/\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/thesupportingact.org\/\" target=\"_blank\"\u003eThe Supporting Act.\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/wepresent.wetransfer.com\/\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/wepresent.wetransfer.com\/\" target=\"_blank\"\u003ewepresent.wetransfer.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Gustavo Eandi","offer_id":40730866745453,"sku":null,"price":10.0,"currency_code":"GBP","in_stock":true},{"title":"FISK","offer_id":40730866778221,"sku":null,"price":10.0,"currency_code":"GBP","in_stock":true},{"title":"Polymode","offer_id":40730866810989,"sku":null,"price":10.0,"currency_code":"GBP","in_stock":true},{"title":"Set of three","offer_id":40730866843757,"sku":"","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/WePresent-6.gif?v=1695044025"},{"product_id":"wepresent-6","title":"WePresent #6","description":"\u003ch6\u003e\u003cstrong\u003e170 x 240 mm, 98 pages \u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon,  UK \u0026amp;  Amsterdam, Netherlands \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor-in-chief:\u003c\/strong\u003e Holly Fraser\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eSenior editor:\u003c\/strong\u003e Liv Siddall\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eCreative producer:\u003c\/strong\u003e Alex Mattinson\u003c\/h6\u003e\n\u003cp\u003eThe latest issue of the magazine from WeTransfer that comes with three different designs every time. 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Walters\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt director: \u003c\/strong\u003eSimon Esterson\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt editor: \u003c\/strong\u003eHolly Catford\u003c\/h6\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cem\u003ePulp\u003c\/em\u003e is published by paper manufacturer Fedrigoni, and celebrates the creative use of their papers. As well as a great paper and print sample, it’s a source of design inspiration and is produced by the team behind\u003cem\u003e Eye\u003c\/em\u003e magazine.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003ePulp\u003c\/em\u003e 26 is the plastic to paper (P2P) issue, heralding the shift away from single-use plastic. Editor John L Walters opens with a manifesto statement, before a series of case studies show how this is being done. Fedrigoni CEO also discusses the theme.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/pulp.fedrigoni.com\/\" data-mce-href=\"https:\/\/pulp.fedrigoni.com\/\" target=\"_blank\"\u003epulp.fedrigoni.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":40829649617005,"sku":null,"price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Pulp_26.png?v=1699101476"},{"product_id":"macguffin-13-the-letter","title":"MacGuffin #13, The Letter","description":"\u003ch6\u003e\u003cstrong\u003e210 x 275mm, 226 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAmsterdam, Netherlands (English language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBiannual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditors:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eKirsten Algera \u0026amp; Ernst van der Hoeven\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign:\u003c\/strong\u003e Sandra Kassenaar\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003e‘The Life of Things’ \u003c\/p\u003e\n\u003cp\u003eAlready a firm favourite here at magCulture, as well as one of our top sellers, the 13th issue of \u003cem\u003eMacGuffin\u003c\/em\u003e excels even its high standards so was a shoo-in for Magazine of the Month, January 2024. Themed ‘The Letter’, the much-antipated issue covers the magical symbols of our alphabets (of course) and also language, code, gestures and media. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBeautiful to look at—check that vivid yellow cover—the issue covers internet memes, graphic designer Karel Martens, feminist print shops, the Interrobang glyph, modern hand gestures, graffiti and more.\u003c\/p\u003e\n\u003cstrong\u003eOn the Journal\u003cbr\u003e\u003c\/strong\u003eOur Magazine of the Month review: ‘\u003cem data-mce-fragment=\"1\"\u003eMacGuffin\u003c\/em\u003e remains an essential magazine, an ideal riposte to anyone doubting the power of print. As well as being editorially brilliant, it is also, itself, a beautiful \u003cem data-mce-fragment=\"1\"\u003eThing\u003c\/em\u003e. Its size, format and combination of papers making it a lovely object to hold and to flick through’.\u003cbr\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/magculture.com\/blogs\/journal\/macguffin-13\" target=\"_blank\"\u003eREAD MORE\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.macguffinmagazine.com\/\" target=\"_blank\"\u003emacguffinmagazine.com\u003c\/a\u003e\u003c\/div\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":40938795303021,"sku":null,"price":23.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/MacGuffin13TheLetter.png?v=1702646238"},{"product_id":"the-angels-share-4","title":"The Angel's Share #4","description":"\u003ch6\u003e\u003cstrong\u003e200 x 245 mm, 116 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eBiannual\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published 2022\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor:\u003c\/strong\u003e David Burton\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt director:\u003c\/strong\u003e Paul Yelland\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003eAs well as being the name of a 2012 film by Ken Loach, the phrase 'the angel's share' refers (poetically) to the amount of whisky lost to evaporation during the barrel-ageing process. Isn't that a sweet little factoid?\u003c\/p\u003e\n\u003cp\u003eLuckily for us, it's also the name of this ‘Journal about whisky\u003cmeta charset=\"utf-8\"\u003e’. Largely comprising interviews with people working across the whisky industry, \u003cem\u003eThe Angel's Share \u003c\/em\u003ealso explores the history and culture surrounding the internationally-loved tipple. Slàinte Mhath!\u003c\/p\u003e\n\u003cp\u003eCover story this issue: ‘The Flavour Saviours: Calum Rae on creativity, experimentation and jaffa cakes\u003cmeta charset=\"utf-8\"\u003e’ \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.angelssharejournal.com\/\" target=\"_blank\"\u003eangelssharejournal.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":40962118320237,"sku":null,"price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/TheAngel_sShare_4.jpg?v=1704472127"},{"product_id":"macguffin-6-the-ball","title":"MacGuffin #6, The Ball","description":"\u003ch6\u003e\u003cstrong\u003e210 x 275mm, 234 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAmsterdam, Netherlands (English language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAnnual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditors:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eKirsten Algera \u0026amp; Ernst van der Hoeven\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign:\u003c\/strong\u003e Sandra Kassenaar\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003e‘The Life of Things’ \u003c\/p\u003e\n\u003cp\u003eIt’s \u003cem\u003eMacGuffin\u003c\/em\u003e's 6th issue, from 2018.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis issue is all about an object that rolls, shines and possibly even bubbles—The Ball! Beginning with a to scale comparison of various sports and games balls, you'll also find ball boys and girls, ballpoint pens, IBM Selectric typewriter golf balls and disco balls. Not to mention the ball's spherical offshoots, in the form of the smiley face, ecofuturist  architecture, domed playground structures and tumbleweed. After all, ‘the ball is an item that not only rolls, but also beholds.’ \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn the Journal:\u003cbr\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e‘The magazine isn’t interested in things that are iconic, but rather in the mysterious, unexpected things that set a story in motion’.\u003c\/span\u003e\u003cbr\u003e\u003ca href=\"https:\/\/magculture.com\/blogs\/journal\/macguffin-10\"\u003eREAD MORE\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.macguffinmagazine.com\/\" data-mce-href=\"https:\/\/www.macguffinmagazine.com\/\" target=\"_blank\"\u003emacguffinmagazine.com\u003c\/a\u003e\u003c\/div\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":41092161798253,"sku":null,"price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/MacGuffin_6.jpg?v=1709314048"},{"product_id":"macguffin-7-the-trousers","title":"MacGuffin #7, The Trousers","description":"\u003ch6\u003e\u003cstrong\u003e210 x 275mm, 234 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAmsterdam, Netherlands (English language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAnnual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditors:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eKirsten Algera \u0026amp; Ernst van der Hoeven\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign:\u003c\/strong\u003e Sandra Kassenaar\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003e‘The Life of Things’ \u003c\/p\u003e\n\u003cp\u003eIt’s \u003cem\u003eMacGuffin\u003c\/em\u003e's 7th issue, from 2019.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn this friendly-faced issue—the cover taken from a clever pants-filled photoshoot by Vytautas Kumža inside—the MacGuffin team tackle The Trousers:\u003c\/p\u003e\n\u003cp\u003e‘There is something inevitable and at the same time absurd about the fact that the covering of the body between the butt crack and the ankle is such a major feature of our lives. In the fitting room it rarely occurs to us that a pair of pants is not just a utilitarian product but an armour and a prison. Yet according to Eco, those are aspects that make trousers a mirror of out culture. Who is wearing the trousers? And what kind?’\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn the Journal:\u003cbr\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e‘The magazine isn’t interested in things that are iconic, but rather in the mysterious, unexpected things that set a story in motion’.\u003c\/span\u003e\u003cbr\u003e\u003ca href=\"https:\/\/magculture.com\/blogs\/journal\/macguffin-10\" data-mce-href=\"https:\/\/magculture.com\/blogs\/journal\/macguffin-10\"\u003eREAD MORE\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.macguffinmagazine.com\/\" target=\"_blank\" data-mce-href=\"https:\/\/www.macguffinmagazine.com\/\"\u003emacguffinmagazine.com\u003c\/a\u003e\u003c\/div\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":41092190273645,"sku":null,"price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/MacGuffin_7.jpg?v=1709315494"},{"product_id":"bskt-5","title":"BSKT #4","description":"\u003ch6\u003e\u003cstrong\u003e148 x 210 mm\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eMontreal, Canada\u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBiannual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published in 2022\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor\/creative director: \u003c\/strong\u003eAlain Michel Habib\u003c\/h6\u003e\n\u003cp\u003eDespite its worldwide popularity, there is little in the indie space about basketball, so this diminutive magazine is a welcome addition to our sports shelf. \u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cem\u003eBSKT\u003c\/em\u003e is back with its bright orange fourth issue. Inside you'll find fun, chatty, informative interviews with Ivan Aratas, Tyrrell Winston, Levi Pitters, Lynn Bloom, and more.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eFounder Alain Michel Habib is a magCulture Flatplan alumni.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.instagram.com\/bsktmag\/?hl=en\" target=\"_blank\"\u003einstagram.com\/bsktmag\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":41751696834669,"sku":null,"price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/BSKT_5.png?v=1722353178"},{"product_id":"footnotes-e","title":"Footnotes #E","description":"\u003ch6\u003e\u003cstrong\u003e165 x 236 mm, 48 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eGeneva, Switzerland\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eOccasional\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEdited and designed by: \u003c\/strong\u003e\u003cspan style=\"border-collapse: separate; border-spacing: 0px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"border-collapse: separate; text-align: -webkit-auto; border-spacing: 0px;\" data-mce-fragment=\"1\"\u003eMathieu Christe\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h6\u003e\n\u003cp\u003eA periodical of applied research in type design from Swiss type foundry La Police, \u003cem\u003eFootnotes\u003c\/em\u003e is always a revealing dive into the darkest corners of typography history and research.\u003c\/p\u003e\n\u003cp\u003eThis fifth issue reports on the genesis of Karlgeorg Hoefer’s mid-twentieth century grotesk Permanent, types cut for François-Ambroise Didot (1781–5), practical notes on Walter Käch’s educational material (by our friends at Dinamo) and more.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEach copy also comes with a book-shelf-mark (listing the table of contents of the previous issue), a card with visual clues, and a surprise sample.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn the Journal: \u003cbr\u003e\u003c\/strong\u003e‘\u003cem data-mce-fragment=\"1\"\u003eFootnotes\u003c\/em\u003e is neatly positioned between two poles: at one extreme is the absolute type obsessive for whom much of the content will be familiar but enjoyable, at the other the young designer scratching around for context. It fits this role perfectly—well-researched, enthusiastic and engaging.’ \u003cbr\u003e\u003ca href=\"https:\/\/magculture.com\/footnotes-a\/\" target=\"_blank\"\u003eREAD MORE\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/lapolice.ch\/\" target=\"_blank\"\u003elapolice.ch\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":41753223037037,"sku":null,"price":26.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Footnotes_E.jpg?v=1722353555"},{"product_id":"macguffin-13-the-wall","title":"MacGuffin #14, The Wall","description":"\u003ch6\u003e\u003cstrong\u003e210 x 275mm, 218 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAmsterdam, Netherlands (English language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBiannual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditors:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eKirsten Algera \u0026amp; Ernst van der Hoeven\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign:\u003c\/strong\u003e Sandra Kassenaar\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003e‘The Life of Things’ \u003c\/p\u003e\n\u003cp\u003eThe gift that keeps on giving...  unabashedly firm magCulture favourite (plus one of our top sellers) \u003cem\u003eMacGuffin \u003c\/em\u003edelivers another standout issue, its 14th, a bit by bit unpacking of ‘The Wall’ in its many forms—that's green walls, paywalls, uterine walls, curtainwalls, apartheid walls and fourth walls. 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As well as being editorially brilliant, it is also, itself, a beautiful \u003cem data-mce-fragment=\"1\"\u003eThing\u003c\/em\u003e. Its size, format and combination of papers making it a lovely object to hold and to flick through’.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/magculture.com\/blogs\/journal\/macguffin-13\" data-mce-href=\"https:\/\/magculture.com\/blogs\/journal\/macguffin-13\" target=\"_blank\"\u003eREAD MORE\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.macguffinmagazine.com\/\" data-mce-href=\"https:\/\/www.macguffinmagazine.com\/\" target=\"_blank\"\u003emacguffinmagazine.com\u003c\/a\u003e\u003c\/div\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":41827222028397,"sku":null,"price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/MacGuffin_14_TheWall.jpg?v=1726240985"},{"product_id":"daughter-of-the-universe","title":"Daughter of the Universe","description":"\u003ch6\u003e\u003cstrong\u003e148 x 210 mm, 36 pages \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor:\u003c\/strong\u003e\u003cspan\u003e Minyue Hu\u003cbr\u003e\u003c\/span\u003e\n\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003eA reprint of the endearing and super graphic zine created by illustrator Minyue Hu. \u003ci\u003eDaughter of the Universe \u003c\/i\u003ecatches you by surprise; behind its pastel-hued, nineties internet aesthetic (some stories are laid out in Microsoft Paint windows) are a series of eleven vignettes recounting various moments from Minyue’s childhood in China, often quite bittersweet.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThere are reflections on China\u003cmeta charset=\"utf-8\"\u003e’s one child policy, hardships her great-great-great grandmother faced, the shame surrounding birthdays, being bullied in school and losing a treasured pet rabbit, each story accompanied by a vivid illustration or collage.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA deeply personal project that ultimately reflects a journey of growth and self-care. \u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/www.instagram.com\/doublemoonart\" target=\"_blank\"\u003einstagram.com\/doublemoonart\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":41838394343533,"sku":null,"price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/DaughteroftheUniverse.jpg?v=1727107811"},{"product_id":"pleasant-place-6","title":"Pleasant Place #6","description":"\u003ch6 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e180 x 240 mm, 40 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAmsterdam, Netherlands (English-language) \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFirst published 2022\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6 data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eEditors-in-chief: \u003c\/strong\u003eGuus Kaandorp, Floor Kortman and Lou-Lou van Staaveren\u003c\/h6\u003e\n\u003ch6 data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eGraphic design:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eMiquel Hervás Gómez and César Rogers \u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003e‘A growing collection of publications about the art of gardening’\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFollowing the slightly obscure issue five about a Dutch garden designer, \u003cem\u003ePleasant Place \u003c\/em\u003ereturns to the fun with this issue\u003cem\u003e \u003c\/em\u003eexploring all things topiary, aka ‘of, relating to, or characterized by the trimming or training of trees or bushes into artificial decorative animal, geometric, or other shapes’.\u003c\/p\u003e\n\u003cp\u003eAs always, a curious and \u003cem\u003epleasant\u003c\/em\u003e read indeed, and beautifully designed too. \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/pleasantplace.space\/\"\u003epleasantplace.space\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":41842954993773,"sku":null,"price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Pleasant_Place_6.png?v=1727449582"},{"product_id":"anorak-68","title":"Anorak #70","description":"\u003ch6\u003e\u003cstrong\u003e210 x 260 mm\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eFounder and editor: \u003c\/strong\u003eCathy Olmedillas\u003c\/h6\u003e\n\u003cp\u003eThe ‘Happy Mag for Kids’ delivers another joyful quarterly episode of colourfully illustrated children’s entertainment.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is The Ants Issue: 'Ants! 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Luckily for all of us, we spent the last few months studying Ant Language so we were able to secure first-hand interviews with some of the superstars of Ant World.'\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eOne for the littlest bookworm in your life!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn the Journal:\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003eRead our \u003ca href=\"http:\/\/magculture.com\/cathy-olmedillas-dot\/\" target=\"_blank\"\u003eAt Work With\u003c\/a\u003e interview from the archive, with founder\/editor of Anorak and Dot, Cathy Olmedillas.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/anorakmagazine.com\/\"\u003eanorakmagazine.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":41889253654637,"sku":null,"price":8.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Anorak_70COVER.png?v=1753979288"},{"product_id":"crosscurrent-5-direct","title":"Crosscurrent #5, direct","description":"\u003ch6\u003e\u003cstrong\u003e210 mm x 270 mm, 324 pages + poster insert\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eBiannual\u003c\/strong\u003e, \u003cstrong\u003epublished since 2022\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor-in-chief \u0026amp; 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Oates and Simon \u0026amp; Garfunkel, plus The Carpenters, Steely Dan, Ike \u0026amp; Tina Turner, magCulture favourites Pet Shop Boys and (guilty pleasure) Wham!, it reflects of not only the musical interests of co-founders Paul Barnes and Christian Schwartz, but also their own 'double act', twenty years and counting. \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/commercialtype.com\/\"\u003ecommercialtype.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":41921159037037,"sku":null,"price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/DoubleActsinPop_0cf3b416-aa31-4449-ab91-5eb05a5b84ce.jpg?v=1732283213"},{"product_id":"crosscurrent-4-direct","title":"Crosscurrent #4, direct","description":"\u003ch6\u003e\u003cstrong\u003e210 mm x 270 mm\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eBiannual\u003c\/strong\u003e, \u003cstrong\u003epublished since 2022\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor-in-chief \u0026amp; 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The year 2016, French highways with Saskia de Brauw, queer entanglement, and Paul Goldberger on winning the Pulitzer Prize for criticism. Japan by way of Joaquin Laguinge, Ohio by way of Hart Lëshkina, Highbury \u0026amp; Islington station by way of Jack Day, and more.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/crosscurrentmagazine.com\/\" rel=\"noopener\" target=\"_blank\"\u003ecrosscurrentmagazine.com\u003c\/a\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cem\u003eOrders will be shipped from the United Kingdom; postage and tax where relevant will be added at checkout.\u003c\/em\u003e\u003c\/h6\u003e","brand":"magCulture","offers":[{"title":"Ryo by Takashi Homma","offer_id":41930495983725,"sku":"","price":22.0,"currency_code":"GBP","in_stock":false},{"title":"Andrea Spotorno","offer_id":41930496016493,"sku":"","price":22.0,"currency_code":"GBP","in_stock":true},{"title":"Courrèges Jonas Gloer by Alessio Bolzoni","offer_id":41930496049261,"sku":"","price":22.0,"currency_code":"GBP","in_stock":false},{"title":"Athiec by Phil Engelhardt","offer_id":41930496082029,"sku":"","price":22.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Crosscurrent_4_Cover1_Ryo_by_Takashi_Homma.jpg?v=1732623556"},{"product_id":"otto","title":"Otto","description":"\u003ch6\u003e\u003cstrong\u003e175 x 245mm, 36 pages, clothbound hardback\u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003ePublished by: \u003c\/strong\u003eDinamo, Berlin\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eWritter \u0026amp; Designer: \u003c\/strong\u003eSam de Groot\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003ellustrator:\u003c\/strong\u003e Hannah Robinson\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003eHow do you show off a new typeface? Our friends at Berlin type foundry Dinamo have produced this charming children’s story book, about a boy called Otto, a name shared with a new typeface from designers Sam de Groot and Laura Opsomer Mironov.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe book tells the story of Otto, whose anger issues are resolved when he befriends a fox called Ronnie. The story unfolds as we become familiar with Otto the typeface, with Hannah Robinson’s brushstroke drawings bringing it to visual life in ornage and black\u003c\/p\u003e\n\u003cp\u003eThis is the first project for the newly established Dinamo Editions publishing imprint.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.1000wordsmag.com\/\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eabcdinamo.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":42022282100845,"sku":null,"price":25.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Ottobook.png?v=1737641288"},{"product_id":"cake-zine-6","title":"Cake Zine #6","description":"\u003ch6\u003e\u003cstrong\u003e170 x 240mm, 114 pages\u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eNew York, US\u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBiannual since 2022\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditors:\u003c\/strong\u003e Aliza Abarbanel \u0026amp; Tanya Bush\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt director:\u003c\/strong\u003e Noah Emrich\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003e‘Daily Bread’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe little literary magazine exploring art, history and pop culture through food turns its attention to Bread for another stylishly presented mix of essays, stories and recipes. \u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFocusing on the daily staple’s role in ritual, we hear about a New Yorker’s love for the sandwiches from his local bodega, the role of wheat in the board game Catan, and the problems caused by gluten in sacramental bread. Simple text layouts are brought to life by beautiful illustrations throughout.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eOn the Journal\u003c\/strong\u003e\u003cbr\u003eTanya Bush introduces an excerpt from the previous issue: ‘When we opened up submissions for the Humble Pie issue, we knew we wanted a piece on reality television and the spectacle of humiliation. We found it with culture writer Olivia Crandall, who pitched us a piece on pieing in ‘Love Island, where pastry doesn’t just serve as the show’s euphemism for rejection, but as a ‘sensory mess of shame’ via the mid-series game Snog, Marry, Pie.’\u003cbr\u003e\u003ca href=\"https:\/\/admin.shopify.com\/store\/magculture-2\/products\/%E2%80%98When%20we%20opened%20up%20submissions%20for%20the%20Humble%20Pie%20issue,%20we%20knew%20we%20wanted%20a%20piece%20on%20reality%20television%20and%20the%20spectacle%20of%20humiliation.%20We%20found%20it%20with%20culture%20writer%20Olivia%20Crandall,%20who%20pitched%20us%20a%20piece%20on%20pieing%20in%20%E2%80%98Love%20Island%E2%80%99,%20where%20pastry%20doesn%E2%80%99t%20just%20serve%20as%20the%20show%E2%80%99s%20euphemism%20for%20rejection,%20but%20as%20a%20%E2%80%98sensory%20mess%20of%20shame%E2%80%99%20via%20the%20mid-series%20game%20Snog,%20Marry,%20Pie.%E2%80%99\" target=\"_blank\"\u003eread more\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cakezine.com\/products\/wicked-cake\" target=\"_blank\"\u003ecakezine.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":42030398570605,"sku":null,"price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/CakeZine6DailyBread_dc5902ff-7734-4398-84d7-e617003f77ac.jpg?v=1738773003"},{"product_id":"just-make-your-magazine","title":"Just Make Your Magazine","description":"\u003ch6\u003e\u003cstrong\u003e148 x 210mm, 124 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003ePublished in 2025\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor:\u003c\/strong\u003e Josh Jones\u003cbr\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign:\u003c\/strong\u003e James-Lee Duffy\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003e‘A field guide to publishing an indie magazine’\u003c\/p\u003e\n\u003cp\u003eMagazine editor Josh Jones (\u003cem\u003eHuck\u003c\/em\u003e, \u003cem\u003eSandwich\u003c\/em\u003e, \u003cem\u003eRalph\u003c\/em\u003e, \u003cem\u003ePavement Licker\u003c\/em\u003e and more) applies his experience, knowledge and contacts book to this handy new guide to producing your own magazine. Straightforward and jargon-free, Josh addresses the key points in no-nonsense, first person language, with a range of magazine specialists called in to add their opinions.\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eA vital reference book for anybody planning a magazine. Highly recommended.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eContributors: Thomas Roueche (Editor, \u003cem\u003eTank\u003c\/em\u003e), Hanna Hanra (Founder\/Editor, \u003cem\u003eBeat\u003c\/em\u003e), Tertia Nash (Art Director, \u003cem\u003eHuck \u003c\/em\u003e\u0026amp;\u003cem\u003e Sandwich\u003c\/em\u003e), Anja Charbonneau (Publisher, \u003cem\u003eBroccoli, Catnip \u003c\/em\u003e\u0026amp;\u003cem\u003e Mushroom People\u003c\/em\u003e), Richard Turley (Art director, \u003cem\u003eInterview, Nuts \u003c\/em\u003e\u0026amp;\u003cem\u003e Offal\u003c\/em\u003e), Ione Gamble (Founding Editor-in-Chief, \u003cem\u003ePolyester Zine\u003c\/em\u003e), Jeremy Leslie (Founder, magCulture), Joseph ‘JP’ Patterson ((Founding Editor-in-Chief, \u003cem\u003eTrench\u003c\/em\u003e) and super writer for hire Emma Garland.\u003ca rel=\"noopener\" href=\"https:\/\/sold-out.net\/\" target=\"_blank\"\u003e\u003cspan style=\"letter-spacing: -0.22px;\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":42033091248237,"sku":null,"price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/JustMakeYourMagazine.jpg?v=1738252373"},{"product_id":"aji-3","title":"Ají #1","description":"\u003ch6\u003e\u003cstrong\u003e130 x 190 mm, 80 pages (ringbound)\u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published in 2024\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cspan style=\"background: var(--white);\"\u003e\u003cstrong\u003eEditors:\u003c\/strong\u003e\u003c\/span\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cb\u003eSantiago Valencia Parra \u0026amp; Juliana Monsalve Carrillo\u003c\/b\u003e\u003cbr\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cb\u003eArt direction \u0026amp; design\u003c\/b\u003e:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cb\u003eJuliana Monsalve Carrillo\u003c\/b\u003e\n\u003c\/h6\u003e\n\u003cp\u003eA lovely, Risograph printed title that platforms a small selection of artists, designers, curators and creatives whose work reflects ‘the cultural multiplicities that proliferate in the Global South’. 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Nicely put together, with the ring binding allowing for tiny inserts to accompany some stories. \u003c\/p\u003e\n\u003cp\u003eIn this issue: Angélica Rojas, Annie-Marie Akussah, Belén Santamarina, Daniel Greenfiled-Campoverdem Folashade Omotoke Joseph, Jimena Blanco Jalil, Julieta Rosell, Kshitij Gotiwale, Lucia Vera, Mithra Kamalam, Rada Musikarat, Rebeca Romero, Shivani Chugh and Teagan Herzog. \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.instagram.com\/aji.press\/\"\u003e@aji.press\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":42107700609133,"sku":null,"price":21.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Aji01.jpg?v=1741707253"},{"product_id":"chutney-4","title":"Chutney #4","description":"\u003ch6\u003e\u003cstrong\u003e128 x 202mm, 234 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK\u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eEvery two years\u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003ePublished since 2019\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003e Editor \u0026amp; Art director: \u003c\/strong\u003eOsman Bari\u003c\/h6\u003e\n\u003cp\u003e\u003cem\u003eChutney \u003c\/em\u003eis back! Edited and designed by magCulture staffer Osman Bari, we’ve experienced close up the ups and downs of its production, and are excited as he is to finally see the finished magazine.\u003c\/p\u003e\n\u003cp\u003eFocusing as ever on everyday stories of identity and culture told by marginalised or misrepresented voices on their own terms, the issue is bigger and bolder than ever, with more pages and a lush pearlescent cover paper with blind embossed logo. Inside, the design retains it risograph roots, even if it is now produced using lithograph.\u003c\/p\u003e\n\u003cp\u003eSplit into the familiar three sections that reflect the process of making chutney—Chop, Mix and Preserve—the extra pages mean there are 21 stories this time. Superficially, things remain the same—edited and designed by Osman alone, the pages are a tightly knitted interlock of content and design—but dig deeper and you’ll find a change of tone in the new issue. As he notes in his editor’s letter, ‘I’ve been struggling with the cognitive dissonance of producing a magazine… while in the midst of genocides in Palestine and Sudan… state-sanctioned murder beyond, the suppression of trans lives, brutal deportations of migrants…’ \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIt may have been a struggle, but the result is a vital piece of editorial creativity that shows how difficult messages can be beautifully expressed.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn the Journal\u003c\/strong\u003e\u003cbr\u003eAt work with Osman Bari: ‘…for the new issue, the front cover isn’t printed at all. Instead, the logo is subtly embossed on a sparkly pearlescent paper. The colour changes depending on the light—sometimes it’s rendered as a light blue, otherwise it can look teal-ish or even grey. The light illuminates the logo differently depending on the angle as well—it was fun to see people’s reactions at Offprint as they turned the magazine in their hands..’\u003cbr\u003e\u003ca href=\"https:\/\/magculture.com\/blogs\/journal\/osman-bari-chutney\" rel=\"noopener\" target=\"_blank\"\u003eread more\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/chutneymag.com\" target=\"_blank\"\u003echutneymag.com\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":42403405201517,"sku":null,"price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Chutney_4.png?v=1747649636"},{"product_id":"the-paper-2","title":"The Paper #2","description":"\u003ch6\u003e\u003cstrong\u003e271 x 412 mm, 206 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eWales\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAnnual, since 2023\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cspan style=\"background: var(--white);\"\u003e\u003cstrong\u003eEditors\/designers: \u003c\/strong\u003eErin Mathias, Oliver Gabe and Owen Davies\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h6\u003e\n\u003cp\u003eThe Terror Issue\u003c\/p\u003e\n\u003cp\u003eAt last, issue two of \u003cem\u003eThe Paper\u003c\/em\u003e, one of our favourite debuts of 2023, is here! And it’s another vast serving of chaos, wonder and nerve. More pages mean the new issue has a spine, but otherwise it’s service as usual, starting with a cover overloaded with headlines and text. \u003c\/p\u003e\n\u003cp\u003eMoving on from their initial obsession with Wales, this is the Terror issue, and despite that fearsome title the mag retains its upbeat tone of absurdity. One writer looks back at the many times she’s shat her pants; a prosthetic special effects artist shares images of a day’s fake wounds; a desire to interview Wales’s most prominent but dead terrorist is resolved by reproducing the pages from \u003cem\u003eDelayed Gratification\u003c\/em\u003e’s 2012 interview with the man. This team are having FUN! And so will you.\u003c\/p\u003e\n\u003cp\u003e‘We reject the idea that this magazine is ‘weird’ in any way—the stories in there are some of the most normal you can find: chip shops, train journeys, doctors’ appointments etc. The weirdos are in other magazines talking about how difficult it was to import their new handmade Sardinian rug. Our magazine is extremely normal and that’s what's so weird about it.’\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn the Journal\u003c\/strong\u003e\u003cbr\u003eAt work with Erin, Oliver and Owen: ‘Our mission has always been to save Wales, so ideally we’ll achieve that soon, thus sparing us the effort of putting together a second issue.’\u003cbr\u003e\u003ca href=\"https:\/\/magculture.com\/blogs\/journal\/erin-oliver-and-owen-the-paper\" target=\"_blank\"\u003eread more\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.instagram.com\/thepaperwales\" target=\"_blank\"\u003einstagram.com\/thepaperwales\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":42666411425901,"sku":null,"price":24.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/THEPAPERISSUE2.jpg?v=1752327905"},{"product_id":"italy-segreta-3","title":"Italy Segreta #3","description":"\u003ch6\u003e\u003cstrong\u003e260 x 380 mm, 124 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFlorence, Italy (English language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAnnual since 2023\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eCreative director:\u003c\/strong\u003e Marina Serena Cacciapuoti\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eGraphic designer: \u003c\/strong\u003eBetty Subrizi\u003c\/h6\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003eDedicated to showing the real Italy, \u003cem\u003eItaly Segreta \u003c\/em\u003ebegan life as\u003cem\u003e \u003c\/em\u003ean Instagram feed, developed into a website, and then a magazine. Each issue, its large format pages are packed with well-researched stories around a theme. This one is ‘A Tavola,’ (at the table).\u003c\/p\u003e\n\u003cp\u003ePull up a chair and enjoy reflections on the traditional Italian resaturant, an area-by-area guide to Italian salumi, learn what pasta type you are according to you star sign, plus ice cream, pizza, coffee, radicchio and more. \u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/italysegreta.com\/\" target=\"_blank\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eitalysegreta.com\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Yellow","offer_id":43289878954093,"sku":null,"price":22.0,"currency_code":"GBP","in_stock":false},{"title":"Brown","offer_id":43289878986861,"sku":null,"price":22.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Italy-Segreta-3.gif?v=1757599445"},{"product_id":"macguffin-15-the-stitch","title":"MacGuffin #15, The Stitch","description":"\u003ch6\u003e\u003cstrong\u003e210 x 275 mm, 176 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAmsterdam, Netherlands (English language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBiannual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditors:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eKirsten Algera \u0026amp; Ernst van der Hoeven\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign:\u003c\/strong\u003e Sandra Kassenaar\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003e‘The Life of Things’ \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA long standing magCulture favourite and one of our most reliable bestsellers, MacGuffin returns with its special 15th issue, coinciding with ten years in print. This time, the team turn their attention to ‘The Stitch’—the tiny loop that mends, binds and sometimes, if not taken care of, falls apart. Building on issue 14, which centred around the divisive ‘Wall’, this edition’s ‘thing’ of choice has decidedly more positive connotations. On the cover, a cable-tie cross-stitch holds together a slash in a car door, testament to the binding strength of the stitch. As the team note, ‘we wanted to explore something that does the opposite of divide—something that brings things and people together, while also slowing things down’.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAs ever, the theme is unraveled from myriad angles, featuring everything from a sublimely laid out stitch guide, accompanied by text recording the typical applications of each, to a history of ‘Tatreez’, an Arabic word for the traditional hand embroidery used in Palestinian clothing.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAlso covered inside: defiant seamstresses, football player and needlepoint hobbyist Rosey Grier, Japanese kite models, Romanian blouses, bookbinding, Bronze-Age bog patterns, email threads, Margiela’s (in)visible tacked logo, visible seams, Kader Attia’s anti-colonial collages, and the influential Hungarian abstract artist Ilona Keserü on incorporating textiles into her practice, cultural inheritance and tactile memory. With contributions from Tanveer Ahmed, Simona Bortis-Schultz, Rachel Dedman, Olivia Douglas, Nina van de Ven, Rosa Menkman, Masaki Komoto, amongst others.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn the Journal\u003cbr\u003e\u003c\/strong\u003eOur Magazine of the Month review: ‘\u003cem\u003eMacGuffin\u003c\/em\u003e remains an essential magazine, an ideal riposte to anyone doubting the power of print. As well as being editorially brilliant, it is also, itself, a beautiful \u003cem\u003eThing\u003c\/em\u003e. Its size, format and combination of papers making it a lovely object to hold and to flick through’.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/magculture.com\/blogs\/journal\/macguffin-13\" target=\"_blank\"\u003eREAD MORE\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.macguffinmagazine.com\/\" target=\"_blank\"\u003emacguffinmagazine.com\u003c\/a\u003e\u003c\/div\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":43293803380845,"sku":null,"price":24.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/MacGuffin15.png?v=1757692572"},{"product_id":"left-cultures-4","title":"Left Cultures #4","description":"\u003ch6\u003e\u003cstrong\u003e180 x 250mm, 128 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published 2022 \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAnnual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eConcept, editorial and creative direction:\u003c\/strong\u003e Phil Wrigglesworth\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditorial direction:\u003c\/strong\u003e Colum Leith\u003cbr\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eGraphic design:\u003c\/strong\u003e Marco Ugolini\u003c\/h6\u003e\n\u003cp\u003eLaunched as a one-off, but now four issues deep, \u003cem\u003eLeft Cultures\u003c\/em\u003e champions voices of the left\u003cem\u003e, ‘\u003c\/em\u003ewhether that be Socialist, Communist, Anarchist or anything in between.’\u003c\/p\u003e\n\u003cp\u003ePage by page, over 50 contributing writers from far and wide share stories of inspiration which range from the personal to the polemical. Each entry is accompanied by a commissioned full-page illustration. Issue by issue the magazine is building into a beautifully illustrated lexicon of the left.\u003c\/p\u003e\n\u003cp\u003eThis issue opens with a contribution by writer Jessie Jones about Radiohead, using her disappointment at its members’ political stances to discuss boycotting brands and individuals (art by Matt Johnson); by contrast, Lottie Brown recalls The Communards’ song ‘Don’t Leave Me This Way’, and stating, ‘Class struggle lives within music.’ (art by Supermundane). But it’s not all music—there are paeons to the Paul Robeson, the Library and the Soviet concept of Agit Prop.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn the Journal:\u003c\/strong\u003e \u003cbr\u003e‘This magazine’s a powerful reminder that there is a left point of view still available, even if it is so often ignored, marginalised, or worse, demonised in today’s media. It’s refreshing to see these views collected together and rendered relevant and vital as ever.’ \u003cbr\u003e\u003ca href=\"https:\/\/magculture.com\/blogs\/journal\/left-cultures-2\" target=\"_blank\"\u003eread more\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/leftcultures.com\/\" target=\"_blank\"\u003eleftcultures.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":43307087691885,"sku":null,"price":14.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Left_Cultures_4.png?v=1758143864"},{"product_id":"not-a-playbook","title":"Not A Playbook","description":"\u003ch6\u003e\u003cstrong\u003e125 x 200 mm, 152 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAmsterdam, The Netherlands (English-language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003ePublished in 2025\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cspan style=\"background: var(--white);\"\u003e\u003cstrong\u003eEditors:\u003c\/strong\u003e\u003c\/span\u003e Damian Bradfield, Andreas Tzortzis\u003cbr\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign:\u003c\/strong\u003e Kris Pyda, Studio Pyda \u003c\/h6\u003e\n\u003cdiv\u003e\n\u003cp class=\"p1\"\u003e‘The art of building a brand’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA pocket-sized and digestible manual from WeTransfer co-founder Damien Bradfield and writer and strategist Andreas Tzortzis, covering authentic brand growth through the case study of WeTransfer. Split across six core pillars—longevity, intention, trust, faith, instinct, and serendipity—this useful guide tells a different story to the one we have come to expect of tech start-ups, ‘prioritising creativity, trust and long-term thinking over marketing trends and algorithms’.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.notaplaybook.com\/\"\u003enotaplaybook.com\u003c\/a\u003e\u003c\/div\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":43536397828205,"sku":null,"price":14.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Not_a_Playbook.png?v=1760373482"},{"product_id":"erotic-review-4","title":"Erotic Review #4","description":"\u003ch6\u003e\u003cstrong\u003e170 x 240 mm, 168 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBiannual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published 1997\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor \u0026amp; publisher:\u003c\/strong\u003e Lucy Roeber\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDeputy editor:\u003c\/strong\u003e Saskia Vogel\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign \u0026amp; art direction:\u003c\/strong\u003e Studio Frith\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003e‘Exploring Desire’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eErotic\u003c\/i\u003e \u003ci\u003eReview\u003c\/i\u003e was first published as a bimonthly magazine in 1997, and then relaunched in 2024 as an art and literary platform that explores desire in its many forms and complexities. For editor Lucy Roeber, the relaunch presented an opportunity to explore ‘a different discourse’ reflective of the shift in society’s attitude towards sex and desire—highlighting the belief that ‘our erotic lives inflect our entire existence’.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMarking a departure from previous editions, the fourth issue features a solo guest artist, acclaimed multi-disciplinary Irish artist and fashion designer Richard Malone, whose manipulation of materials emphasises the physicality of the erotic. Richard’s sinuous and ambiguous forms—weaved throughout the issue—reveal that desire is far from apolitical, indexing the stratified gender and class structures that ‘underpin our intimate engagement with the world and with each other’.\u003cspan class=\"Apple-converted-space\"\u003e Another brilliant collection of writing addressing modern sexuality and desire from multiple angles; expect short fiction, essays, photography, personal reflections and more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.ermagazine.com\/\"\u003eermagazine.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magazine","offers":[{"title":"Default Title","offer_id":43544699076717,"sku":null,"price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Erotic_Review_4.png?v=1760523335"},{"product_id":"casa-brutus-307","title":"Casa Brutus #307","description":"\u003ch6\u003e\u003cstrong\u003e230 x 284 mm, 168 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eTokyo, Japan (Japanese-language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003ePublished monthly\u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003eカーサ ブルータス: \u003c\/span\u003eJapan’s best interiors and lifestyle—or ‘Life Design Magazine’ as they put it.\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eThis is a special issue about the two extraordinary houses designed by Murakami Takashi for the recently opened exhibition ‘Magazine House Expo’ at Ginza Sony Park in Tokyo.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/casabrutus.com\/\" target=\"_blank\"\u003ecasabrutus.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":43557209669741,"sku":null,"price":26.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/CasaBrutus307.png?v=1760697399"},{"product_id":"vilnius-review-2025","title":"Vilnius Review 2025","description":"\u003ch6\u003e\u003cstrong\u003e190 x 252 mm, 240 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eVilnius, Lithuania (English language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published 1994\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAnnual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor:\u003c\/strong\u003e Saulius V\u003cspan lang=\"EN-US\"\u003easiliauskas\u003c\/span\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt director:\u003c\/strong\u003e \u003cspan lang=\"EN-US\"\u003eJurgis Gri\u003c\/span\u003eškevičius\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003eVilnius Review\u003c\/em\u003e is an annual magazine highlighting contemporary writing from Lithuania, a best-of compilation of the English translations published on the webiste of the same name. In classic lit-mag style, it publishes prose, poetry, essays, fiction and non-fiction works well as interviews with authors and reviews by critics.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAs the front cover shows, the Review is also very well designed, and was awarded at last year’s D\u0026amp;AD Awards.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/vilniusreview.com\" target=\"_blank\"\u003evilniusreview.com\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c!----\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":43572328988781,"sku":null,"price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/VilniusReveiw2025.png?v=1761048049"},{"product_id":"the-myconauts-3","title":"The Myconauts #3","description":"\u003ch6\u003e\u003cstrong\u003e145 x 210 mm, 44 pages \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBath, UK \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published 2023 \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAnnual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eCreated by: \u003c\/strong\u003eGemma Dunnell\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003e‘Mycology, ecology, community’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA sweet and earnest little publication entirely created by illustrator Gemma Dunnell, \u003ci\u003eMyconauts \u003c\/i\u003eis for those who ‘care for, and want to explore, the natural world.’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIssue three continues the wholesome content with more stories, illustrations and poetry about mushrooms. Themed ‘Death \u0026amp; Rebirth’, inside you’ll find charmingly illustrated and informative features on the complete life cycle of mushrooms; the ecological benefits of fungi; crows macabre connotations; plus, a conversation with environmental activist Lisa Schneider, covering the Dartmoor community’s bid for new preservation initiatives and open access to the historical natural landscape.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.instagram.com\/gemmasfunkyart\/?hl=en\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, San Francisco, Segoe UI, Roboto, Helvetica Neue, sans-serif;\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003einstagram.com\/gemmasfunkyart\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":43582372675693,"sku":null,"price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/TheMyconauts3.jpg?v=1761319058"},{"product_id":"slanted-46-cairo","title":"Slanted #46, Cairo","description":"\u003ch6\u003e\u003cstrong\u003e160 x 240 mm, 224\u003cspan\u003e pages\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eKarlsruhe, Germany (English-language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor-in-chief \u0026amp; creative director:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eLars Harmsen\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eManaging editor:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eJulia Kahl\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign:\u003c\/strong\u003e Juliane Lipp and Luna Senyurt\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003eThe biannual magazine covering international graphic design and culture returns with its latest issue dedicated to Cairo, taking readers on a winding journey through Egypt’s vibrant creative scene—exploring everything from graphic design, typography and visual communication to architecture and product design.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDivided into two halves, a comprehensive visual inventory of artists, reference points and design-oriented businesses across the city, followed by a two-tone text segment; the thoughtful design of the issue replicates the duality of ‘past and present, tradition and change’ that exists within Cairo today. Inside, you’ll find a conversation with ten Cairo-based creatives, alongside ten in-depth features spanning the philosophical underpinnings of ancient Egyptian design, post-19th century cross-cultural exchange, an exploration of national identity through bank notes, Khomaies kitsch retail, \u003cmeta charset=\"utf-8\"\u003eMahraganat music, \u003cmeta charset=\"utf-8\"\u003e‘desert cities\u003cmeta charset=\"utf-8\"\u003e’ and the ghettoisation of \u003cmeta charset=\"utf-8\"\u003eCairo’s working-class, and three decades of the\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e‘Girl Film’ genre.\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/www.slanted.de\/\" target=\"_blank\"\u003eslanted.de\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":43585443987565,"sku":null,"price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Slanted46.jpg?v=1761574008"}],"url":"https:\/\/magculture.com\/collections\/make-design.oembed?constraint=identiy","provider":"magCulture","version":"1.0","type":"link"}