{"product_id":"artreview-vol-78-5","title":"ArtReview, Vol. 78 #5","description":"\u003ch6\u003e\u003cstrong\u003e235 x 300 mm, 112 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003ePublished nine times a year \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eEditor-in-chief: \u003c\/strong\u003eMark Rappolt\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign:\u003c\/strong\u003e Pedro Cid Proença and Michael Wallace\u003c\/h6\u003e\n\u003cdiv\u003e\n\u003cp class=\"p1\"\u003e‘Baring its fangs, since 1949’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe almost-monthly \u003ci\u003eArtReview \u003c\/i\u003ehas been expanding contemporary art’s audience and reach since 1949. Within its pages, art is observed, featured and reviewed.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis September 2026 issue is loosely centred around ‘the question of what functionality or agency art may or may not have,’ featuring Indonesian collective Taring Pad on the cover.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePlus, a supplement made in collaboration with the Korea Arts Management Service profiles ‘Thirty Korean Artists’ that together embody Korea’s exciting contemporary art scene.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/artreview.com\" target=\"_blank\"\u003eartreview.com\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":45828249256045,"sku":null,"price":8.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/ArtReview_September2026.jpg?v=1790268977","url":"https:\/\/magculture.com\/products\/artreview-vol-78-5","provider":"magCulture","version":"1.0","type":"link"}