{"title":"Red","description":"","products":[{"product_id":"macguffin-11-the-chain","title":"MacGuffin #11, The Chain","description":"\u003ch6\u003e\u003cstrong\u003e210 x 275mm, 196 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAmsterdam, Netherlands (English language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAnnual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditors:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eKirsten Algera \u0026amp; Ernst van der Hoeven\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign:\u003c\/strong\u003e Sandra Kassenaar\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003e‘The Life of Things’ \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMacGuffin\u003c\/em\u003e's 11th issue is centered around the chain, exploring the surprisingly wide-ranging cultural implications\u003cspan data-mce-fragment=\"1\"\u003e of \u003c\/span\u003echains of all sizes – celebrating the decorative and functional as well as assessing our (often complex) relationship with the darker stuff: cage-fighting, horror films and multi-car pileups. Togetherness and connective technology also fall into the chain category, making this issue – in the words of editor Kirsten Algera – 'the ultimate post-pandemic \u003cem\u003eMacGuffin\u003c\/em\u003e'. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn the Journal:\u003cbr\u003e\u003c\/strong\u003e‘The magazine isn’t interested in things that are iconic, but rather in the mysterious, unexpected things that set a story in motion’. \u003ca href=\"https:\/\/magculture.com\/blogs\/journal\/macguffin-10\" target=\"_blank\"\u003eREAD MORE\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.macguffinmagazine.com\/\" target=\"_blank\"\u003emacguffinmagazine.com\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":40275283345517,"sku":"","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/products\/Macguffin_11.jpg?v=1660916293"},{"product_id":"macguffin-12-the-log","title":"MacGuffin #12, The Log","description":"\u003ch6\u003e\u003cstrong\u003e210 x 275mm, 226 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAmsterdam, Netherlands (English language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBiannual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditors:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eKirsten Algera \u0026amp; Ernst van der Hoeven\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign:\u003c\/strong\u003e Sandra Kassenaar\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003e‘The Life of Things’ \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMacGuffin\u003c\/em\u003e's 12th issue is all about The Log. Inside, we take 'a walk in the woods to explore the design and politics of timber.' As ever, this edition is beautifully-crafted, much like the timber-based designs it features inside. Everything from fossil trees, matchsticks, wood-carving, fast-furniture, illegal logging and more.\u003c\/p\u003e\n\u003cp\u003ePlus, features on the poetry to be found inside the cells of trees, the careful balance between insects, trees and humans, and, most wonderfully of all, 'An Ode to the Log Lady' of \u003cem\u003eTwin Peaks\u003c\/em\u003e. Another fantastic example of what a magazine can be at its best.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn the Journal:\u003cbr\u003e\u003c\/strong\u003e‘The magazine isn’t interested in things that are iconic, but rather in the mysterious, unexpected things that set a story in motion’. \u003ca href=\"https:\/\/magculture.com\/blogs\/journal\/macguffin-10\" target=\"_blank\"\u003eREAD MORE\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.macguffinmagazine.com\/\" target=\"_blank\"\u003emacguffinmagazine.com\u003c\/a\u003e\u003c\/div\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":40671063146605,"sku":"","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/MacGuffin_12.jpg?v=1688131697"},{"product_id":"magculture-red-tote-bag","title":"magCulture red tote bag","description":"\u003ch6\u003e\n\u003cstrong\u003e380 x 420 x 95 mm \u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLong-handled red canvas tote with white print\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eWhat the well-dressed magazine is wearing this season, available exclusively from magCulture. \u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":41494691381357,"sku":null,"price":14.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/magctote_2024.png?v=1715775654"},{"product_id":"electronic-sound-120","title":"Electronic Sound #120","description":"\u003ch6 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e210 x 280 mm, 100 pages + green vinyl seven-inch single\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNorwich, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMonthly\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6 data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eEditor: \u003c\/strong\u003ePush\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\n\u003c\/h6\u003e\n\u003ch6 data-mce-fragment=\"\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eArt editor:\u003c\/strong\u003e Mark Hall\u003c\/h6\u003e\n\u003cp\u003e‘The Electronic Music Magazine’\u003c\/p\u003e\n\u003cp\u003eThe monthly mag featuring in depth coverage of the contemporary electronic scene, as well as shining a light on the pioneers and machines that made the scene what it is today. 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Our friends at Berlin type foundry Dinamo have produced this charming children’s story book, about a boy called Otto, a name shared with a new typeface from designers Sam de Groot and Laura Opsomer Mironov.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe book tells the story of Otto, whose anger issues are resolved when he befriends a fox called Ronnie. The story unfolds as we become familiar with Otto the typeface, with Hannah Robinson’s brushstroke drawings bringing it to visual life in ornage and black\u003c\/p\u003e\n\u003cp\u003eThis is the first project for the newly established Dinamo Editions publishing imprint.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.1000wordsmag.com\/\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eabcdinamo.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":42022282100845,"sku":null,"price":25.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Ottobook.png?v=1737641288"},{"product_id":"aji-3","title":"Ají #1","description":"\u003ch6\u003e\u003cstrong\u003e130 x 190 mm, 80 pages (ringbound)\u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published in 2024\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cspan style=\"background: var(--white);\"\u003e\u003cstrong\u003eEditors:\u003c\/strong\u003e\u003c\/span\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cb\u003eSantiago Valencia Parra \u0026amp; Juliana Monsalve Carrillo\u003c\/b\u003e\u003cbr\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cb\u003eArt direction \u0026amp; design\u003c\/b\u003e:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cb\u003eJuliana Monsalve Carrillo\u003c\/b\u003e\n\u003c\/h6\u003e\n\u003cp\u003eA lovely, Risograph printed title that platforms a small selection of artists, designers, curators and creatives whose work reflects ‘the cultural multiplicities that proliferate in the Global South’. Printed in a limited edition of 200 copies. \u003c\/p\u003e\n\u003cp\u003eInside, it's a catalogue of projects, interviews and writing by creatives from Africa, Southeast Asia and Latin America, addressing aspects of graphic design, artefacts, cultural tradition and the built environment. Nicely put together, with the ring binding allowing for tiny inserts to accompany some stories. \u003c\/p\u003e\n\u003cp\u003eIn this issue: Angélica Rojas, Annie-Marie Akussah, Belén Santamarina, Daniel Greenfiled-Campoverdem Folashade Omotoke Joseph, Jimena Blanco Jalil, Julieta Rosell, Kshitij Gotiwale, Lucia Vera, Mithra Kamalam, Rada Musikarat, Rebeca Romero, Shivani Chugh and Teagan Herzog. \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.instagram.com\/aji.press\/\"\u003e@aji.press\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":42107700609133,"sku":null,"price":21.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Aji01.jpg?v=1741707253"},{"product_id":"offal-2","title":"Offal #2","description":"\u003ch6\u003e\n\u003cstrong\u003e148 x 210 mm, 164 pages (plus fold-out poster)\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK\u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditors\u003c\/strong\u003e: Mark Blacklock and Roderick Stanley\u003cbr\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesigners:\u003c\/strong\u003e Richard Turley and Julia Schaffer\u003c\/h6\u003e\n\u003cp\u003e‘Lubricate reality with dreams’\u003c\/p\u003e\n\u003cp\u003eThe second issue of the brilliant, independent journal of literary and artistic offcuts, collected from the leftovers and scraps of other projects and jobs. \u003c\/p\u003e\n\u003cp\u003ePut together by Rod Stanley, late of\u003cem\u003e Good Trouble\u003c\/em\u003e, and novelist Mark Blacklock, and designed by Richard Turley (\u003cem\u003eNuts, Civilization\u003c\/em\u003e) and Julia Schaffer (\u003cem\u003eNuts\u003c\/em\u003e). 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Following ‘the biggest fetish that there is’—feet—the spotlight now turns to the ‘overused’ yet underrated ear, delineated by the disembodied lobe on the front cover.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eInside, well, it’s what you’d expect—plenty of sensual close-ups, curious aural snippets, and six ear-rousing stories. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAnd for some fun ear trivia: if you want to ask someone for a favour or seek advice, speak into their right ear. Why? 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They launched \u003cem\u003eToothsome\u003c\/em\u003e because they couldn’t find a food magazine they wanted to read; the first issue found a willing audience, and they’re back with a second issue with double the number of pages of the first.\u003c\/p\u003e\n\u003cp\u003eSubtitled ‘From minimal to maximal,’ it\u003cmeta charset=\"utf-8\"\u003e’s a handsomely designed reflection of the chaos of the food world, exploring the twin poles of restraint and excess. Expect interviews, recipes, restaurant visits and reports from London and Bristol to Colombia, Taiwan, Los Angeles. There’s a realism to the reporting and photography, and a highly international range of food types.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/toothsome.xyz\/\" rel=\"noopener\" target=\"_blank\"\u003etoothsome.xyz\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv id=\"stcpDiv\" style=\"position: absolute; top: -1999px; left: -1988px;\"\u003e\n\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eLauren Cornel\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eKaelen Wilson-Goldie\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eHelena Almeida\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eTorbjørn Rødland\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eJames Welling\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eSamuel Fosso\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eDru Donovan\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eCarrie Mae Weems\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eZheng Mahler\u003c\/a\u003e - See more at: http:\/\/aperture.org\/shop\/magazine#sthash.wjuoYfWt.dpuf\u003c\/div\u003e\n\u003cdiv id=\"stcpDiv\" style=\"position: absolute; top: -1999px; left: -1988px;\"\u003e\n\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eSimon Baker\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eLauren Cornell\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eKaelen Wilson-Goldie\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eHelena Almeida\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eTorbjørn Rødland\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eJames Welling\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eSamuel Fosso\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eDru Donovan\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eCarrie Mae Weems\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eZheng Mahler\u003c\/a\u003e - See more at: http:\/\/aperture.org\/shop\/magazine#sthash.wjuoYfWt.dpuf\u003c\/div\u003e\n\u003cdiv id=\"stcpDiv\" style=\"position: absolute; top: -1999px; left: -1988px;\"\u003e\n\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eSimon Baker\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eLauren Cornell\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eKaelen Wilson-Goldie\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eHelena Almeida\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eTorbjørn Rødland\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eJames Welling\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eSamuel Fosso\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eDru Donovan\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eCarrie Mae Weems\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eZheng Mahler\u003c\/a\u003e - See more at: http:\/\/aperture.org\/shop\/magazine#sthash.wjuoYfWt.dpuf\u003c\/div\u003e\n\u003cdiv id=\"stcpDiv\" style=\"position: absolute; top: -1999px; left: -1988px;\"\u003e\n\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eSimon Baker\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eLauren Cornell\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eKaelen Wilson-Goldie\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eHelena Almeida\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eTorbjørn Rødland\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eJames Welling\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eSamuel Fosso\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eDru Donovan\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eCarrie Mae Weems\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/aperture.org\/shop\/aperture-221-magazine\"\u003eZheng Mahler\u003c\/a\u003e - See more at: http:\/\/aperture.org\/shop\/magazine#sthash.wjuoYfWt.dpuf\u003c\/div\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":44869553553517,"sku":null,"price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Toothsome_2.jpg?v=1773941849"},{"product_id":"the-fence-27","title":"The Fence #27","description":"\u003ch6\u003e\u003cstrong\u003e200 x 270 mm, 64 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eQuarterly\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published in 2019\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor: \u003c\/strong\u003eCharlie Baker\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign: \u003c\/strong\u003eStudio Mathias Clottu\u003c\/h6\u003e\n\u003cp\u003e‘The UK’s only magazine’\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Fence\u003c\/em\u003e has developed a devoted readership for its scurrilous and very English mix of humour, investigation and politics. Smartly presented in black and orange with copious illustration, it’s a unique publication that describes itself as ‘The UK’s only magazine’. Patently untrue of course—check our shelves! Perhaps a better description comes from Graydon Carter: ‘The illegitimate offspring of \u003cem\u003ePrivate Eye\u003c\/em\u003e and Evelyn Waugh.’ It’s certainly a very \u003cem\u003eEnglish\u003c\/em\u003e magazine, if not a London one.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis issue introduces new columnists Sophie Heawood and John Niven, and features the magazine’s first advert (for our friends and neighbours Luca.) Enjoy the UK’s 26 most cringeworthy moments this century, a tribute to Pam Hogg, a detailed run through the ups and downs of the Groucho Club, the imagined social media rantings of the likes of Rudolf Hess and Genghis Khan, and much, much more.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn episode 39 of the magCulture Podcast:\u003c\/strong\u003e\u003cbr\u003eEditor Charles Baker discusses his magazine\u003cbr\u003e\u003ca rel=\"noopener\" href=\"https:\/\/soundcloud.com\/magculture\/episode-39-cathy-olmedillas-anorak-charles-baker-the-fence\" target=\"_blank\"\u003eListen here\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.the-fence.com\/\" target=\"_blank\"\u003ethe-fence.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":45064402763885,"sku":null,"price":7.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/TheFence27.png?v=1776262889"},{"product_id":"wired-usa-may-june-2026","title":"Wired USA, May\/June 2026","description":"\u003ch6\u003e\u003cstrong\u003e204 x 274 mm, 88 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eSan Francisco, US \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003ePublished 10 times a year\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eGlobal editorial director:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eKatie Drummond\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003e‘For Future Reference’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe US edition of the original tech magazine from Condé Nast.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis May\/June edition of \u003ci\u003eWired\u003c\/i\u003e is titled ‘The War Machine’, responding to the inescapable ubiquity of war in 2026, both at home and on foreign soil. In lieu of an editor’s letter, the issue dives straight in with a conversation between Steven Levy and Kalshi co-founder and CEO Tarek Mansour; the pair sat down to discuss the origins of the New York-based digital platform and ‘prediction market’, which Tarek contends is ‘completely different’ to gambling in its scope and potential.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eElsewhere, Anna Holmes investigates the youthful appeal of new dumb phone ‘Tin Can’; editorial director Katie Drummond illuminates the human cost of the war machine—augmented by the relentless drive for technological innovation; in a striking cover story spanning 14 pages, Palestinian journalist Mahmoud Mushtaha reports on the search for missing loved ones in Gaza; whilst, a second cover story by Maddy Crowell follows six-months in the life of a Chicago-based family living in fear of ICE.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.wired.co.uk\/\" target=\"_blank\"\u003ewired.co.uk\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":45197607370861,"sku":null,"price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Wired_May_June2026.jpg?v=1778672943"},{"product_id":"disegno-41","title":"Disegno #41","description":"\u003ch6\u003e\u003cstrong\u003e215 x 277 mm, 130 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eQuarterly\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003e Editor-in-chief: \u003c\/strong\u003eOli Stratford \u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003e Founder and publication director: \u003c\/strong\u003eJohanna Agerman Ross\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003e Creative directors: \u003c\/strong\u003eFlorian Böhm, Annahita Kamali \u003c\/h6\u003e\n\u003cp\u003e‘The journal of design’\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eQuarterly\u003ci\u003e Disegno\u003c\/i\u003e is devoted to exploring the many facets of design and its impact on the world today. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis 41st issue, dedicated to the role of experimentation in design, opens with a creative profile of artist and designer Ori Oirsun Merhav, whose ‘bio-inclusive’ urn built from insect-derived polymers allows her to create cocoon- and -honeycomb-like experimentations with shellac. Elsewhere, this issue visits Maghras, a modest farm and research hub in Al Ahsa utilising innovative agricultural techniques; and editor Oli Strafford meets the makers behind an unusual new kind of furry companion: a curious little robot called Keyaki.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn the Journal:\u003cbr\u003e\u003c\/strong\u003e‘In his introduction to the magazine, editor Oli Stratford admits that his own definition of the word ‘design’ is fractured; ‘What even is design? To tell you the truth, we at \u003cem\u003eDisegno\u003c\/em\u003e have no idea.’ \u003cem\u003eDisegno\u003c\/em\u003e generates content that looks at the impact of design both artistically and politically, and not just at the ins and outs of how things are made.’ \u003ca href=\"http:\/\/magculture.com\/disegno-15\/\" target=\"_blank\"\u003eREAD MORE\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/disegnojournal.com\/\" target=\"_blank\"\u003edisegnodaily.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":45239814881389,"sku":null,"price":14.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Disegno_41.png?v=1779898267"}],"url":"https:\/\/magculture.com\/collections\/red\/finance.oembed","provider":"magCulture","version":"1.0","type":"link"}