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Journal tagged by Print x Digital

Sophia Epstein, Digital Frontier

Sophia Epstein, Digital Frontier

Digital Frontier magazine is a London-based title about technology that launched earlier this year. As its second issue goes to press, editor Sophia Epstein explains why coverage of digital tech works well in print, as she reveals the magazines that first made an impression on her, and looks ahead at her week.

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Willa Bennett, Highsnobiety

Willa Bennett, Highsnobiety

Launched in 2005 as a streetwear blog, Highsnobiety has grown into a global media brand specialising in music, the arts, fashion and culture. Its flagship print magazine reports from the cutting edge of culture. Editor-in-chief Willa Bennett shares her working week as issue 34 of the quarterly appears in shops.
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Gutes Guterman, Byline

Gutes Guterman, Byline

We don’t often feature digital publications, but recent launch Byline caught our attention for the way its monthly, themed structure echoes print. It’s strong writing and vibrant design promises a lot. Cofounder Gutes Guterman, late of New York’s art scene report/parody publication The Drunken Canal, tells us more.
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Michelle Lu, Semaine

Michelle Lu, Semaine

After seven years as a digital platform presenting Tastemakers to an international audience, Semaine recently launched a monthly print newspaper. Co-founder Michelle Lu tells us about her concept of Tastemakers, and where the newspaper fits into the project, as she shares her working week.
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Oswin Tickler, Artefact

Oswin Tickler, Artefact

The latest issue of Artefact magazine, produced by journalism students at the London College of Printing, is published this week. Every copy will have a unique cover design courtesy of software developed by its designer Oswin Tickler, who tells us more about the project as he shares his week ahead.
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Batshit Times #3

Batshit Times #3

All new trends surface in magazines at some point, and right now we’re seeing Artificial Intelligence pop up everywhere. Batshit Times succesfully uses AI technology to reflect and challenge the chaos of the modern world; curiously, in doing so it makes a strong argument for the role of the editor over the algorithm.

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