{"title":"Think: Ideas","description":"","products":[{"product_id":"tortoise-quarterly-8","title":"Tortoise Quarterly #8","description":"\u003ch6\u003e\u003cstrong\u003e120 x 165 mm, 166 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eQuarterly\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published in 2020\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor: \u003c\/strong\u003eKeith Blackmore\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eCreative director: \u003c\/strong\u003eJon Hill\u003c\/h6\u003e\n\u003cp\u003eThe eighth volume of slow news publication \u003cem\u003eTortoise Quarterly\u003c\/em\u003e is themed, Festival (aptly given the season).\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eContributors include Simon Barnes, David Barnett, Paul Hayward, Edith Pritchett, Martin Samuel, Mary Ann Sieghart, David Taylor and Lynne Truss.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.tortoisemedia.com\/\" target=\"_blank\"\u003etortoisemedia.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":40195894444141,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/products\/Screenshot2022-07-06at17.21.38.png?v=1657124668"},{"product_id":"electronic-sound-101","title":"Electronic Sound #101","description":"\u003ch6 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e210 x 280 mm, 100 pages + vinyl seven-inch\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNorwich, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMonthly\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6 data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eEditor: \u003c\/strong\u003ePush\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\n\u003c\/h6\u003e\n\u003ch6 data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eArt editor:\u003c\/strong\u003e Mark Hall \u003c\/h6\u003e\n\u003cp data-mce-fragment=\"1\"\u003e'The Electronic Music Magazine' which also covers culture, art and technology. 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Editor Lucy Roeber introduced the new form in her first editor’s letter saying:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e‘We believe that our erotic lives inflect our entire existence. Desire is both intensely personal and can connect us to our common humanity... the idea of a different discourse, and its potential to transform who and how we could be in this world, has become the imagined centre of this project. We hope your experience here is deeply satisfying.’\u003c\/p\u003e\n\u003cp\u003eThe contents of this magazine explore desire through poetry, short fiction, book reviews, photography, and a neon-coloured illustrated comic. Plus some appropriately suggestive typography—which, in this second edition, has also been transformed into a set of stickers, included with each copy.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.ermagazine.com\/\"\u003eermagazine.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magazine","offers":[{"title":"Default Title","offer_id":41878259269741,"sku":null,"price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/ER_2.jpg?v=1729871789"},{"product_id":"electronic-sound-120","title":"Electronic Sound #120","description":"\u003ch6 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e210 x 280 mm, 100 pages + green vinyl seven-inch single\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNorwich, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMonthly\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6 data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eEditor: \u003c\/strong\u003ePush\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\n\u003c\/h6\u003e\n\u003ch6 data-mce-fragment=\"\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eArt editor:\u003c\/strong\u003e Mark Hall\u003c\/h6\u003e\n\u003cp\u003e‘The Electronic Music Magazine’\u003c\/p\u003e\n\u003cp\u003eThe monthly mag featuring in depth coverage of the contemporary electronic scene, as well as shining a light on the pioneers and machines that made the scene what it is today. 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Simple text layouts are brought to life by beautiful illustrations throughout.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eOn the Journal\u003c\/strong\u003e\u003cbr\u003eTanya Bush introduces an excerpt from the previous issue: ‘When we opened up submissions for the Humble Pie issue, we knew we wanted a piece on reality television and the spectacle of humiliation. We found it with culture writer Olivia Crandall, who pitched us a piece on pieing in ‘Love Island, where pastry doesn’t just serve as the show’s euphemism for rejection, but as a ‘sensory mess of shame’ via the mid-series game Snog, Marry, Pie.’\u003cbr\u003e\u003ca href=\"https:\/\/admin.shopify.com\/store\/magculture-2\/products\/%E2%80%98When%20we%20opened%20up%20submissions%20for%20the%20Humble%20Pie%20issue,%20we%20knew%20we%20wanted%20a%20piece%20on%20reality%20television%20and%20the%20spectacle%20of%20humiliation.%20We%20found%20it%20with%20culture%20writer%20Olivia%20Crandall,%20who%20pitched%20us%20a%20piece%20on%20pieing%20in%20%E2%80%98Love%20Island%E2%80%99,%20where%20pastry%20doesn%E2%80%99t%20just%20serve%20as%20the%20show%E2%80%99s%20euphemism%20for%20rejection,%20but%20as%20a%20%E2%80%98sensory%20mess%20of%20shame%E2%80%99%20via%20the%20mid-series%20game%20Snog,%20Marry,%20Pie.%E2%80%99\" target=\"_blank\"\u003eread more\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cakezine.com\/products\/wicked-cake\" target=\"_blank\"\u003ecakezine.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":42030398570605,"sku":null,"price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/CakeZine6DailyBread_dc5902ff-7734-4398-84d7-e617003f77ac.jpg?v=1738773003"},{"product_id":"doesnt-exist-7","title":"Doesn't Exist #7","description":"\u003ch6\u003e\u003cstrong\u003e165 x 240 mm, 200+ pages (hardback, two volumes held by bellyband)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor-in-chief: \u003c\/strong\u003eAlex Babboni\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eFashion editor: \u003c\/strong\u003eJohn Foley\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eCreative directors:\u003c\/strong\u003e Phil Hoffman and Alex Babboni\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eGraphic design:\u003c\/strong\u003e Cuti Tavares\/Leonardo Lombardi\u003c\/h6\u003e\n\u003cp\u003eA film-come-fashion magazine, (The Film That)\u003cem\u003e Doesn't Exist\u003c\/em\u003e pays non-official tribute to a different person every issue. Almost entirely visual, now in a hardback format. \u003c\/p\u003e\n\u003cp\u003eThis issue is comprised of two volumes, reflecting the broad filmography of their subject: Italian filmmaker Federico Fellini, in fourteen acts. 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Their manifesto is to query how our complex human nature navigates global challenges, responding to a different theme each issue.\u003c\/p\u003e\n\u003cp\u003eThe subject of #03 is 'These walls were built'. Inside opens with a conversation with designer Ronald Rael discussing the beauty of 'rasquache' and his project 'Prada Marfa' where he built a luxury Prada store in the middle of a Texan desert. 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As editor Tiffanie Snyder put it in her inaugural editor's letter: ‘Live, love, laugh, read and repeat.’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eSwoonworthy\u003c\/i\u003e’s seasonal winter 2025 edition is dedicated to ‘Pets,’ the furry friends that keep us company and provide a constant source of comfort all year round, not just at Christmas. Featuring dressed-up dogs, mythical cats and park parakeets, as well as an interview with Alicia Crowder, a star of the rom-com adjacent drama \u003cem\u003eTell Me Lies\u003c\/em\u003e.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.swoonworthymag.com\/\"\u003eswoonworthymag.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":42109250469997,"sku":null,"price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Swoonworthy_5.jpg?v=1741791424"},{"product_id":"terrible-people-7","title":"Terrible People #7","description":"\u003ch6\u003e\u003cstrong\u003e160 x 240 mm, 64 pages + eight page booklet\u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor: \u003c\/strong\u003eJennifer Link\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt director: \u003c\/strong\u003eOriane Pawlisiak\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/h6\u003e\n\u003cp\u003e‘Culture, Society \u0026amp; Shit’\u003cbr\u003e\u003cbr\u003eThe small-format magazine poking fun at the sometimes dark sides of human behaviour returns with a brighter new look, as it turns its attention to Money, through a mix of essays, interviews and illustration.\u003c\/p\u003e\n\u003cp\u003e‘Let this sarcastic, biting issue guide you through the absurdity of money—because if we can't laugh at it, what’s the point?’ Learn about the globally accepted scam of selling nothing, dive into the slippery slopes of ethical shopping, and read a laugh-out-loud interview with the ‘detectives’ behind award-winning podcast ‘Who shat on the floor at my wedding?’\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn the Journal\u003c\/strong\u003e\u003cbr\u003eAt work with Oriane Pawlisiak: ‘As surprising as it may be for a magazine called \u003cem\u003eTerrible People\u003c\/em\u003e, our goal is to inspire the best in people! We aim to make our readers question what’s truly terrible and reflect on their own behavior in society by highlighting two kinds of terribleness: what we’ll call subjective terribleness and morally objective terribleness.’\u003cbr\u003e\u003ca rel=\"noopener\" href=\"https:\/\/magculture.com\/blogs\/journal\/oriane-pawlisiak-terrible-people\" target=\"_blank\"\u003eread more\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"http:\/\/terrible-people.com\/\" target=\"_blank\"\u003eterrible-people.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Green and gold","offer_id":42483745751149,"sku":"","price":12.0,"currency_code":"GBP","in_stock":false},{"title":"Green","offer_id":42483745783917,"sku":"","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/COVER_TP7-Final-Bands_19cbfac3-a4de-4a16-9151-ba736d6ee26c.gif?v=1748618577"},{"product_id":"the-journal-of-the-hydra-book-club-vol-3","title":"The Journal of the Hydra Book Club, #3","description":"\u003ch6\u003e\u003cstrong\u003e160 x 210 mm, 206 pages \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eHydra, Greece \u003c\/strong\u003e(English-language)\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAnnual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published 2023\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditors: \u003c\/strong\u003eJosh Hickey and Filip Niedenthal\u003cbr\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003cstrong\u003eArt Director:\u003c\/strong\u003e \u003c\/span\u003eAnna Piwowar\u003c\/h6\u003e\n\u003cp\u003eA collection of criticisms, essays, and images published by the founders of a book store on the artistically-orientated Greek island of Hydra.\u003c\/p\u003e\n\u003cp\u003eThis time contributors were invited to respond to the theme ‘Sublime,’ with work from Sulaiman Adonnia, Joseph Akel, Andrea Applebee, Iris Bernblum, Alice Bucknell, Nikos Erinakis, Taras Gembik, Hydra School Projects, Liya Kebede, Katerina Lysovenko, Amanda Michalopoulou, Paul Mpagi Sepuya, Eva Papamargariti, Grzegorz Polański, Christoph Ransmayr, Margo Rejmer, Szymon Rogiński, Giles Round, Egill SÆbjÖrnsson, Desi Santiago, Eleni Sikelianos, George Skordaras, Michel Tsamados, Josh Williamson, and Nancy Whang.\u003c\/p\u003e\n\u003cp\u003eWe also have five copies that include a limited edition vinyl track ‘Sublimity’ by Nancy Whang and Nick Millhiser of LCD Soundsystem, accompanying Nancy’s poem of the same name in the issue.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/applied-research-group.com\/shop-ar\/p\/the-journal-of-the-hydra-book-club\"\u003eapplied-research-group.com\u003c\/a\u003e\u003cspan class=\"il\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Magazine","offer_id":42638063632493,"sku":null,"price":27.0,"currency_code":"GBP","in_stock":true},{"title":"Magazine + Vinyl","offer_id":42638063665261,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/HydraBookClub3.png?v=1751476490"},{"product_id":"the-light-observer-8","title":"The Light Observer #8","description":"\u003ch6\u003e\u003cstrong\u003e165 x 240 mm, 88 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eMilan, Italy\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBiannual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published in 2020\u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor-in-chief:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eHugo Berger\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eCreative direction:\u003c\/strong\u003e EHHE Studio\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cem\u003eThe Light Observer\u003c\/em\u003e is a biannual magazine that explores light in all its forms through in-depth articles and interviews; mixing upcoming and well-known artists, photographers, architects, scientists and designers.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis eighth issue, themed ‘Landscape(s),’ is \u003ci\u003elighter\u003c\/i\u003e than ever, making it an ideal companion for your summer adventures. The cover, which features a hazy grayscale mountainscape by the Anglo-Swiss photographer Joan Ayrton, blurs the line between observation and memory. Meanwhile, the multi-disciplinary works gathered within ‘traverse geographies both external and internal, questioning how we inhabit the visible world and how it, in turn, inhabits us.’\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eOn the Journal: \u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e‘Milanese magazine \u003cem\u003eThe Light Observer\u003c\/em\u003e does precisely what it says on the tin: it ‘investigates our relationship with light’. The biannual publication began its relatively recent life in print by freely exploring the ethereal subject—both scientifically and poetically (largely the latter). 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With contributions from Félix Maradiaga, Farida Nabourema, Roger Huang and Justin Callais, features scrutinise the use of financial repression by dictators as a machination of control, examine the growing popularity of Bitcoin as an unlikely tool of resistance, and uncover ‘the implications of governments around the world developing their own digital currencies.’\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.thesgnl.com\/\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ethesgnl.com\u003c\/a\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":42652623143021,"sku":null,"price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/FLOOR_USESPARINGLYPLS_c86b408c-8925-489f-858e-c1d2e5740432.jpg?v=1751969222"},{"product_id":"the-paper-2","title":"The Paper #2","description":"\u003ch6\u003e\u003cstrong\u003e271 x 412 mm, 206 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eWales\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAnnual, since 2023\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cspan style=\"background: var(--white);\"\u003e\u003cstrong\u003eEditors\/designers: \u003c\/strong\u003eErin Mathias, Oliver Gabe and Owen Davies\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h6\u003e\n\u003cp\u003eThe Terror Issue\u003c\/p\u003e\n\u003cp\u003eAt last, issue two of \u003cem\u003eThe Paper\u003c\/em\u003e, one of our favourite debuts of 2023, is here! And it’s another vast serving of chaos, wonder and nerve. More pages mean the new issue has a spine, but otherwise it’s service as usual, starting with a cover overloaded with headlines and text. \u003c\/p\u003e\n\u003cp\u003eMoving on from their initial obsession with Wales, this is the Terror issue, and despite that fearsome title the mag retains its upbeat tone of absurdity. One writer looks back at the many times she’s shat her pants; a prosthetic special effects artist shares images of a day’s fake wounds; a desire to interview Wales’s most prominent but dead terrorist is resolved by reproducing the pages from \u003cem\u003eDelayed Gratification\u003c\/em\u003e’s 2012 interview with the man. This team are having FUN! 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Our magazine is extremely normal and that’s what's so weird about it.’\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn the Journal\u003c\/strong\u003e\u003cbr\u003eAt work with Erin, Oliver and Owen: ‘Our mission has always been to save Wales, so ideally we’ll achieve that soon, thus sparing us the effort of putting together a second issue.’\u003cbr\u003e\u003ca href=\"https:\/\/magculture.com\/blogs\/journal\/erin-oliver-and-owen-the-paper\" target=\"_blank\"\u003eread more\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.instagram.com\/thepaperwales\" target=\"_blank\"\u003einstagram.com\/thepaperwales\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":42666411425901,"sku":null,"price":24.5,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/THEPAPERISSUE2.jpg?v=1752327905"},{"product_id":"4n-3","title":"4N #3","description":"\u003ch6\u003e\u003cstrong\u003e185 x 240 mm, 160 pages \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eNew York, US\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBiannual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eSince 2024\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor: \u003c\/strong\u003eWen-You Cai\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eGuest editor:\u003c\/strong\u003e Annette An-Jen Liu\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt direction and design: \u003c\/strong\u003ePanny Chayapumh\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003e‘A community magazine showcasing extraordinary foreign talent in America’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe brainchild of New York creative studio Special Special, \u003ci\u003e4N \u003c\/i\u003e(‘Foreign’) provides an inclusive space for foreign creatives to display their work. In outlining the motivations behind the biannual, the team explicitly acknowledge ‘the challenges faced by foreigners in obtaining sufficient credentials to demonstrate their value for staying in the United States’.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIssue three is guest edited by New York-based Taiwanese arts writer and curator Annette An-Jen Liu and holds a magnifying glass up to the chimera of the American dream, exploring the realities currently faced by foreign creatives living and working within the United States. The twelve creatives platformed in the issue hail from around the globe and work across a diverse array of mediums from food blogging to spatial design.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHighlights include cover artist Mengru Zhou’s vibrant, psychologically probing paintings and a poignant editor’s letter from the November 2024 issue of \u003ci\u003eImpulse Magazine, \u003c\/i\u003etransforming anger at US anti-immigration policies into productive action. \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/4nmag.com\/\"\u003e4nmag.com\u003c\/a\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":42826773626989,"sku":null,"price":17.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/4NISSUE3.jpg?v=1754743398"},{"product_id":"20-seconds-9","title":"20 Seconds #9","description":"\u003ch6\u003e\u003cstrong\u003e165 x 235 mm, 204 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBerlin, Germany (English-language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBiannual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published in 2020\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor-in-chief: \u003c\/strong\u003eDaniel Melfi\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eGraphic Design: \u003c\/strong\u003eDaniel Melfi and Matthew Liegghio\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003e‘Magazine for experimental Music and Art’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBerlin-based experimental music and arts mag \u003ci\u003e20 Seconds\u003c\/i\u003e sees itself as a ‘response to the mundane programming’ and ‘sponsored-content-dependent, stock-photo-generated’ material that surrounds us, bringing together artists, DJs, poets, photographers and more.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor the ninth issue, the team shift their focus towards ‘The Archive’, identifying archives as partisan and ‘contentious places, worthy of our attention and action.’ Adopting a decentralised and anti-canonical approach, the issue uses a microhistorical framework to shed light on ‘smaller anomalous characters and the lives they lived’, with the goal of affirming their stories and painting a broader picture of archives from around the globe.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eInside, you’ll find conversations with the Polish archivist and photographer Marcela Paniak; Irish filmmaker Dónal Foreman; as well as, Ariel William Orah and Bilawa Ade Respati, the creative minds behind the experimental “concert-lecture” \u003ci\u003eGuang; \u003c\/i\u003eand \u003ci\u003ePwani Tapes\u003c\/i\u003e founders Nassoro Mwinyi and Alina Oswald.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAlongside interviews, you’ll also find an essay on the preservationist poetry of John Giorno, a series of translated poems, plus, film stills from \u003ci\u003eA Fidai Film\u003c\/i\u003e, Palestinian filmmaker Kamal Aljafari’s haunting reclamation of footage pillaged by members of the Israeli army in 1982.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.20secondsmag.com\" target=\"_blank\"\u003e20secondsmag.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":42947251601517,"sku":null,"price":19.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/20Seconds_9.jpg?v=1754930316"},{"product_id":"inque-3","title":"Inque #3","description":"\u003ch6\u003e\u003cstrong\u003e245 x 340 mm, 226 pages \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon \u0026amp; New York\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAnnual, for ten years only\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published 2021\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor: \u003c\/strong\u003eDan Crowe\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign and art direction: \u003c\/strong\u003eMatt Willey\u003c\/h6\u003e\n\u003cp\u003eThe third instalment of the annual magazine set for a limited ten-year run, \u003cem\u003eInque\u003c\/em\u003e is Dan Crowe and Matt Willey’s dream project, a heavyweight literary\/arts mag without advertising or other commercial compromise. The two have collaborated on multiple magazines over the years—\u003cem\u003eZembla, Port\u003c\/em\u003e and others—all of which have been building up to \u003cem\u003eInque\u003c\/em\u003e.\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAs always,\u003cem\u003e Inque \u003c\/em\u003earrives in a satisfyingly heavyweight format: large but not too large, and impressively timeless in design and production, including a series of bespoke section dividers by Matt Willey. They split the pages into four sections: Non-fiction, Fiction, Interviews and Art.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFiction contributors this issue include Alexander Chee, Maya Binham, Rita Bullwinkel and Shuang Xuetao, as well as the third part of Janathan Lethen’s novel that will complete with issue ten of the magazine. Non fiction writers include Edmund de Waal, Sophie Haigney, Will Self, and Philip Hoare.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePlus art from Matt Dorfman and Pablo Declan, and photography by Jelka von Langen, Poppy Jones, Agnes Lloyd and Chiseka Fortune Smith.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn the Journal:\u003c\/strong\u003e\u003cbr\u003eHear Matt Willey discuss the issue with Jeremy Leslie, recorded in NY ealrier this year.\u003cbr\u003e\u003ca href=\"https:\/\/vimeo.com\/showcase\/11776576?video=1080816667\" rel=\"noopener\" target=\"_blank\"\u003ewatch here\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/inquemag.com\/\" target=\"_blank\"\u003einquemag.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":43238937886829,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Inque3.png?v=1756386571"},{"product_id":"meantime-5","title":"Meantime #5","description":"\u003ch6\u003e\u003cstrong\u003e175 x 250 mm, 122 pages, plus risograph insert\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eSingapore (English-language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003ePublished every two years, since 2019\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor:\u003c\/strong\u003e Pang Xue Qiang\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign:\u003c\/strong\u003e Fable\u003c\/h6\u003e\n\u003cp\u003eA visually-rich magazine dedicated to capturing the lost stories of Singapore.\u003c\/p\u003e\n\u003cp\u003eEvery issue has a physical surprise; in this case, the right-hand edge has been chipped off, a la broken heart, and gold foil details highlight cracks across the wedding photo on the front cover. \u003c\/p\u003e\n\u003cp\u003eIssue five is themed Breakup Stories, and takes both serious and humorous angles on the subject. Lovers reveal symbolic objects from their exes; nineties agony aunts recall their advice, before a bot has a try at contemporary advice; a series of items banned in Singapore receive breakup letters.\u003c\/p\u003e\n\u003cp\u003eThe inserted risograph zine is by jhawnette\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/meantime.sg\/\" target=\"_blank\"\u003emeantime.sg\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":43289743294573,"sku":null,"price":23.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Meantime5.png?v=1757589264"},{"product_id":"electronic-sound-129","title":"Electronic Sound #129","description":"\u003ch6\u003e\u003cstrong\u003e210 x 280 mm, 100 pages, plus vinyl seven-inch\u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eNorwich, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eMonthly\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor: \u003c\/strong\u003ePush\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt editor:\u003c\/strong\u003e Mark Hall\u003c\/h6\u003e\n\u003cp\u003e‘The Electronic Music Magazine’\u003c\/p\u003e\n\u003cp\u003eThe monthly mag featuring indepth coverage of the contemporary electronic scene, as well as shining a light on the pioneers and machines that made the scene what it is today. Expect a little culture, art and technology too.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eOn the cover: electronic music hero Brian Eno and his latest collaborator Beatie Wolfe, highlighting a 12-page interview with the two, inside the issue.\u003c\/p\u003e\n\u003cp\u003eAlso in the issue: Michael Rother, Lucrecia Dalt, The Utopia Strong and The Space Lady\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNote: this is the special edition including a bundled seven inch vinyl.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/electronicsound.co.uk\/\" target=\"_blank\"\u003eelectronicsound.co.uk\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":43307075272813,"sku":null,"price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/ElectronicSound129_e5e387b9-ff62-44f8-a688-4bdd095cb658.jpg?v=1758123285"},{"product_id":"snow-15-6","title":"Snow #15\/6","description":"\u003ch6\u003e\u003cstrong\u003e147 x 210 mm, 322 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003e Lewes, UK \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eOccasional\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003e\u003cspan\u003eEditors: \u003c\/span\u003e\u003c\/strong\u003eAnthony Barnett and Ian Brinton\u003c\/h6\u003e\n\u003cp\u003eA small and snow-white publication carefully, simply and occasionally produced to a limited run. Bookish, it’s made up largely of poetry, fiction and essays—interspersed here and there with black and white photography, art and in this case, even musical notation.\u003c\/p\u003e\n\u003cp\u003eContributors include Édouard Glissant, Will Alexander, Erik Lincer and Ari Poutiainen.\u003c\/p\u003e\n\u003cp\u003eThis is an extra hefty issue, covering two seasons, Fall ’25 and Spring ’26.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"www.abar.net\"\u003eabar.net\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":43512910512237,"sku":null,"price":27.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Snow15-16.jpg?v=1759484979"},{"product_id":"neutral-colors","title":"Neutral Colors #6","description":"\u003ch6\u003e\u003cstrong\u003e\u003cspan\u003e257 x 182 mm, 276 pages\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eJapan (English and Japanese language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAnnual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published in 2020\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor-in-chief: \u003c\/strong\u003eNaonori Katoh\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003eInitially a print and bookbinding workshop, \u003ci\u003eNeutral Colours\u003c\/i\u003e is now supplemented with an annual independent magazine with a focus on hand craft. Expect a blend of thoughtful photography, vibrant riso-printed pages and moving, global stories.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis sixth issue is titled ‘Stay’, quietly nodding to the connections we form with people, places and things when we reside with them over a long period of time. Inside, the photographer Selji Okumiya reflects on time spent in the company of Derek Jarman at his beloved Prospect Cottage in Dungeness; Phong Doc opens up his bedroom as a respite reading room for the residents of Ho Chi Minh City; plus, the artist Yutaro Sudo contributes a powerful photo story, documenting the life of Palestinian animal-lover Reta—a friendship that blossomed over Instagram DMs.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/neutral-colors.com\/books_post\/neutral-colors-6\/\"\u003ewww.neutralcolors.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":43535862300781,"sku":null,"price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/NEUTRALCOLORSISSUE6_b25a329f-7046-40d7-8ac3-8a58a3766ae5.jpg?v=1760190466"},{"product_id":"erotic-review-4","title":"Erotic Review #4","description":"\u003ch6\u003e\u003cstrong\u003e170 x 240 mm, 168 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBiannual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published 1997\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor \u0026amp; publisher:\u003c\/strong\u003e Lucy Roeber\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDeputy editor:\u003c\/strong\u003e Saskia Vogel\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign \u0026amp; art direction:\u003c\/strong\u003e Studio Frith\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003e‘Exploring Desire’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eErotic\u003c\/i\u003e \u003ci\u003eReview\u003c\/i\u003e was first published as a bimonthly magazine in 1997, and then relaunched in 2024 as an art and literary platform that explores desire in its many forms and complexities. For editor Lucy Roeber, the relaunch presented an opportunity to explore ‘a different discourse’ reflective of the shift in society’s attitude towards sex and desire—highlighting the belief that ‘our erotic lives inflect our entire existence’.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMarking a departure from previous editions, the fourth issue features a solo guest artist, acclaimed multi-disciplinary Irish artist and fashion designer Richard Malone, whose manipulation of materials emphasises the physicality of the erotic. Richard’s sinuous and ambiguous forms—weaved throughout the issue—reveal that desire is far from apolitical, indexing the stratified gender and class structures that ‘underpin our intimate engagement with the world and with each other’.\u003cspan class=\"Apple-converted-space\"\u003e Another brilliant collection of writing addressing modern sexuality and desire from multiple angles; expect short fiction, essays, photography, personal reflections and more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.ermagazine.com\/\"\u003eermagazine.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magazine","offers":[{"title":"Default Title","offer_id":43544699076717,"sku":null,"price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Erotic_Review_4.png?v=1760523335"},{"product_id":"viscose-journal-8","title":"Viscose Journal #8","description":"\u003ch6 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e225 x 225 mm, 196 pages (in plastic sleeve)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCopenhagen \/ New York (English-language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong data-mce-fragment=\"1\"\u003eIrregular\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003e \u003cspan\u003eFounding editor-in-chief: \u003c\/span\u003e\u003c\/strong\u003eJeppe Ugelvig\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eGuest editors: \u003c\/strong\u003eBill Kouligas, Thomas Laprade and Stacy Skolnik\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan\u003eCreative director: \u003c\/span\u003e\u003c\/strong\u003eFilip Samuel Berg\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt director: \u003c\/strong\u003estanza (Marie Hojlund and Laura Silke)\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/h6\u003e\n\u003cp\u003eWe first heard about this Sound-themed issue of \u003cem\u003eViscose Journal\u003c\/em\u003e earlier this year during Jeppe Ugelvig’s brilliant talk at magCulture Live NYC25. 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The anthology pairs astute, political, humorous and often dark writing with exaggerated, comic-style illustrations by Harry Wyld, bringing each verse to life.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e‘So, why ‘Class Lines and Red Rhymes?’ These poems are red, some of them rhyme, they are all classy and they all have lines. Class lines. Because that is what being left-wing means. It doesn’t mean supporting this or that cause, however worthy. It means siding with the working class, in all its diversity, in its struggles against exploitation and oppression. 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All elements are open to novel interactions and experiments around contemporary art, curation and research—this means the magazine itself is ever open to experiments in design and\u003cspan\u003e formats.\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp class=\"p1\"\u003eFeaturing interviews, artworks, visual editorials, and more, this latest issue is themed ‘Blackout’—‘a moment of rupture, riot and rebellion’, mirrored through the lens of contemporary art. 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Divided into three somewhat esoterically-titled segments—‘Soft Encounters’, ‘Layered Awareness’ and ‘Burnt Signals’—features explore the democratic language of touch, unpack perfumery 27 87’s commitment to the olfactory present, reflect on Iammi and Materia-Studio’s recent multi-sensory installation at Milan’s MelzoDodici showroom, and delve into modern digitalisation’s impact on the phenomenological experience of craving. 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So in that sense our future is determined and engaged by external forces, which is the way it should be.\u003c\/span\u003e’\u003cbr\u003e\u003ca href=\"https:\/\/magculture.com\/blogs\/journal\/caitlin-mcloughlin-worms\" rel=\"noopener\" target=\"_blank\"\u003eread more\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/wormsmagazine.com\/\" target=\"_blank\"\u003ewormsmagazine.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":43863940661357,"sku":null,"price":17.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Worms11.jpg?v=1767976681"},{"product_id":"oh-reader-22","title":"Oh Reader #22","description":"\u003ch6\u003e\u003cstrong\u003e210 x 275 mm, 74 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eNew York, US\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eQuarterly\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor and publisher:\u003c\/strong\u003e Gemma Peckham\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesigner and illustrator:\u003c\/strong\u003e Sam Garland \u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eCover illustration:\u003c\/strong\u003e Thao Nguyen\u003c\/h6\u003e\n\u003cp\u003e‘For the love of reading’\u003c\/p\u003e\n\u003cp\u003eRather than being jam-packed with book reviews, \u003cem\u003eOh Reader \u003c\/em\u003eis a magazine about reading, about enjoying books. It centres the lives of those who love reading, bringing the community together to share the stories that shape their lives.\u003c\/p\u003e\n\u003cp\u003eIn their own words, \u003cem\u003eOh Reader\u003c\/em\u003e looks \u003cspan\u003e‘\u003c\/span\u003edeep into the art of reading—why we do it, how it affects us, who we are when we read, and how we’re all connected through words.’\u003c\/p\u003e\n\u003cp\u003eThis issue asks what your book collection says about you, features one women’s story of how books prevented her becoming a murderer (!) and carries an ode to libraries.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.ohreader.com\/\" target=\"_blank\"\u003eohreader.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":43886826815597,"sku":null,"price":6.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/OhReader_22.jpg?v=1768846587"},{"product_id":"tauko-18","title":"Tauko #18","description":"\u003ch6\u003e\u003cstrong\u003e216 x 275 mm, 128 pages (plus pattern pull-out)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eHelsinki, Finland (English-language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eQuarterly\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published 2021\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor-in-chief:\u003c\/strong\u003e Mila Moisio\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign:\u003c\/strong\u003e Kaisa Rissanen\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign director: \u003c\/strong\u003eDörte de Jesus\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003eSewing! Climate! Culture! Community! Finnish publication \u003ci\u003eTauko\u003c\/i\u003e encompasses all that is sewing-shaped.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis vermillion orange issue for Winter 2026 is all about ‘Pockets’, positioning the humble sewn-in pouch as a symbol of female independence and empowerment. Between designs exploring pockets of all shapes and sizes, Hannah Carlson recalls the exchange between women’s rights activist Elizabeth Cady Stanton and her dressmaker; Liz Haywood takes inspiration from 18th-century hanging pockets; Cornelius Quiring explores identity through sewing; plus, you’ll also find a ‘Pocket Index’ decoding the terminology behind every style featured in the issue.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFind all eleven sewing patterns from the featured designers at the back, accompanied by step-by-step instructions for all designs, available in nine sizes ranging from a 35.5”\/90.5cm bust to a 61.7”\/156.5cm bust.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" href=\"https:\/\/www.taukomagazine.com\/\" target=\"_blank\"\u003etaukomagazine.com\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":43893814001773,"sku":null,"price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Tauko_18.jpg?v=1769005729"},{"product_id":"motor-dance-journal-3","title":"Motor Dance Journal #3","description":"\u003ch6\u003e\u003cstrong\u003e165 mm x 245 mm, 190 pages \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published 2022 \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAnnual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditors:\u003c\/strong\u003e Isabelle Bucklow and Hannah Woods\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign:\u003c\/strong\u003e Audrey Solomon\u003c\/h6\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e‘Critical and creative engagements with dance\u003cmeta charset=\"utf-8\"\u003e’\u003c\/p\u003e\n\u003cp\u003eLaunched in 2022 as a finite trilogy, this is the final issue of \u003cem\u003eMotor Dance Journal. \u003c\/em\u003eBookish in size, this neatly put together journal explores dance both critically and creatively, meaning (really) that there\u003cmeta charset=\"utf-8\"\u003e’s something in here for everyone—whether your hips lie or not. \u003c\/p\u003e\n\u003cp\u003eThis final, green, edition is themed ‘Groupwork’; issue one considered the solo, issue two the duet, and now we have the collective.\u003c\/p\u003e\n\u003cp\u003eInside, you\u003cmeta charset=\"utf-8\"\u003e’ll find contributions from an array of international dancers, choreographers and writers, whose biographies take up five pages. They include (La)Horde, McKenzie Wark, Chris Kraus,Simone Fort, RoseLee Goldberg and Trajal Harrell.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn the Journal\u003c\/strong\u003e\u003cbr\u003eAt Work With ith Hannah and Isabelle: ‘There exist plenty of magazines for film enthusiasts, or those with an interest in literature, design and art but there is little dedicated entirely to dance. There are of course some exceptions to this, but, by and large, it felt to us that dance had been sidelined from printed matter.’\u003cbr\u003e\u003ca href=\"https:\/\/magculture.com\/blogs\/journal\/hannah-and-isabelle-motor-dance-journal\" target=\"_blank\"\u003eread more\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.motordancejournal.com\/\" target=\"_blank\"\u003emotordancejournal.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":43946935025773,"sku":null,"price":17.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/MotorDanceJournal.png?v=1770054597"},{"product_id":"agapius-paper-2","title":"Agapius #2","description":"\u003ch6\u003e\u003cstrong\u003e262 x 370 mm, 44 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, England\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAnnual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditors-in-chief:\u003c\/strong\u003e Charlie Hills \u0026amp; Kay Basil Fletcher\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign: \u003c\/strong\u003eCharlie Hills\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003eAn independent title that sets out to explore contemporary culture and geopolitics, \u003ci\u003eAgapius\u003c\/i\u003e riffs off the newspaper format in size and paper stock, and is comprised of features penned by both co-editors and a healthy roster of contributors including, in its current edition, artist Jeremy Deller and Lebanese singer-songwriter Rogér Fakhr.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis sophomore edition of \u003ci\u003eAgapius\u003c\/i\u003e arrives after a sell-out debut, a year later, and ‘better than the first in practically every way,’ according to co-editor Charlie Hills, in one of two pithy letters that introduce the issue. Taking a sideways glance at the dissonance between past and present—between ‘old ways’ and technologically augmented new ones—issue two includes a feature on the relationship between London’s heritage landmarks and its sky scraping counterparts; a recollection of 35 hours spent traversing a failed luxury development complex nestled in a Turkish mountain range; and an investigation into alchemical diamonds. Elsewhere, the paper tackles brain rot slang, the pitfalls of a perfect playlist, and the Cockney \u003cmeta charset=\"utf-8\"\u003e‘Hopping\u003cmeta charset=\"utf-8\"\u003e’ holiday—harnessing a tone of voice that straddles curiosity and healthy cynicism throughout.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/agapius.co.uk\/\"\u003eagapius.co.uk\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":43956600995949,"sku":null,"price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Agapius2.png?v=1770387031"},{"product_id":"los-angeles-review-of-architecture-2","title":"Los Angeles Review of Architecture #2","description":"\u003ch6\u003e\u003cstrong\u003e270 x 405 mm, 56 pages (staple bound)\u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eNew York, US\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBimonthly\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published in 2019\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003e\u003cspan\u003eEditor: \u003c\/span\u003e\u003c\/strong\u003eSamuel Medina\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt director:\u003c\/strong\u003e Laura Coombs\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eCover:\u003c\/strong\u003e\u003cspan\u003e Sean Suchara\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003eThe \u003cem\u003eNew York Review of Architecture\u003c\/em\u003e heads west to LA, and with that change of place introduces a coyote mascot to join the New York rat across its pages and a green to replace its trademark second colour yellow.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAside from that change of location, the issue features a familiar mix of opiniated columns, essays, criticism and more: how LA is dealing with the presence of Waymo driverless taxis on its streets, a look at the potential effects of the wildfires on the Altadena district of the city, and the extremes of advertising to be found to day on Sunset Strip—once a barometer of west coast cool, now an ‘open air media lab intended to replenish West Hollywood’s coffers amid uncertain economic times.’ \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"Apple-converted-space\"\u003e\u003cstrong\u003eOn the Journal\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"Apple-converted-space\"\u003eAt Work With Samuel Medina: ‘It’s important to us that \u003cem\u003eNYRA\u003c\/em\u003e feels rooted in New York City, by which I don’t just mean Manhattan or North Brooklyn but also Queens, the Bronx, the rest of Kings County, even Staten Island (within limits). We tend to prioritize working writers over academics or practicing designers, but we’re interested in working with anyone who can write creatively and critically about the city.’\u003cbr\u003e\u003ca rel=\"noopener\" href=\"https:\/\/magculture.com\/blogs\/journal\/samuel-medina-new-york-review-of-architecture\" target=\"_blank\"\u003eread more\u003c\/a\u003e\u003c\/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/nyra.nyc\/\"\u003enyra.nyc\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":44004517806189,"sku":null,"price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/LosAnglesReviewofArchitecture_2.png?v=1770732098"},{"product_id":"new-york-review-of-architecture-49","title":"New York Review of Architecture #49","description":"\u003ch6\u003e\u003cstrong\u003e270 x 405 mm, 54 pages (staple bound)\u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eNew York, US\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBimonthly\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published in 2019\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003e\u003cspan\u003eEditor: \u003c\/span\u003e\u003c\/strong\u003eSamuel Medina\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt director:\u003c\/strong\u003e Laura Coombs\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eCover:\u003c\/strong\u003e\u003cspan\u003e Sean Suchara\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp\u003eTall and slim (much like a skyscraper...), \u003cem\u003eNYRA\u003c\/em\u003e naturally ‘\u003cspan\u003ereviews architecture in New York,’\u003c\/span\u003e featuring opiniated columns, essays, criticism and more, beginning with an always enjoyable Letters to the Editors section (yes, this is a magazine that gets a repsonse from its readers!)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSmartly redesigned in 2022—its newsprint pages and slab serif typography \u003cem\u003eInterview\u003c\/em\u003e-esque—you’ll find plenty of visual character to go alongside the sharp writing (not least the illustrated rodent mascot, seen here in a prescient image of NY snow.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eInside this issue, our obsession with the 1990’s is examined, ‘The Fountainhead’—the movie adaptation, not the book—is praised, and the role of the geography of Paris questionned.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"Apple-converted-space\"\u003e\u003cstrong\u003eOn the Journal\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"Apple-converted-space\"\u003eAt Work With Samuel Medina: ‘It’s important to us that \u003cem\u003eNYRA\u003c\/em\u003e feels rooted in New York City, by which I don’t just mean Manhattan or North Brooklyn but also Queens, the Bronx, the rest of Kings County, even Staten Island (within limits). We tend to prioritize working writers over academics or practicing designers, but we’re interested in working with anyone who can write creatively and critically about the city.’\u003cbr\u003e\u003ca href=\"https:\/\/magculture.com\/blogs\/journal\/samuel-medina-new-york-review-of-architecture\" rel=\"noopener\" target=\"_blank\"\u003eread more\u003c\/a\u003e\u003c\/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/nyra.nyc\/\"\u003enyra.nyc\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":44004636786797,"sku":null,"price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/NYRA49.png?v=1770733939"}],"url":"https:\/\/magculture.com\/collections\/think-ideas.oembed?constraint=identiy","provider":"magCulture","version":"1.0","type":"link"}