{"product_id":"spike-88","title":"Spike #88","description":"\u003ch6\u003e\n\u003cstrong\u003e216 x 280 mm, 160\u003c\/strong\u003e\u003cstrong\u003e pages \u003c\/strong\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eVienna, Austria \u0026amp; Berlin, Germany \u003c\/strong\u003e\u003cstrong\u003e(English-language)\u003c\/strong\u003e\n\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eQuarterly\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003ePublished since 2004\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor-in-chief: \u003c\/strong\u003eRita Vitorelli\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt director: \u003c\/strong\u003eGian Gisiger\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eSpike \u003c\/i\u003eis a themed art magazine; this Summer 2026 issue is titled ‘Spirituality’ and explores how the art world is responding to the contemporary zeitgeist’s obsession with the metaphysical. In the words of the \u003ci\u003eSpike\u003c\/i\u003e team: ‘A higher power is having a moment. From the growth of Latin Mass and meditation apps, to evangelisms for AI and theoretic wars, the metaphysical heft is piling up.’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eInside: Jamaican scholar and sound artist Isis Semaj-Hall’s critical portrait of the late reggae icon Lee ‘Scratch’ Perry sheds light on his visual oeuvre’s spiritual and cultural roots, giving context to the famous refrain: ‘I am a madman \/ come to cool the bad man’; Korean-American writer and musician Johanna Hedva’s essay ‘The Voice Is a Fishing Net and God Is Water’ navigates pain and grief in the age of optimisation, noting that ‘suffering belongs to the body; but, always looming on the horizon, doom belongs to the imagination’; and an interview with Amazonian artist Santiago Yahuarcani explores his use of natural pigments on cloth to preserve the pride, history, and cultural heritage of the White Heron Clan in the northern Amazon region of Peru.\u003c\/p\u003e\n\u003cdiv class=\"Fsg96\"\u003e\u003c!--TgQPHd|||[]--\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eOn the Journal, about an earlier issue:\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003e‘I love \u003c\/span\u003e\u003cem\u003eSpike\u003c\/em\u003e\u003cspan\u003e magazine. The quarterly art magazine has been published since 2004 by artist Rita Vitorelli and has just reached its 50th issue. It follows an idiosyncratic editorial direction – part of its strength is its refusal to follow the crowd, and the art mag shelf is a crammed one. It’s not easy to stand out, but \u003c\/span\u003e\u003cem\u003eSpike\u003c\/em\u003e\u003cspan\u003e’s mix of written and visual essays brings a more curatorial than editorial approach. And the main reason it stands out is its design.’\u003c\/span\u003e\u003cbr\u003e\u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" href=\"http:\/\/magculture.com\/spike-50\/\" target=\"_blank\"\u003eREAD MORE\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.spikeartmagazine.com\/\" target=\"_blank\"\u003espikeartmagazine.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":45522302107757,"sku":null,"price":26.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Spike_88cover.png?v=1785338763","url":"https:\/\/magculture.com\/products\/spike-88","provider":"magCulture","version":"1.0","type":"link"}