After Noon #1

An aptly titled follow up to the cross-disciplinary art, fashion and commerce biannual Noon, which ceased publishing in 2020, After Noon is a modernised attempt to address the continued breakdown of binaries between disciplines in a rapidly evolving world.

Much like its precursor, editor-in-chief Jasmine Raznahan introduces the debut issue of After Noon as a similarly ‘blurred space. Somewhere to react; to refine; to re-define. To break down the borders that we so unconsciously conform to within industries, institutions, systems and communities.’

Themed ‘Borders’, and containing a satisfying blend of matte and glossy paper stock, inside this inaugural issue you’ll find contributions from an impressive line-up of creative powerhouses—the likes of which include creative director Alister Mackie, photographers Juergen Teller and Guy Bolongaro, and 2025 Turner Prize nominee Rene Matić. Other highlights include Batier Suter’s  phylogenetic work-in-progress project ‘Exosphere’: a collection of images depicting the fundamentals of sculpture and Suter’s appreciation of unconventional beauty; a moving poem by Batool Abu Akleen, ‘This is how I cook my grief’, printed plainly on an A5 insert; and a photographic archive of Katharine Hamnett’s ubiquitous political slogan T-shirts.