{"product_id":"slightly-foxed-92","title":"Slightly Foxed #92","description":"\u003ch6\u003e\u003cstrong\u003e148 x 210 mm, 96 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eQuarterly\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003e\u003cspan\u003eEditors:\u003c\/span\u003e\u003c\/strong\u003e Gail Pirkis and Hazel Wood\u003c\/h6\u003e\n\u003cp\u003e‘The real reader’s quarterly’\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSlightly Foxed\u003c\/em\u003e is a cosy quarterly that introduces its readers to books that are no longer new and fashionable but have lasting appeal (its name refers to the slight staining paper takes on over time). Good-humoured, unpretentious and a bit eccentric, it describes itself as, ‘more like a well-read friend than a literary review.’\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis Winter 2026 issue opens with Felicity James’ essay, ‘How Time Remakes Us’, on temporality in Penelope Lively’s short story anthology ‘Pack of Cards’. Elsewhere, discover further contributions from Grant McIntyre, Sue Gee, Tim Pears, Suzi Feay, Martin Latham, Laura Freeman, David Fleming, Marianne Elliott, and Rohan Candappa.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/foxedquarterly.com\/\" rel=\"noopener\" target=\"_blank\"\u003efoxedquarterly.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":68065345929325,"sku":null,"price":16.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/SlightlyFoxed62.png?v=1794585983","url":"https:\/\/magculture.com\/products\/slightly-foxed-92","provider":"magCulture","version":"1.0","type":"link"}