{"product_id":"european-review-of-books-12","title":"European Review of Books #12","description":"\u003ch6\u003e\u003cstrong\u003e198 x 270 mm, 144 pages \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eMaastricht, Netherlands (English-language) \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst launched 2022 \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eTriannual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eFounding editors:\u003c\/strong\u003e George Blaustein, Sander Pleij and Wiegertje Postma\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor: \u003c\/strong\u003eFernanda Eberstadt\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign:\u003c\/strong\u003e Patrick Doan\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003e‘Books? Review? \u003ci\u003eEurope\u003c\/i\u003e? A \u003ci\u003eEuropean Review of Books\u003c\/i\u003e would sound thrice-doomed. And yet here we are.’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHere they are indeed. The \u003ci\u003eERB \u003c\/i\u003eis made up of the things you’d expect: fiction, essays, poetry, art, and reviews about Europe and \u003ci\u003efrom\u003c\/i\u003e Europe. This twelfth edition sports a dashing tangerine cover, and carries forward the changes introduced in the last issue: the perforated page edges that forced the reader to tear them open for access have been ditched, a wise decision in our view. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFlick through these newly accessible pages to learn about the degradation of language in the age of AI; Ireland’s fragile subsea cable network; the climate anxiety evoked through a viewing of Vittore Grubicy de Dragon’s 1887 painting ‘Neve in Agosto’ (‘Snow in August’); the revelations of a new book by Anna Thomasson, delving into photographer Lee Miller’s wartime and postwar photography; and much more.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn the Journal\u003cbr\u003e\u003c\/strong\u003eAt Work With Sander Pleij:\u003cstrong\u003e \u003c\/strong\u003e‘The \u003cem\u003eERB\u003c\/em\u003e is necessarily more experimental, and even chaotic, than the \u003cem\u003eLondon Review\u003c\/em\u003e \u003cem\u003eof Books\u003c\/em\u003e and \u003cem\u003eNew York Review of Books\u003c\/em\u003e (great magazines!). Experimental because while there is a ‘European’ orbit to the endeavour, it’s an orbit without a set center or superstructure. We need other metaphors: knocking on a thousand doors at once? We begin from the sense that ‘European’ is curiously up for grabs, and we very much want to keep it up for grabs.’\u003cbr\u003e\u003ca href=\"https:\/\/magculture.com\/blogs\/journal\/sander-pleij-european-review-of-books?_pos=2\u0026amp;_sid=f34b6b08d\u0026amp;_ss=r\" target=\"_blank\"\u003eREAD MORE\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/europeanreviewofbooks.com\/\" target=\"_blank\"\u003eeuropeanreviewofbooks.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":67618213527661,"sku":null,"price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/EuropeanReviewofBooks12.jpg?v=1790957149","url":"https:\/\/magculture.com\/products\/european-review-of-books-12","provider":"magCulture","version":"1.0","type":"link"}