{"product_id":"postpostpost-2","title":"PostPostPost #2","description":"\u003ch6\u003e\u003cstrong\u003e150 x 225 mm, 600+ pages (1.5kg!)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLos Angeles and Dubai\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eAnnual\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eFirst published in 2023\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditors: \u003c\/strong\u003eAl Hassan Elwan and\u003cstrong\u003e \u003c\/strong\u003eRuby Al-Sweel\u003cbr\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eCreative director: \u003c\/strong\u003eAl Hassan Elwan\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eDesign: \u003c\/strong\u003eJake Buckley and Meara Withe\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003eLaunched in 2023, \u003ci\u003ePostPostPost\u003c\/i\u003e is a heavyweight annual featuring cultural critique that responds to our current (post-post-postmodern) media landscape. Initially marketed as a once in a century publication, this expanded sophomore edition, themed ‘Real’, returns just three years later—providing further proof of its status as a suitably unpredictable zeitgeist barometer for our ever-shifting world. Interestingly, both editors cite personal bouts of illness as a driving force behind its premature return, a reminder of their humanity that runs counter to the digital acceleration the publication seeks to document.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFeaturing a colossal 666 pages—the pop cultural symbolism of which is not lost on us—inside readers will find essays, interviews, and images from over 60 international contributors, combining ‘contemporary critique and brainrot theory’. Nestled at the centre of the issue is a 28-page cover story on and by Australian performance artist and internet personality Bianca Censori—known for her exhaustively documented and controversial romantic relationship with Kanye West—in which she responds to the team’s request for an interview with a self-reflexive musing on the function of interviews in flattening identities, accompanied by an uncanny series of progressively digitally-rendered headshots. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eElsewhere, Aidan Walker makes a case for the mobilising potential of the ‘citizen-led communities, niche subcultures, and creators’ behind the widespread circulation of internet phenomenons such as ‘67’ and ‘Tung Tung Tung Sahor’, positioning ‘the process that brought Tung Tung Tung Sahor from shitpost to real-life toy’ as the same process by which a revolutionary movement could be realised. And, Shadeh Kavousian crowns Addison Rae ‘the heroine of reality’.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePlus, contributions from Jack Self, Beck Dawson, Dilara Findikoglu, Sarah Chekfa, Stephanie LaCava, Victor Unwin, and more.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/postpostpost.com\/\" target=\"_blank\"\u003epostpostpost.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":45622218948717,"sku":null,"price":50.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/PostPostPost2.jpg?v=1786638322","url":"https:\/\/magculture.com\/products\/postpostpost-2","provider":"magCulture","version":"1.0","type":"link"}