{"title":"New this week","description":"","products":[{"product_id":"mother-tongue-10","title":"Mother Tongue #10","description":"\u003ch6\u003e\u003cstrong\u003e190 x 240 mm, 130 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eHouston, US\/London, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBiannual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published 2021\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eFounders\/editors:\u003c\/strong\u003e Melissa Goldstein and Natalia Rachlin\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eCreative director and design:\u003c\/strong\u003e Vanessa Saba\u003c\/h6\u003e\n\u003cp\u003e\u003cem\u003eMother Tongue\u003c\/em\u003e was launched by two mothers tired of the traditional media portrayal of motherhood. In place of\u003cem\u003e \u003c\/em\u003eidealised aspiration and agony aunt problem-solving, the boldly-designed magazine focuses on the complex, real lives of mothers and the issues they share around ‘art, sex, pop culture, politics, food and a few things in between’.\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis tenth edition\u003c\/span\u003e\u003cspan\u003e celebrates double figures with a baby pink cover starring American actress, artist and producer Lucy Liu ahead of her upcoming art exhibition in New York City, and starring roles in ‘The Devil Wears Prada’ and crime drama ‘Superfakes’. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eInside, Jerrie Tan reflects on her unconventional pregnancy cravings for ‘pregnancy-coded’ horror films, a response\u003cmeta charset=\"utf-8\"\u003e—she believes\u003cmeta charset=\"utf-8\"\u003e—to an anti-natalist undercurrent in certain feminist circles she once moved through, Erykah Badu guest stars as an advice guru remedying various readers woes, and Stephanie Wittels Wachs contemplates smoking as an antidote against tradwifery and—despite remaining a non-smoker herself—confesses her secret urge to indulge in the habit.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn the Journal:\u003c\/strong\u003e \u003cbr\u003eAt work with \u003cem\u003eMother Tongue\u003c\/em\u003e, ‘\u003cspan\u003eThe pandemic was definitely our spark, because we both (had to) put work on pause to stay home with our kids when schools shut down in the spring of 2020. The load on mothers the world over just got so intense, and we felt like there were so few arenas to have candid, more nuanced conversations about the realities of motherhood today...’\u003cbr\u003e\u003ca href=\"https:\/\/magculture.com\/blogs\/journal\/natalia-and-melissa-mother-tongue\" target=\"_blank\"\u003eREAD MORE\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn Vimeo:\u003c\/strong\u003e \u003cbr\u003emagCulture meets Mother Tongue, recorded at the magCulture Shop on \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e30 June 2022.\u003cbr\u003e\u003ca href=\"https:\/\/vimeo.com\/725989654\" target=\"_blank\"\u003ewatch now\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.mothertonguemagazine.com\/\" target=\"_blank\"\u003e\u003cspan\u003emothertonguemagazine.com\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":45145482330221,"sku":null,"price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/MotherTongue10.jpg?v=1777984611"},{"product_id":"new-york-review-of-architecture-50","title":"New York Review of Architecture #50","description":"\u003ch6\u003e\u003cstrong\u003e270 x 405 mm, 48 pages (staple bound), plus 32 page supplement\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eNew York, US\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBimonthly\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published in 2019\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003e\u003cspan\u003eEditor: \u003c\/span\u003e\u003c\/strong\u003eSamuel Medina\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt director:\u003c\/strong\u003e Laura Coombs\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eCover:\u003c\/strong\u003e\u003cspan\u003e Sean Suchara\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003eTall and slim (much like a skyscraper...), \u003cem\u003eNYRA\u003c\/em\u003e naturally ‘\u003cspan\u003ereviews architecture in New York,’\u003c\/span\u003e featuring opiniated columns, essays, criticism and more, beginning with an always enjoyable Letters to the Editors section (yes, this is a magazine that gets a repsonse from its readers!)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSmartly redesigned in 2022—its newsprint pages and slab serif typography \u003cem\u003eInterview\u003c\/em\u003e-esque—you’ll find plenty of visual character to go alongside the sharp writing (not least the illustrated rodent mascot, seen here in a prescient image of NY snow.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eInside this 50th anniversary issue, Norman Foster’s massive new JP Morgans Manhattan HQ is assessed from two angles, museum architecture is questionned via two new museums (The Princetown University Art Museum and Harlem’s Studio Museum), and a host of book reviews include a lengthy review of ‘The Alienation Effect: How Central European Émigrés Transformed the British 20th Century.’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePlus a special supplement; \u003cem\u003eNYRA\u003c\/em\u003e’s guide to NYC brings together 50 buildings in the city that are, ‘off the well-trodden path of canonized skyscrapers and touristic landmarks.’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"Apple-converted-space\"\u003e\u003cstrong\u003eOn the Journal\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"Apple-converted-space\"\u003eAt Work With Samuel Medina: ‘It’s important to us that \u003cem\u003eNYRA\u003c\/em\u003e feels rooted in New York City, by which I don’t just mean Manhattan or North Brooklyn but also Queens, the Bronx, the rest of Kings County, even Staten Island (within limits). We tend to prioritize working writers over academics or practicing designers, but we’re interested in working with anyone who can write creatively and critically about the city.’\u003cbr\u003e\u003ca rel=\"noopener\" href=\"https:\/\/magculture.com\/blogs\/journal\/samuel-medina-new-york-review-of-architecture\" target=\"_blank\"\u003eread more\u003c\/a\u003e\u003c\/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/nyra.nyc\/\"\u003enyra.nyc\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":45191562592365,"sku":null,"price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/NewYorkReviewofArchitecture50.jpg?v=1778509369"},{"product_id":"serviette-8","title":"Serviette #8","description":"\u003ch6\u003e\u003cstrong\u003e230 x 300 mm, 82 pages \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eToronto, Canada \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published 2022\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Max Meighen\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditorial director: \u003c\/strong\u003eCaitlin Stall-Paquet\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eCreative director:\u003c\/strong\u003e Nicola Hamilton\u003c\/h6\u003e\n\u003cp\u003eBack with perhaps their most foodie cover to date, the \u003cem\u003eServiette\u003c\/em\u003e team delve into the shady side of food with its latest theme ‘Food is Vice.’ What better way to represent that than a bib-full of crispy chicken and sauce? (sidenote: great to see a person eating on the cover, too!)\u003c\/p\u003e\n\u003cdiv\u003eMeet a chef providing sustenence for a Nevada brothel’s customers; learn how Colombians are repurprosing the cocoa leaves once associated with cocaine production; and follow the multiple courtroom dramas that have grown up around the humble lobster. Vice is a rich theme for a food magazine, and issue eight of \u003cem\u003eServiette\u003c\/em\u003e delivers throughout.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/serviettemag.com\/\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" target=\"_blank\"\u003eserviettemag.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":45195781472365,"sku":null,"price":19.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Serviette8.png?v=1778602770"},{"product_id":"paperboy-9","title":"Paperboy #9","description":"\u003ch6\u003e\u003cstrong\u003e 210 × 275 mm, 200 pages \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published 2021\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBiannual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor\/Paperboy: \u003c\/strong\u003eDavid McKendrick\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign \u0026amp; art direction: \u003c\/strong\u003eDavid McKendrick, Ben McLaughlin \u0026amp; Jack Howden\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003eA certified magCulture favourite, this is the ninth issue of David McKendrick’s ‘Good News’ magazine, \u003ci\u003ePaperboy\u003c\/i\u003e.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe theme, ‘Upside Down’, isn’t the only thing turned on its head this edition, which also features a cover star for the first time since its launch in 2021—issues one through seven came wrapped in a monochromatic dust jacket, whilst the latest featured a classic tartan pattern. ‘And what a smasher she is’, David proudly declares in his opening remarks, never mind the fact that she’s a two-toed sloth, and not—as her name, Marilyn—may have you believe, a star of the silver screen. Find out more about this blonde bombshell inside: photographed in her natural habitat (London Zoo) by Jack Davison, and profiled by Alex Bilmes with arguably greater sincerity than is often afforded to her namesake.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eElsewhere: a glossy 26-page spread dedicated to designer bum bags—emphasis on the bum—mischievous mutts, yoga poses, touching noses (‘you and your nose are perfect just the way you are’), and ‘a few of Manolo Blahnik’s favourite things’. Plus, as ever, great reading from Liv Siddall, who lists 27 objects that inexplicably turn her on.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eOn the Journal\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt work with David McKendrick: ‘I don’t want it to sound too basic, but I drew up a wish list of all the great accomplished people I have worked with over the years, and I dreamt a little, and in an old fashioned manner got on the phone, told them about \u003cem\u003ePaperboy\u003c\/em\u003e, and the idea and begged the question “will you be part of this?” and much to my surprise, everyone seemed up for it.’\u003cbr\u003e\u003ca href=\"https:\/\/magculture.com\/blogs\/journal\/david-mckendrick-paperboy\" target=\"_blank\"\u003eread more\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003ca href=\"https:\/\/www.paperboymagazine.com\/\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.paperboymagazine.com\u0026amp;source=gmail\u0026amp;ust=1616868159107000\u0026amp;usg=AFQjCNGViDLayipKNJFxd1aKsVvqqoxVzA\" target=\"_blank\"\u003epaperboymagazine.com\u003c\/a\u003e\n\u003c\/div\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":45220699865197,"sku":null,"price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Paperboy9.png?v=1779463163"},{"product_id":"bricks-from-the-kiln-8","title":"Bricks from the Kiln #8","description":"\u003ch6\u003e\u003cstrong\u003e170 x 225 mm, 208 pages \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon\/New Haven\/St Leonards on Sea\u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cspan\u003eFirst published in 2016\u003c\/span\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eEditors and design: \u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan color=\"#ff0000\"\u003eMatthew Stuart \u0026amp; Andrew Walsh-Lister\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h6\u003e\n\u003cdiv\u003e\n\u003cp class=\"p1\"\u003eThis beautifully designed magazine uses graphics and typography as a starting point for discussion of multiple associated and less-associated subjects. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis eighth edition is dedicated to ‘letters’, whether that be physical letters ‘that crease, fold, tear and rip’ with a preordained destination, the act and severance of communication, or the taxonomy of linguistics and written communication. The contents page is aptly organised from A-Z, with the issue opening to Bhanu Kapil’s alphabetical ‘Bestiary For A Non-Genetic Descendant’, printed on directory yellow paper stock. Elsewhere, Meg Miller pens an essay exploring feeling through faltering language, Kate Briggs playfully dissects the infinite interpretations of the letter ‘A’ when stressed and placed in different contexts, and Rebecca Ross gives a chronological low-down on the evolution of The Royal Mail’s letter sorting system.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLimited edition of 800, with an additional twenty-six unbound copies in circulation.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e‘In this untethered state, pieces from contributors—to whom we are indebted—are freed from an interior order and returned to discrete correspondence, loose abécédaire units for exchange—letters to be leafed through and addressed once more.’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cspan color=\"#ff0000\"\u003e\u003ca href=\"https:\/\/www.b-f-t-k.info\" target=\"_blank\"\u003eb-f-t-k.info\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":45222607781997,"sku":null,"price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/BricksfromAKiln8.jpg?v=1779549416"},{"product_id":"heavy-traffic-7","title":"Heavy Traffic #7","description":"\u003ch6\u003e\u003cstrong\u003e178 x 253 mm, 108 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eNew York, US\u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eEvery 4 months, since 2022\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor: \u003c\/strong\u003ePatrick McGraw\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign: \u003c\/strong\u003eRichard Turley\/FOOD\u003c\/h6\u003e\n\u003cp\u003eThe literary publication from US-based magazine junkie Patrick McGraw, who describes his mag thus, ‘Many people have told me that \u003cem\u003eHeavy Traffic\u003c\/em\u003e needs to be explained. That writing a manifesto would bring the magazine great success. The magazine is heavily edited. But it is impossible for every piece to sound the same…’\u003c\/p\u003e\n\u003cp\u003eDesigned in monochrome serif typography by Richard Turley and team (\u003cem\u003eInterview, Civilization\u003c\/em\u003e), the magazine feels fast, spontaneous and very readable. Following the bright fluo yellow of the previous issue, this sixth issue is more pared back, black and white twith a few red details on the cover.\u003c\/p\u003e\n\u003cp\u003eWith new fiction from \u003cspan\u003eHelen DeWitt, Paul McCarthy, Michael Clune, Susan Howe, Sam Kriss, Amie Barrodale, Paris Reid, Sylvie Makower, Myles Zavelo, Leo Lasdun, and Ilya Gridneff.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn the Journal\u003c\/strong\u003e\u003cbr\u003eAt work with Patrick McGraw: ‘I believe things are much better left unexplained, and people can just come up with opinions themselves. To explain \u003cem\u003eHeavy Traffic\u003c\/em\u003e would be to kill it in a way. And even then there will come a time where it just explains itself and it will die then anyway...’ \u003ca rel=\"noopener\" href=\"https:\/\/magculture.com\/blogs\/journal\/patrick-mcgraw-heavy-traffic\" target=\"_blank\"\u003eREAD MORE\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/heavytrafficmagazine.com\/\" target=\"_blank\"\u003eheavytrafficmagazine.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":45234172625005,"sku":null,"price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/HeavyTraffic7_4a13bfd5-b82b-4b1f-881b-65c1161d2664.png?v=1779824591"},{"product_id":"printing-fashion-6","title":"Printing Fashion #6","description":"\u003ch6\u003e\n\u003cstrong\u003e240 x 330 mm, 144 \u003c\/strong\u003e\u003cstrong\u003epages\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eParis, France  (French and English-language)\u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAnnual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditors-in-chief:\u003c\/strong\u003e Justin Morin and Marco Pecorari\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt direction:\u003c\/strong\u003e Monica Fraile Morisson\u003c\/h6\u003e\n\u003cp\u003eWe do love a magazine about magazines! \u003cem data-mce-fragment=\"1\"\u003ePrinting Fashion \u003c\/em\u003eis a must-read for anybody interested in the role of the magazine today. Created and produced by students on the Fashion Studies MA at The New School Parsons, Paris, in collaboration with Justin Morin and Marco Pecorari at the university, the publication is based on a public symposium held annually in Paris.\u003c\/p\u003e\n\u003cp\u003eThis sixth issue explores Technique, both in fashion production and print production. \u003cem\u003eEye\u003c\/em\u003e magazine editor John L Walters is interviewed about his editorial technique; \u003cem\u003ePin-Up\u003c\/em\u003e founder Felix Burrcihter and creative director Ben Ganz reflect on the DNA of their magazine; Mirko Borsche discusses collaboration in publishing; and the founders of \u003cem\u003eMacGuffin \u003c\/em\u003eand \u003cem\u003eCose Journal\u003c\/em\u003e compare notes on editorial method and the possibilities of obsessing over a single thing.\u003c\/p\u003e\n\u003cp\u003ePlus plenty of smaller contibrutuions on the centrefold, 1960s\/1970s Lebanese magazines, and Molly Apple and \u003cem\u003eMerde\u003c\/em\u003e magazine.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.printingfashion.fr\/\" target=\"_blank\"\u003eprintingfashion.fr\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":45234206638189,"sku":null,"price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/PrintingFashion06.jpg?v=1779812910"},{"product_id":"a-line-which-forms-a-volume-9","title":"A Line Which Forms a Volume #9","description":"\u003ch6\u003e\n\u003cstrong\u003e150 x 190 mm, 168 pages, ringbound\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published in 2017\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cspan style=\"background: var(--white);\"\u003e\u003cstrong\u003eEditors:\u003c\/strong\u003e\u003c\/span\u003e Abigail Tan, Madhumita Ramasamy and Yagmur Uygun\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign:\u003c\/strong\u003e Svenja Tong, Nikhil Narayanan, Eton Chau, Eunhee Jeon and Lingbo Luo\u003c\/h6\u003e\n\u003cp\u003e\u003cem\u003eA Line Which Forms a Volume\u003c\/em\u003e is a critical reader and symposium of graphic design-led research that is edited, written, designed and published by participants of the MA Graphic Media Design (MAGMD) course at the London College of Communication (LCC). Each year a different cohort of students work on the title; kit’s alwasy a fascinating piece of research-led design and editorial.\u003c\/p\u003e\n\u003cp\u003eThis ninth issue invites readers to attune to the quiet resilience of non-human lives and the relationships between we humans and the ‘lives’ of the cities and spaces we occupy. The issue also features a conversation with James Langdon whose works explore form,\u003cbr\u003eiterative overprinting and the ‘existing conditions’ of materials, and a visual essay on learning in transient spaces by Alex Balgiu and Press Create Act.\u003cbr\u003e\u003cbr\u003ePrinted in four special colours: brown, green, metallic silver, and black, with a green spiral binder.\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":45239799152749,"sku":null,"price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/ALineWhichFormsAVolume9.png?v=1779895118"},{"product_id":"monocle-194","title":"Monocle #194","description":"\u003ch6\u003e\u003cstrong\u003e200 x 264 mm, 204 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eTen times a year\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor-in-chief: \u003c\/strong\u003eAndrew Tuck\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eCreative director:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eRichard Spencer Powell\u003c\/h6\u003e\n\u003cdiv\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eMonocle\u003c\/i\u003e is the magazine figurehead of the international design\/business\/culture media empire launched by Tyler Brûlé in 2007: multiple magazines, live events, 24-hour radio and a branding agency.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor June 2026, \u003ci\u003eMonocle\u003c\/i\u003e celebrates Coffee Culture with an international guide to the 25 best cafés to sit, sip and linger, naturally including their own London café, but also extending across Europe to Africa, Asia and the Americas. Plus a guide to collecting things, from art, posters and antiques via modern design and dinosaurs.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/monocle.com\/\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" target=\"_blank\"\u003emonocle.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":45253580423277,"sku":null,"price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Monocle194.png?v=1780074374"},{"product_id":"eye-110","title":"Eye #110","description":"\u003ch6\u003e\u003cstrong\u003e237 x 297 mm, 100 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor: \u003c\/strong\u003eJohn L. 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The theme is Ritual, with articles addressing the joy of patina, the role of cutlery in the ritual of the dinner party, and the conflict of modern dressing, regarded at once as both banal and hugely meaningful (by\u003cem\u003e Viscose Journal\u003c\/em\u003e’s Jeppe Ulweig.)\u003c\/p\u003e\n\u003cp\u003ePlus legendary food writer Ruth Reichl reflects on five decades of food writing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn the Journal\u003c\/strong\u003e\u003cbr\u003eAt work with Tiffany Jow: ‘The design reflects \u003cem\u003eUntapped\u003c\/em\u003e’s ethos. Our stories focus on ideas and take the time  to unpack them (most stories are around 2,000 words), make sense of them, show how they are relevant for readers. 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