{"product_id":"anima-4","title":"Anima #4","description":"\u003ch6\u003e\u003cstrong\u003e230 x 310 mm, 288 pages \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published 2023\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eBiannual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor-in-chief: \u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003eDeyan Sudjic\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt direction and design: \u003c\/strong\u003eCabinet Milano\u003c\/h6\u003e\n\u003cdiv\u003e\n\u003cp class=\"p1\"\u003e‘Reflections on design’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA relatively new design magazine from the people behind \u003ci\u003ePort\u003c\/i\u003e and edited by writer-curator Deyan Sudjic, you may remember \u003ci\u003eAnima\u003c\/i\u003e first popping up as a slick sister supplement to \u003ci\u003ePort\u003c\/i\u003e a few seasons ago, coinciding with Milan’s Salone del Mobile. It\u003cmeta charset=\"utf-8\"\u003e’s now a standalone title, exploring ‘what things mean, as well as how they look’. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"p1\"\u003eFeaturing two distinct covers to choose from—minimalist, pastel pink typography against a silver background, or Lella and Massimo Vignelli’s colourful, stackable cups—this fourth issue is dedicated to ‘institutions, legacies and the individuals who shape how design is seen, understood and remembered.’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMilan’s Triennale Design Museum is amongst the trailblazing institutions highlighted inside, with a spotlight on two retrospectives on display during Milan Design Week: \u003cmeta charset=\"utf-8\"\u003e‘A Language of Clarity’, a comprehensive look at the prolific and expansive careers of the Vignellis—widely lauded as \u003cmeta charset=\"utf-8\"\u003e‘two of Italy’s most admired designers from the generation that emerged from the ruins of World War II’—and, \u003cmeta charset=\"utf-8\"\u003e‘Alphabet’, a survey of the work of iconic British design duo Edward Barber and Jay Osgerby.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eElsewhere, find profiles of London-based object and furniture designer Andu Masebo, Foundation Cartier director Chris Dercon, and British-Caribbean menswear designer Bianca Saunders, alongside features spanning a bid by The National Trust to acquire Richard and Su Rogers’ Modernist \u003cmeta charset=\"utf-8\"\u003e‘Wimbledon House’, the two sides of \u003cmeta charset=\"utf-8\"\u003e‘AI slop’, and the late Martin Parr’s reckoning with \u003cmeta charset=\"utf-8\"\u003e‘everyday systems’.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/anima-magazine.com\/\" target=\"_blank\"\u003eanima-magazine.com\u003c\/a\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"magCulture","offers":[{"title":"Text","offer_id":45206897557613,"sku":null,"price":12.0,"currency_code":"GBP","in_stock":true},{"title":"Cups","offer_id":45206897590381,"sku":null,"price":12.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Anima_4_gif.gif?v=1778853084","url":"https:\/\/magculture.com\/products\/anima-4","provider":"magCulture","version":"1.0","type":"link"}