{"title":"Think: Ideas","description":"","products":[{"product_id":"tortoise-quarterly-8","title":"Tortoise Quarterly #8","description":"\u003ch6\u003e\u003cstrong\u003e120 x 165 mm, 166 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eQuarterly\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published in 2020\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor: \u003c\/strong\u003eKeith Blackmore\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eCreative director: \u003c\/strong\u003eJon Hill\u003c\/h6\u003e\n\u003cp\u003eThe eighth volume of slow news publication \u003cem\u003eTortoise Quarterly\u003c\/em\u003e is themed, Festival (aptly given the season).\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eContributors include Simon Barnes, David Barnett, Paul Hayward, Edith Pritchett, Martin Samuel, Mary Ann Sieghart, David Taylor and Lynne Truss.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.tortoisemedia.com\/\" target=\"_blank\"\u003etortoisemedia.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":40195894444141,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/products\/Screenshot2022-07-06at17.21.38.png?v=1657124668"},{"product_id":"electronic-sound-101","title":"Electronic Sound #101","description":"\u003ch6 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e210 x 280 mm, 100 pages + vinyl seven-inch\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNorwich, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMonthly\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6 data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eEditor: \u003c\/strong\u003ePush\u003cstrong data-mce-fragment=\"1\"\u003e \u003c\/strong\u003e\n\u003c\/h6\u003e\n\u003ch6 data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eArt editor:\u003c\/strong\u003e Mark Hall \u003c\/h6\u003e\n\u003cp data-mce-fragment=\"1\"\u003e'The Electronic Music Magazine' which also covers culture, art and technology. It features in-depth coverage of the contemporary electronic scene, as well as shining a light on the pioneers and machines that made the scene what it is today. \u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is issue #101 featuring British Electric Foundation on the cover. 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Editor Lucy Roeber introduced the new form in her first editor’s letter saying:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e‘We believe that our erotic lives inflect our entire existence. Desire is both intensely personal and can connect us to our common humanity... the idea of a different discourse, and its potential to transform who and how we could be in this world, has become the imagined centre of this project. We hope your experience here is deeply satisfying.’\u003c\/p\u003e\n\u003cp\u003eThe contents of this magazine explore desire through poetry, short fiction, book reviews, photography, and a neon-coloured illustrated comic. Plus some appropriately suggestive typography—which, in this second edition, has also been transformed into a set of stickers, included with each copy.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.ermagazine.com\/\"\u003eermagazine.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magazine","offers":[{"title":"Default Title","offer_id":41878259269741,"sku":null,"price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/ER_2.jpg?v=1729871789"},{"product_id":"errant-journal-7","title":"Errant Journal #8","description":"\u003ch6\u003e\u003cstrong\u003e170 x 240 mm, 146 pages \u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAmsterdam, Netherlands\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBiannual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published in 2020\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor:\u003c\/strong\u003e Irene de Craen\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eGraphic designer:\u003c\/strong\u003e  Jan-Pieter Karper\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003e‘Wandering but not lost’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe inconspicuous cover design is a nod to issue eight’s theme ‘Against Visibility’. 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Multiple contributors offer their thoughts, outlining personal projects, examining the state of indie movie production in Singapore, telling the story of the Dogme 95 film movement, and more. 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As editor Tiffanie Snyder put it in her inaugural editor's letter: ‘Live, love, laugh, read and repeat.’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eSwoonworthy\u003c\/i\u003e’s seasonal winter 2025 edition is dedicated to ‘Pets,’ the furry friends that keep us company and provide a constant source of comfort all year round, not just at Christmas. Featuring dressed-up dogs, mythical cats and park parakeets, as well as an interview with Alicia Crowder, a star of the rom-com adjacent drama \u003cem\u003eTell Me Lies\u003c\/em\u003e.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.swoonworthymag.com\/\"\u003eswoonworthymag.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":42109250469997,"sku":null,"price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Swoonworthy_5.jpg?v=1741791424"},{"product_id":"the-whitney-review-5","title":"The Whitney Review #5","description":"\u003ch6\u003e\u003cstrong\u003e268 x 380mm, 44 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eNew York, US\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published 2023\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBiannual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor:\u003c\/strong\u003e Whitney Mallett\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt director:\u003c\/strong\u003e Immanuel Yang\u003c\/h6\u003e\n\u003cp\u003e‘Dedicated to New Writing’\u003c\/p\u003e\n\u003cp\u003eIn the space of just four issues, \u003cem\u003eThe Whitney Review of New Writing\u003c\/em\u003e has established itself as a vital cultural reference point in New York and beyond. Multi-magaziner Whitney Mallett (of \u003cem\u003ePin-Up, Editorial\u003c\/em\u003e and \u003cem\u003eGayletter\u003c\/em\u003e) set out to shake up the traditional format of the literary review.\u003c\/p\u003e\n\u003cp\u003eInstead of long and sprawling essays by well-established writers regularly spotted in other literary reviews,\u003cem\u003e The Whitney Review\u003c\/em\u003e offers a mix of long and short, and alongside the book reviews you’ll find in this fifth issue a review of a step counter watch, a museum show, and even Donald Trump’s rash of executive orders. Plus, its tabloid format featuring only text—there are no images in this publication—looks great and highlights its subject.\u003c\/p\u003e\n\u003cp\u003eThe visual cue this issue is the tilt; as per the front cover, the content of every page is set at a slight angle, lending a disconcerting feel to the texts.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn the Journal\u003c\/strong\u003e\u003cbr\u003eAt work With editor Whitney Mallett: ‘The designer and art director Immanuel Yang takes such good advantage of text as a texture. It’s pragmatic to avoid wrangling photo shoots. Text works best on newsprint. 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And even then there will come a time where it just explains itself and it will die then anyway...’ \u003ca rel=\"noopener\" href=\"https:\/\/magculture.com\/blogs\/journal\/patrick-mcgraw-heavy-traffic\" target=\"_blank\"\u003eREAD MORE\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/heavytrafficmagazine.com\/\" target=\"_blank\"\u003eheavytrafficmagazine.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":42604333203565,"sku":null,"price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/HeavyTraffic_6.png?v=1750346199"},{"product_id":"the-journal-of-the-hydra-book-club-vol-3","title":"The Journal of the Hydra Book Club, #3","description":"\u003ch6\u003e\u003cstrong\u003e160 x 210 mm, 206 pages \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eHydra, Greece \u003c\/strong\u003e(English-language)\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAnnual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published 2023\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditors: \u003c\/strong\u003eJosh Hickey and Filip Niedenthal\u003cbr\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003cstrong\u003eArt Director:\u003c\/strong\u003e \u003c\/span\u003eAnna Piwowar\u003c\/h6\u003e\n\u003cp\u003eA collection of criticisms, essays, and images published by the founders of a book store on the artistically-orientated Greek island of Hydra.\u003c\/p\u003e\n\u003cp\u003eThis time contributors were invited to respond to the theme ‘Sublime,’ with work from Sulaiman Adonnia, Joseph Akel, Andrea Applebee, Iris Bernblum, Alice Bucknell, Nikos Erinakis, Taras Gembik, Hydra School Projects, Liya Kebede, Katerina Lysovenko, Amanda Michalopoulou, Paul Mpagi Sepuya, Eva Papamargariti, Grzegorz Polański, Christoph Ransmayr, Margo Rejmer, Szymon Rogiński, Giles Round, Egill SÆbjÖrnsson, Desi Santiago, Eleni Sikelianos, George Skordaras, Michel Tsamados, Josh Williamson, and Nancy Whang.\u003c\/p\u003e\n\u003cp\u003eWe also have five copies that include a limited edition vinyl track ‘Sublimity’ by Nancy Whang and Nick Millhiser of LCD Soundsystem, accompanying Nancy’s poem of the same name in the issue.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/applied-research-group.com\/shop-ar\/p\/the-journal-of-the-hydra-book-club\"\u003eapplied-research-group.com\u003c\/a\u003e\u003cspan class=\"il\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Magazine","offer_id":42638063632493,"sku":null,"price":27.0,"currency_code":"GBP","in_stock":true},{"title":"Magazine + Vinyl","offer_id":42638063665261,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/HydraBookClub3.png?v=1751476490"},{"product_id":"the-light-observer-8","title":"The Light Observer #8","description":"\u003ch6\u003e\u003cstrong\u003e165 x 240 mm, 88 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eMilan, Italy\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBiannual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published in 2020\u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor-in-chief:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eHugo Berger\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eCreative direction:\u003c\/strong\u003e EHHE Studio\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cem\u003eThe Light Observer\u003c\/em\u003e is a biannual magazine that explores light in all its forms through in-depth articles and interviews; mixing upcoming and well-known artists, photographers, architects, scientists and designers.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis eighth issue, themed ‘Landscape(s),’ is \u003ci\u003elighter\u003c\/i\u003e than ever, making it an ideal companion for your summer adventures. The cover, which features a hazy grayscale mountainscape by the Anglo-Swiss photographer Joan Ayrton, blurs the line between observation and memory. Meanwhile, the multi-disciplinary works gathered within ‘traverse geographies both external and internal, questioning how we inhabit the visible world and how it, in turn, inhabits us.’\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eOn the Journal: \u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e‘Milanese magazine \u003cem\u003eThe Light Observer\u003c\/em\u003e does precisely what it says on the tin: it ‘investigates our relationship with light’. The biannual publication began its relatively recent life in print by freely exploring the ethereal subject—both scientifically and poetically (largely the latter). Now sitting comfortably at their third issue, editor Hugo Berger and his team have \u003cem\u003egently\u003c\/em\u003e shifted their trajectory to observe light ‘through a specific lens’, as Berger writes in the opening pages of issue three…’ \u003cbr\u003e\u003ca href=\"https:\/\/magculture.com\/blogs\/journal\/the-light-observer-3\" title=\"Link to the Journal\" target=\"_blank\"\u003eREAD MORE\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.thelightobserver.com\/\"\u003ethelightobserver.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":42641477271661,"sku":null,"price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/The_Light_Observer_8.png?v=1751540474"},{"product_id":"sand-journal-28","title":"Sand Journal #28","description":"\u003ch6\u003e\n\u003cstrong\u003e148 x 210 mm, 152 pages\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBerlin, Germany (English-language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor-in-chief: \u003c\/strong\u003eAshley Moore\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt editor: \u003c\/strong\u003eSiena Powers\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign:\u003c\/strong\u003e Marina Tkhorzhevskaia\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003e‘Berlin’s English-language literary journal’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis issue: ‘Cycles.’ In the previous edition, the Berlin-based \u003ci\u003eSand Journal \u003c\/i\u003efocused on bridging, bringing artists at the margins of the literary and art world to the forefront; #28 is all about ‘returning to nature and its cycles,’ discovering opportunities for ‘renewal in moments of connection, resistance and reflection.’ Commencing with\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eÓscar Perdomo’s poem about the unpredictability of his hometown river, the art, poetry, fiction and non-fiction within each provide a nuanced response to the theme.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e \u003c\/em\u003e\u003ca href=\"https:\/\/sandjournal.com\/\" target=\"_blank\"\u003esandjournal.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":42645896560749,"sku":null,"price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Sand_Journal_28.png?v=1751640605"},{"product_id":"the-signal-3","title":"The Signal #3","description":"\u003ch6\u003e\u003cstrong\u003e292 x 372 mm, 32 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eWashington, US \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published 2024\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor: \u003c\/strong\u003eJohn Jamesen Gould\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt director: \u003c\/strong\u003eLeigh Chandler\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eThe Signal\u003c\/i\u003e is a new current-affairs platform publishing articles on ‘democratic life, the trend lines shaping it, and the challenges confronting it’. 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With contributions from Félix Maradiaga, Farida Nabourema, Roger Huang and Justin Callais, features scrutinise the use of financial repression by dictators as a machination of control, examine the growing popularity of Bitcoin as an unlikely tool of resistance, and uncover ‘the implications of governments around the world developing their own digital currencies.’\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.thesgnl.com\/\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ethesgnl.com\u003c\/a\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":42652623143021,"sku":null,"price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/FLOOR_USESPARINGLYPLS_c86b408c-8925-489f-858e-c1d2e5740432.jpg?v=1751969222"},{"product_id":"the-paper-2","title":"The Paper #2","description":"\u003ch6\u003e\u003cstrong\u003e271 x 412 mm, 206 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eWales\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAnnual, since 2023\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cspan style=\"background: var(--white);\"\u003e\u003cstrong\u003eEditors\/designers: \u003c\/strong\u003eErin Mathias, Oliver Gabe and Owen Davies\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h6\u003e\n\u003cp\u003eThe Terror Issue\u003c\/p\u003e\n\u003cp\u003eAt last, issue two of \u003cem\u003eThe Paper\u003c\/em\u003e, one of our favourite debuts of 2023, is here! 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Our magazine is extremely normal and that’s what's so weird about it.’\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn the Journal\u003c\/strong\u003e\u003cbr\u003eAt work with Erin, Oliver and Owen: ‘Our mission has always been to save Wales, so ideally we’ll achieve that soon, thus sparing us the effort of putting together a second issue.’\u003cbr\u003e\u003ca href=\"https:\/\/magculture.com\/blogs\/journal\/erin-oliver-and-owen-the-paper\" target=\"_blank\"\u003eread more\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.instagram.com\/thepaperwales\" target=\"_blank\"\u003einstagram.com\/thepaperwales\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":42666411425901,"sku":null,"price":24.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/THEPAPERISSUE2.jpg?v=1752327905"},{"product_id":"4n-3","title":"4N #3","description":"\u003ch6\u003e\u003cstrong\u003e185 x 240 mm, 160 pages \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eNew York, US\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBiannual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eSince 2024\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor: \u003c\/strong\u003eWen-You Cai\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eGuest editor:\u003c\/strong\u003e Annette An-Jen Liu\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt direction and design: \u003c\/strong\u003ePanny Chayapumh\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003e‘A community magazine showcasing extraordinary foreign talent in America’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe brainchild of New York creative studio Special Special, \u003ci\u003e4N \u003c\/i\u003e(‘Foreign’) provides an inclusive space for foreign creatives to display their work. In outlining the motivations behind the biannual, the team explicitly acknowledge ‘the challenges faced by foreigners in obtaining sufficient credentials to demonstrate their value for staying in the United States’.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIssue three is guest edited by New York-based Taiwanese arts writer and curator Annette An-Jen Liu and holds a magnifying glass up to the chimera of the American dream, exploring the realities currently faced by foreign creatives living and working within the United States. The twelve creatives platformed in the issue hail from around the globe and work across a diverse array of mediums from food blogging to spatial design.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHighlights include cover artist Mengru Zhou’s vibrant, psychologically probing paintings and a poignant editor’s letter from the November 2024 issue of \u003ci\u003eImpulse Magazine, \u003c\/i\u003etransforming anger at US anti-immigration policies into productive action. \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/4nmag.com\/\"\u003e4nmag.com\u003c\/a\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":42826773626989,"sku":null,"price":17.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/4NISSUE3.jpg?v=1754743398"},{"product_id":"20-seconds-9","title":"20 Seconds #9","description":"\u003ch6\u003e\u003cstrong\u003e165 x 235 mm, 204 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBerlin, Germany (English-language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBiannual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published in 2020\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor-in-chief: \u003c\/strong\u003eDaniel Melfi\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eGraphic Design: \u003c\/strong\u003eDaniel Melfi and Matthew Liegghio\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003e‘Magazine for experimental Music and Art’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBerlin-based experimental music and arts mag \u003ci\u003e20 Seconds\u003c\/i\u003e sees itself as a ‘response to the mundane programming’ and ‘sponsored-content-dependent, stock-photo-generated’ material that surrounds us, bringing together artists, DJs, poets, photographers and more.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor the ninth issue, the team shift their focus towards ‘The Archive’, identifying archives as partisan and ‘contentious places, worthy of our attention and action.’ Adopting a decentralised and anti-canonical approach, the issue uses a microhistorical framework to shed light on ‘smaller anomalous characters and the lives they lived’, with the goal of affirming their stories and painting a broader picture of archives from around the globe.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eInside, you’ll find conversations with the Polish archivist and photographer Marcela Paniak; Irish filmmaker Dónal Foreman; as well as, Ariel William Orah and Bilawa Ade Respati, the creative minds behind the experimental “concert-lecture” \u003ci\u003eGuang; \u003c\/i\u003eand \u003ci\u003ePwani Tapes\u003c\/i\u003e founders Nassoro Mwinyi and Alina Oswald.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAlongside interviews, you’ll also find an essay on the preservationist poetry of John Giorno, a series of translated poems, plus, film stills from \u003ci\u003eA Fidai Film\u003c\/i\u003e, Palestinian filmmaker Kamal Aljafari’s haunting reclamation of footage pillaged by members of the Israeli army in 1982.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.20secondsmag.com\" target=\"_blank\"\u003e20secondsmag.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":42947251601517,"sku":null,"price":19.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/20Seconds_9.jpg?v=1754930316"},{"product_id":"civilization-7","title":"Civilization #7","description":"\u003ch6\u003e\u003cstrong\u003e420 x 580 mm, 16 pages (large-format broadsheet, heavy newsprint)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eNew York, US\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eCreated by: \u003c\/strong\u003eRichard Turley \u0026amp; Lucas Mascatello\u003c\/h6\u003e\n\u003cp\u003e‘Conceived, written, made, printed and forever sleepless under the spell of New York City, which never once let go’\u003c\/p\u003e\n\u003cp\u003eSeveral years after the crazed AI of issue six, the seventh \u003cem\u003eCivilization\u003c\/em\u003e is a calmer affair by it’s own standards, but still a punch in the face compared to most magazines that pass our doors.\u003c\/p\u003e\n\u003cp\u003eInterlocking texts fill 14 of the pages (the final two a double page spread poster reading ‘I forgive me for the mess I made’), 80,000 words, all black and white with bright orange details and interventions throughout. Think Tetris rather than a traditonal grid structure. On the cover, Kurt Woerpel’s angel mascot is in flames—the burning theme has been appearing through the issues’s social media promos.\u003c\/p\u003e\n\u003cp\u003eAs ever, a brilliant if terrifying record of mundane day-to-day language and the way it twists and turns when transferred from the overheard to the printed page.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/civilization.bigcartel.com\/\" title=\"Civ\" target=\"_blank\"\u003ecivilization.bigcartel.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":43261513629805,"sku":null,"price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Civilization7.png?v=1756918391"},{"product_id":"meantime-5","title":"Meantime #5","description":"\u003ch6\u003e\u003cstrong\u003e175 x 250 mm, 122 pages, plus risograph insert\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eSingapore (English-language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003ePublished every two years, since 2019\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor:\u003c\/strong\u003e Pang Xue Qiang\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign:\u003c\/strong\u003e Fable\u003c\/h6\u003e\n\u003cp\u003eA visually-rich magazine dedicated to capturing the lost stories of Singapore.\u003c\/p\u003e\n\u003cp\u003eEvery issue has a physical surprise; in this case, the right-hand edge has been chipped off, a la broken heart, and gold foil details highlight cracks across the wedding photo on the front cover. \u003c\/p\u003e\n\u003cp\u003eIssue five is themed Breakup Stories, and takes both serious and humorous angles on the subject. Lovers reveal symbolic objects from their exes; nineties agony aunts recall their advice, before a bot has a try at contemporary advice; a series of items banned in Singapore receive breakup letters.\u003c\/p\u003e\n\u003cp\u003eThe inserted risograph zine is by jhawnette\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/meantime.sg\/\" target=\"_blank\"\u003emeantime.sg\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":43289743294573,"sku":null,"price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Meantime5.png?v=1757589264"},{"product_id":"electronic-sound-129","title":"Electronic Sound #129","description":"\u003ch6\u003e\u003cstrong\u003e210 x 280 mm, 100 pages, plus vinyl seven-inch\u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eNorwich, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eMonthly\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor: \u003c\/strong\u003ePush\u003cstrong\u003e \u003c\/strong\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt editor:\u003c\/strong\u003e Mark Hall\u003c\/h6\u003e\n\u003cp\u003e‘The Electronic Music Magazine’\u003c\/p\u003e\n\u003cp\u003eThe monthly mag featuring indepth coverage of the contemporary electronic scene, as well as shining a light on the pioneers and machines that made the scene what it is today. Expect a little culture, art and technology too.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eOn the cover: electronic music hero Brian Eno and his latest collaborator Beatie Wolfe, highlighting a 12-page interview with the two, inside the issue.\u003c\/p\u003e\n\u003cp\u003eAlso in the issue: Michael Rother, Lucrecia Dalt, The Utopia Strong and The Space Lady\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNote: this is the special edition including a bundled seven inch vinyl.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/electronicsound.co.uk\/\" target=\"_blank\"\u003eelectronicsound.co.uk\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":43307075272813,"sku":null,"price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/ElectronicSound129_e5e387b9-ff62-44f8-a688-4bdd095cb658.jpg?v=1758123285"},{"product_id":"emergence-6","title":"Emergence #6","description":"\u003ch6\u003e\u003cstrong\u003e215 x 280 mm, 388 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eCalifornia, US\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003ePublished annually since 2019\u003cbr\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eExecutive editor:\u003c\/strong\u003e Emmanuel Vaughan-Lee\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eManaging editor: \u003c\/strong\u003eSeana Quinn\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt director: \u003c\/strong\u003eHannah Merriman\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003e‘Exploring the threads connecting ecology, culture and spirituality’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe latest print edition of thick-set \u003ci\u003eEmergence\u003c\/i\u003e is as beautiful as ever, continuing its long-form exploration of our fractured relationship with our planet.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThemed ‘Seasons’, the sixth volume explores how a noticeable shift in the climate, coupled with overproduction under Western capitalism, has blurred familiar lines of delineation between Spring, Summer, Autumn and Winter, causing humans to lose touch with earth’s cyclical nature. Divided into three sections, ‘Requiem, Invitation and Celebration’, the issue brings together a carefully contemplated curation of haikus, essays, short stories and photography that each reflect upon our evolving relationship with the seasons, as well as the possibility of reconnection and how that might unfold.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSoft colour gradients are dispersed throughout, equating light split through a prism to nature expressing itself through ‘sacred rhythms’. In between, you’ll find contributions from award-winning voices: Emmanuel Vaughan-Lee interviews the British conservationist and folk singer Sam Lee; writer Zoë Schlanger’s ‘Memory of Winter’ interweaves personal history and scientific fact, drawing a parallel between ecological renewal and queer reproduction; Kerri ní Dochartaigh offers a nuanced meditation on the humanness of holding a full spectrum of darkness and light within us; and photographer Bear Guerra documents Arizona’s fifth season.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eOn the Journal\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt work with \u003c\/span\u003eEmmanuel Vaughan-Lee: \u003cspan\u003e‘We released our first print edition, an annual, in September 2019. It pulls what we felt was the best work we published online from our first four issues into a print experience. It’s comprised not only of essays, interviews, poetry, and photography from those issues but also print adaptations of films, virtual reality, and multimedia experiences.’ \u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/magculture.com\/emmanuel-vaughan-lee-emergence\/\" target=\"_blank\"\u003e\u003cspan\u003eREAD MORE\u003c\/span\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/emergencemagazine.org\/\" target=\"_blank\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/emergencemagazine.org\/\" target=\"_blank\"\u003e\u003cspan\u003eemergencemagazine.org\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":43510108192877,"sku":null,"price":36.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Emergence_6_a9e64326-2ed3-4bb7-ae5e-ecb0fa93f1a4.jpg?v=1759410037"},{"product_id":"snow-15-6","title":"Snow #15\/6","description":"\u003ch6\u003e\u003cstrong\u003e147 x 210 mm, 322 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003e Lewes, UK \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eOccasional\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003e\u003cspan\u003eEditors: \u003c\/span\u003e\u003c\/strong\u003eAnthony Barnett and Ian Brinton\u003c\/h6\u003e\n\u003cp\u003eA small and snow-white publication carefully, simply and occasionally produced to a limited run. Bookish, it’s made up largely of poetry, fiction and essays—interspersed here and there with black and white photography, art and in this case, even musical notation.\u003c\/p\u003e\n\u003cp\u003eContributors include Édouard Glissant, Will Alexander, Erik Lincer and Ari Poutiainen.\u003c\/p\u003e\n\u003cp\u003eThis is an extra hefty issue, covering two seasons, Fall ’25 and Spring ’26.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"www.abar.net\"\u003eabar.net\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":43512910512237,"sku":null,"price":27.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Snow15-16.jpg?v=1759484979"},{"product_id":"isolarii-14-copy","title":"Isolarii #15","description":"\u003ch6\u003e\u003cstrong\u003e72 x 106 mm (tiny!), 156 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBi-monthly\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published in 2020\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003e Editors: \u003c\/strong\u003eSebastian Clark and Luca Mantero\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eCover by:\u003c\/strong\u003e Alaska Alaska\u003cbr\u003e\n\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003e‘Motherdying’\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA series by Common Era, the fifteenth edition of the diminutive isolarii (meaning ‘island texts’) arrives in dark cocoa, adorned with the press’s signature font in blue. Featuring ‘Motherdying’—Michael Lentz’s Ingeborg Bachman Prize-winning novella, exploring the myriad of absurd ways people cope with the grief of losing a mother. Through fragmented prose and non-linear memories, ‘Motherdying’ distils the scattered and disorienting nature of grief into language. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn the Journal:\u003c\/strong\u003e \u003cbr\u003e\u003cspan\u003eIt’s this one thing (on \u003cem\u003eIsolarii\u003c\/em\u003e #5):\u003cbr\u003e‘Each edition of the tiniest publication on magCulture’s shelves,\u003cem\u003e isolarii\u003c\/em\u003e, is by its very nature a (miniaturised, printed) cousin of the ‘It’s this one thing’ column. Published once every two months, the series is ‘a world of many worlds’ where, with each new addition, a different niche subject is rather beautifully and deftly explored...’\u003cbr\u003e\u003ca href=\"https:\/\/magculture.com\/blogs\/journal\/isolarri-5?_pos=1\u0026amp;_sid=7cd3e06d3\u0026amp;_ss=r\" target=\"_blank\"\u003eREAD MORE\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.isolarii.com\/\" target=\"_blank\"\u003e\u003cspan\u003e isolarii.com\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":43527346356333,"sku":null,"price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Isolarii_15.jpg?v=1759938476"},{"product_id":"neutral-colors","title":"Neutral Colors #6","description":"\u003ch6\u003e\u003cstrong\u003e\u003cspan\u003e257 x 182 mm, 276 pages\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eJapan (English and Japanese language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAnnual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published in 2020\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor-in-chief: \u003c\/strong\u003eNaonori Katoh\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003eInitially a print and bookbinding workshop, \u003ci\u003eNeutral Colours\u003c\/i\u003e is now supplemented with an annual independent magazine with a focus on hand craft. Expect a blend of thoughtful photography, vibrant riso-printed pages and moving, global stories.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis sixth issue is titled ‘Stay’, quietly nodding to the connections we form with people, places and things when we reside with them over a long period of time. Inside, the photographer Selji Okumiya reflects on time spent in the company of Derek Jarman at his beloved Prospect Cottage in Dungeness; Phong Doc opens up his bedroom as a respite reading room for the residents of Ho Chi Minh City; plus, the artist Yutaro Sudo contributes a powerful photo story, documenting the life of Palestinian animal-lover Reta—a friendship that blossomed over Instagram DMs.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/neutral-colors.com\/books_post\/neutral-colors-6\/\"\u003ewww.neutralcolors.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":43535862300781,"sku":null,"price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/NEUTRALCOLORSISSUE6_b25a329f-7046-40d7-8ac3-8a58a3766ae5.jpg?v=1760190466"},{"product_id":"erotic-review-4","title":"Erotic Review #4","description":"\u003ch6\u003e\u003cstrong\u003e170 x 240 mm, 168 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBiannual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published 1997\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor \u0026amp; publisher:\u003c\/strong\u003e Lucy Roeber\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDeputy editor:\u003c\/strong\u003e Saskia Vogel\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign \u0026amp; art direction:\u003c\/strong\u003e Studio Frith\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003e‘Exploring Desire’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eErotic\u003c\/i\u003e \u003ci\u003eReview\u003c\/i\u003e was first published as a bimonthly magazine in 1997, and then relaunched in 2024 as an art and literary platform that explores desire in its many forms and complexities. For editor Lucy Roeber, the relaunch presented an opportunity to explore ‘a different discourse’ reflective of the shift in society’s attitude towards sex and desire—highlighting the belief that ‘our erotic lives inflect our entire existence’.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMarking a departure from previous editions, the fourth issue features a solo guest artist, acclaimed multi-disciplinary Irish artist and fashion designer Richard Malone, whose manipulation of materials emphasises the physicality of the erotic. Richard’s sinuous and ambiguous forms—weaved throughout the issue—reveal that desire is far from apolitical, indexing the stratified gender and class structures that ‘underpin our intimate engagement with the world and with each other’.\u003cspan class=\"Apple-converted-space\"\u003e Another brilliant collection of writing addressing modern sexuality and desire from multiple angles; expect short fiction, essays, photography, personal reflections and more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.ermagazine.com\/\"\u003eermagazine.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magazine","offers":[{"title":"Default Title","offer_id":43544699076717,"sku":null,"price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Erotic_Review_4.png?v=1760523335"},{"product_id":"viscose-journal-8","title":"Viscose Journal #8","description":"\u003ch6 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e225 x 225 mm, 196 pages (in plastic sleeve)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCopenhagen \/ New York (English-language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong data-mce-fragment=\"1\"\u003eIrregular\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003e \u003cspan\u003eFounding editor-in-chief: \u003c\/span\u003e\u003c\/strong\u003eJeppe Ugelvig\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eGuest editors: \u003c\/strong\u003eBill Kouligas, Thomas Laprade and Stacy Skolnik\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan\u003eCreative director: \u003c\/span\u003e\u003c\/strong\u003eFilip Samuel Berg\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt director: \u003c\/strong\u003estanza (Marie Hojlund and Laura Silke)\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/h6\u003e\n\u003cp\u003eWe first heard about this Sound-themed issue of \u003cem\u003eViscose Journal\u003c\/em\u003e earlier this year during Jeppe Ugelvig’s brilliant talk at magCulture Live NYC25. And here it is: although a more typical, bound edition than issue seven, its square pages come in a plastic sleeve designed to mimic an LP sleeve.\u003c\/p\u003e\n\u003cp\u003eInside, a series of essays examine the interaction between fashion and sound: runway music; a look at eighties New York clubbing zine \u003cem\u003eProject X\u003c\/em\u003e; Valentina Triet’s video\/audio installation critiquing the fashion show experience; a look at how ‘real’ musicians aren’t supposed to care about fashion; a look back at Leigh Bowery’s interlacing of sound and fashion; and much, much more. Plus a series of ‘ideal fashion playlists.’\u003c\/p\u003e\n\u003cp\u003eThis is another really rich issue of \u003cem\u003eViscose Journal\u003c\/em\u003e, highly recommended.\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"Viscose Journal\" href=\"https:\/\/viscosejournal.com\/\" target=\"_blank\"\u003eviscosejournal.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":43557394284653,"sku":null,"price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/ViscoseJournal_8.png?v=1760708250"},{"product_id":"slanted-46-cairo","title":"Slanted #46, Cairo","description":"\u003ch6\u003e\u003cstrong\u003e160 x 240 mm, 224\u003cspan\u003e pages\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eKarlsruhe, Germany (English-language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor-in-chief \u0026amp; creative director:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eLars Harmsen\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eManaging editor:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eJulia Kahl\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign:\u003c\/strong\u003e Juliane Lipp and Luna Senyurt\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003eThe biannual magazine covering international graphic design and culture returns with its latest issue dedicated to Cairo, taking readers on a winding journey through Egypt’s vibrant creative scene—exploring everything from graphic design, typography and visual communication to architecture and product design.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDivided into two halves, a comprehensive visual inventory of artists, reference points and design-oriented businesses across the city, followed by a two-tone text segment; the thoughtful design of the issue replicates the duality of ‘past and present, tradition and change’ that exists within Cairo today. 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After establishing a strong voice online, addressing food more as an object of political agency than merely a meal on the table, the challenge lay in translating this to suit the medium of print. Deftly combining polemics and restaurant tips, part of the debut issue’s success lay in the incorporation of a nostalgic visual language that leavened the hard line of much of the content within.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFollowing a sell-out debut issue, the much anticipated sophomore edition is here; this time the focus is on ‘Bad Food’, the maximalist and kitsch cover appropriating the loud design of mass produced, processed food packaging. Inside, features are sub-divided into a ‘trifecta of badness’: ‘Bad Cooking, Bad Taste and Bad Foods’, addressing everything from the distinctly white phobia of day-old microwaved rice to multi-purpose seasoning Maggi’s manufactured Nigerian origins. 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All elements are open to novel interactions and experiments around contemporary art, curation and research—this means the magazine itself is ever open to experiments in design and\u003cspan\u003e formats.\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp class=\"p1\"\u003eFeaturing interviews, artworks, visual editorials, and more, this latest issue is themed ‘Blackout’—‘a moment of rupture, riot and rebellion’, mirrored through the lens of contemporary art. Inside, you’ll discover a powerful archive of contemporary artists, who want to confront the issues of our time, urging us to question whether we are ‘now, living in the blackout of history?’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn the spotlight this issue: cover star and Russian activist Nadya Tolokonnikova’s anti-authoritarian post-punk protest art, Josephine Pryde on R.I.P Germain’s resistance to reductive categorisation, Banks Violette in conversation with Charlie Fox, and the simulated politics of Danielle Brathwaite-Shirley’s virtual worlds.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/curamagazine.com\/\" target=\"_blank\"\u003ecuramagazine.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":43747198009453,"sku":null,"price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Cura.45.jpg?v=1765214310"},{"product_id":"talker-5","title":"Talker #5","description":"\u003ch6\u003e\u003cstrong\u003e180 x 280 mm, 20 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published in 2016\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor:\u003c\/strong\u003e Giles Bailey\u003ca href=\"https:\/\/www.apartamentomagazine.com\/\" target=\"_blank\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/a\u003e\n\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003eEach issue of \u003ci\u003eTalker\u003c\/i\u003e consists of an in depth conversation with a performance artist, resulting in an illustrated, risograph-printed zine.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhile the interviews are usually conducted by fellow artist Giles Bailey, this fifth issue instead features a transcript of a conversation between two downtown renegades—novelist and poet Kathy Acker and actor and writer Spalding Gray—that occurred at the ICA in 1987. The result is an electric back and forth involving the audience and giving glimpses into Spalding’s early writing and performance work for theatre, prior to his later screen adaptations.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.gilesbailey.com\/talker\" rel=\"noopener\" target=\"_blank\"\u003egilesbailey.com\/talker\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":43765019738221,"sku":null,"price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Talker_5.jpg?v=1765384642"},{"product_id":"schnitt-3","title":"Schnitt #3","description":"\u003ch6\u003e\u003cstrong\u003e147 x 210 mm, 140 pages \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eStuttgart, Germany\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAnnual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published in 2024\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor and art director: \u003c\/strong\u003eCaroline Schulz\u003c\/h6\u003e\n\u003cdiv\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eSchnitt\u003c\/i\u003e is an exciting new title from Germany, exploring big ideas concerning the converging disciplines of ‘architecture, design, art, and society’, with the magazine’s dedication to innovation reflected in their experimental approach to design. 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Divided into three somewhat esoterically-titled segments—‘Soft Encounters’, ‘Layered Awareness’ and ‘Burnt Signals’—features explore the democratic language of touch, unpack perfumery 27 87’s commitment to the olfactory present, reflect on Iammi and Materia-Studio’s recent multi-sensory installation at Milan’s MelzoDodici showroom, and delve into modern digitalisation’s impact on the phenomenological experience of craving. 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