{"product_id":"tank-vol-11-9","title":"Tank, Vol. 11, #9","description":"\u003ch6\u003e\u003cstrong\u003e230 x 300 mm, 320 pages (plus sticker sheet)\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eLondon, UK \u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eQuarterly\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003ePublished since 1998\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor-in-chief:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eMasoud Golsorkhi\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eCreative director:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eSohrab Golsorkhi-Ainslie\u003c\/h6\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e‘Moving. Since 1998.’\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAs Wikipedia dutifully points out, this publication is ‘not to be confused with \u003c\/span\u003e\u003cem\u003eTank\u003c\/em\u003e\u003cspan\u003e, the magazine of the Royal Tank Regiment.’ If it’s contemporary culture, fashion, art, architecture, technology and politics you’re looking for, this would be the version to go for. \u003c\/span\u003e\u003cem\u003eTank\u003c\/em\u003e\u003cspan\u003e has taken many forms and continues to carve a distinctive niche in a crowded genre, with its selective themes and intelligent writing. Typically sticker-friendly, recent issues have been uncharacteristically \u003c\/span\u003e\u003cspan\u003eunstickered\u003c\/span\u003e\u003cspan\u003e (not including the logo, which has indeed been manually stuck on) but with a sheet of stickers ready to be applied.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis latest edition of the self-proclaimed ‘heavy-duty culture’ magazine opens with a pensive editorial from Masoud Golsorkhi, remarking on contemporary political movements that ‘simulate the appearance of change’, and the undertones of director Christopher Nolan’s oeuvre that convey a frustration with the ‘philosophical, moral and political dead end’ Western civilisation has halted at. Hence the contrasting theme of this edition: ‘Movement’. Furnished with features including a deep dive into the cosmic plane with philosopher Thomas Nail, a reflection on the crisis facing Palestinian prisoners in Israel by Basil Farraj, and an interview with economist and former Labour Party advisor James Meadway.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eOn the Journal:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAt Work With Masoud Golsorkhi: ‘I am not sure if we are academically rigorous. We don’t aim to be academic, we mean to approach fashion as a serious topic in and amongst other serious and interesting ideas. I guess the form of address implies a reader of a certain discernment, education and intellectual aspiration.’ \u003cbr\u003e\u003ca href=\"https:\/\/magculture.com\/masoud-golsorkhi-tank\/\" target=\"_blank\"\u003eRead more\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tankmagazine.com\/\" target=\"_blank\"\u003etankmagazine.com\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":45872410361965,"sku":null,"price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/Screenshot2026-09-17at11.44.59.png?v=1789641914","url":"https:\/\/magculture.com\/products\/tank-vol-11-9","provider":"magCulture","version":"1.0","type":"link"}