Flash Art #354
210 x 280 mm, 256 pages
Milan, Italy (English-language)
Bimonthly
Editor-in-chief: Gea Politi
Creative director: Alessio Avventuroso
Published since 1967, Flash Art is dedicated to writing and thinking about contemporary art.
This Spring 2026 edition—themed ‘Relevance’—opens with an editorial from Gea Politi questioning the nature of exposure and awareness: ‘What persists, across this issue, is attention itself: delayed, fractured, and still necessary.’
Inside, the subversive practice of Dustin Hodges—inhabiting a liminal space between image and painting—is explored in an open ended reading by Nick Angelo, Anne Imhof—one of the cover stars this issue, photographed by Tyler Mitchell—discusses Mitchell’s solo exhibition at the Serralves Museum in Portugal, and the ‘Focus on’ section spotlights Lisbon, taking a look at the Portuguese capital’s turbulent history, as well as the impact of austerity and the city’s ‘Golden Visa’ scheme—which has intensified economic disparity and thrown into stark relief the wedge between locals and newcomers.