{"product_id":"the-paris-review-256","title":"The Paris Review #256","description":"\u003ch6\u003e\u003cstrong\u003e135 x 215 mm, 236 pages\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eNew York, US\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003eQuarterly\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\u003cstrong\u003ePublished since 1953\u003c\/strong\u003e\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eEditor:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eEmily Stokes\u003c\/h6\u003e\n\u003ch6\u003e\n\u003cstrong\u003eArt director:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eNa Kim\u003c\/h6\u003e\n\u003cp class=\"p1\"\u003eOriginally published from Paris, the review moved to New York in the sixties but retained its name. It has built an enviable reputation for discovering the best new voices in fiction, non-fiction, and poetry while also presenting in depth interviews with established figures. It was smartly redesigned by Matt Willey a few years ago, with a nod to earlier designs of the publication.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis Summer 2026 edition leads with a rainbow detail from Venezuelan-American conceptual artist Alex Da Corte’s 2017 digital print \u003cmeta charset=\"utf-8\"\u003e‘The End’ on the cover, perfectly encapsulating British summer time. Inside, you’ll find:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHarryette Mullen on the Art of Poetry: ‘People think they have to write something that nobody ever thought of, but you can write about ordinary stuff. If you start with a rule and then break the rule, it’s possible to surprise yourself.’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eYan Lianke on the Art of Fiction: ‘Wherever I find the seed for a story, I try to plant it in familiar soil.’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePlus, prose by Shuang Xuetao, Lucy Ellmann, Daniel Saldaña Paris, Chad Fore, Daisy Hildyard, and Chigozie Obioma, and poetry by Jean Day, Zain Baweja, Hannah Piette, Katana Smith, Shamsher Bahadur Seidel and Tran Hang My.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eArt by Andrew Kuo, Hannah Tishkoff and Hadi Falapishi.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/www.theparisreview.org\/\" target=\"_blank\"\u003etheparisreview.org\u003c\/a\u003e\u003c\/p\u003e","brand":"magCulture","offers":[{"title":"Default Title","offer_id":45367570563181,"sku":null,"price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0514\/7889\/files\/TheParisReview256_8cb6d7e3-e9f1-4c43-8e95-fe586d962cfa.png?v=1782223689","url":"https:\/\/magculture.com\/products\/the-paris-review-256","provider":"magCulture","version":"1.0","type":"link"}