{"product_id":"eye-110","title":"Eye #110","description":"\u003ch6\u003e\u003cstrong\u003e237 x 297 mm, 100 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor: \u003c\/strong\u003eJohn L. Walters\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt director: \u003c\/strong\u003eSimon Esterson\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt editor:\u003c\/strong\u003e Holly Catford\u003c\/h6\u003e\n\u003cp\u003e‘The International Review of Graphic Design’\u003c\/p\u003e\n\u003cp\u003eAnother trawl through archive and contemporary graphics, featuring the psychedelic chaos of Tadanori Yokoo’s posters, the rediscovery of Gordon House’s 1960’s designs for art galleries and The Beatles, a tribute to Andy Altman by friends and family, and a major profile of Lebanese typographer and Pentagram partner Samar Maakaroun.\u003c\/p\u003e\n\u003cp\u003ePlus Rick Poynor details the joys of \u003cem\u003eThe Modernist\u003c\/em\u003e magazine.\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"http:\/\/www.eyemagazine.com\/\" target=\"_blank\"\u003eeyemagazine.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":45293143261293,"sku":null,"price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Eye110_b8c44fbb-1fc2-49dc-917a-471ce3f2b4dc.png?v=1780676336","url":"https:\/\/magculture.com\/products\/eye-110","provider":"magCulture","version":"1.0","type":"link"}