{"product_id":"adbusters-185","title":"Adbusters #185","description":"\u003ch6\u003e\u003cstrong\u003e230 x 275 mm, 64 pages \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eVancouver, Canada (English-language)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditors: \u003c\/strong\u003eKalle Lasn, Daniel Younger, Marco van der Meer, Roshni Grover and Kat Dodds\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eCreative director:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003ePedro Inoue\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003eThe original culture-jamming magazine, published since 1989 and predating the Occupy movement in its campaigns against the excesses of global capitalism. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTypically loud, unapologetic and taking on a raw, zine-like manner, this is the second instalment of \u003ci\u003eAdbusters\u003c\/i\u003e’ ‘Design Anarchy’ trilogy. Themed ‘The Unprocessed World’, its signature mock ads—featuring wry commentary on the state of today’s media landscape—are even more scrappy than usual, a rebuttal of homogenisation under capitalism and the ‘over-processed’ conformity of AI.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.adbusters.org\/\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" target=\"_blank\"\u003eadbusters.org \u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":45718457057389,"sku":null,"price":8.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Adbusters155.jpg?v=1787922144","url":"https:\/\/magculture.com\/products\/adbusters-185","provider":"magCulture","version":"1.0","type":"link"}